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Send Track
Send tracks (sometimes simply called Sends) are the software audio routing equivalent to the aux-sends found on multitrack sound mixing/sequencing consoles. In audio recording Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording t ..., a given song is almost always made up of multiple tracks, with each instrument or sound on their own track (for example, one track could contain the drums, one the guitar, one for a vocal, etc). Further, each track can be separately adjusted in many ways, such as changing the volume, adding effects, and so on. This can be done with individual hardware components, commonly known as "outside the box," or via software applications known as DAWs (Digital Audio Workstations), commonly known as "inside the box." Send tracks are tracks that aren't (normally) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Routing
Routing is the process of selecting a path for traffic in a network or between or across multiple networks. Broadly, routing is performed in many types of networks, including circuit-switched networks, such as the public switched telephone network (PSTN), and computer networks, such as the Internet. In packet switching networks, routing is the higher-level decision making that directs network packets from their source toward their destination through intermediate network nodes by specific packet forwarding mechanisms. Packet forwarding is the transit of network packets from one network interface to another. Intermediate nodes are typically network hardware devices such as routers, gateways, firewalls, or switches. General-purpose computers also forward packets and perform routing, although they have no specially optimized hardware for the task. The routing process usually directs forwarding on the basis of routing tables. Routing tables maintain a record of the routes to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aux-send
{{unreferenced, date=May 2019 An aux-send (auxiliary send) is an electronic signal-routing output used on multi-channel sound mixing consoles used in recording and broadcasting settings and on PA system amplifier-mixers used in music concerts. The signal from the auxiliary send is often routed through outboard audio processing effects units (e.g., reverb, digital delay, compression, etc.) and then returned to the mixer using an auxiliary return input jack, thus creating an effects loop. This allows effects to be added to an audio source or channel within the mixing console. Another common use of the aux send mix is to create monitor mixes for the onstage performers' monitor speakers or in-ear monitors. The aux send's monitor mix is usually different from the front of house mix the audience is hearing. Purpose The routing configuration and usage of an aux-send will vary depending on the application. Two types of aux-sends commonly exist: pre-fader and post-fader. Pre-fader sends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Recording
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Audio Workstation
A digital audio workstation (DAW) is an electronic device or application software used for Sound recording and reproduction, recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece. DAWs are used for producing and recording music, songs, human speech, speech, Radio broadcasting, radio, television, soundtracks, podcasts, sound effects and nearly any other situation where complex recorded audio is needed. Hardware Early attempts at digital audio workstations in the 1970s and 1980s faced limitations such as the high price of storage, and the vastly slower processing and disk speeds of the time. In 1978, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
