Selig Ist Der Mann, BWV 57
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Selig Ist Der Mann, BWV 57
(Blessed is the man), 57, is a church cantata by Johann Sebastian Bach. He wrote the Christmas cantata in Leipzig in 1725 for the Second Day of Christmas, which was celebrated that year as St. Stephen's Day, and first performed it on 26 December 1725. History and text Bach wrote the cantata in his third year in Leipzig for the Second Day of Christmas. That year, as every other year in Leipzig, the day was the feast of the martyr St. Stephanus (Stephen). The prescribed readings for the day are from the Acts, the Martyrdom of Stephen (, ), and from the Gospel of Matthew, Jerusalem killing her prophets (). The cantata text was written by Georg Christian Lehms, who drew on all the readings and connected them to more biblical allusions. The first line is taken from , the crown mentioned is in Greek "stephanos". Lehms set the development as a dialogue of "Jesus" and the Soul ("Anima"). He intended to use as a closing chorale a verse from Johann Heermann's "", but Bach instead chose ...
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Christmas Cantata
A Christmas cantata or Nativity cantata is a cantata, music for voice or voices in several movements, for Christmas. The importance of the feast inspired many composers to write cantatas for the occasion, some designed to be performed in church services, others for concert or secular celebration. The Christmas story, telling of music of the angels and suggesting music of the shepherds and cradle song, invited musical treatment. The term is called in German, and in French. Christmas cantatas have been written on texts in several other languages, such as Czech, Italian, Romanian, and Spanish. Christmas cantata can also mean the performance of the music. Many choirs have a tradition of an annual Christmas cantata. Theme Different from Christmas oratorios, which present the Christmas story, Christmas cantatas deal with aspects of it. Bach's ''Christmas Oratorio'', written for performance in Leipzig in 1734/1735 touches many of these themes. It consists of six parts, each part is a ...
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Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ...
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Jo Vincent
Johanna Maria Vincent (6 March 1898 – 28 November 1989) was a Dutch soprano who appeared mostly in oratorio and concert, and is internationally known. She appeared regularly with Willem Mengelberg and the Royal Concertgebouw Orchestra from 1924 to 1942, including annual concerts and a recording of Bach's ''St Matthew Passion''. She participated in the world premiere of Benjamin Britten's ''Spring Symphony'', with Kathleen Ferrier and Peter Pears. After retiring, she taught at the Haarlem Conservatory. Life Johanna Vincent was born in Amsterdam, the daughter of the organist, piano teacher and carillonneur Jacob Vincent, and Geertruida Johanna Meijer. At age nine, she joined the children's choir of Catharina van Rennes. She studied to be a voice teacher, graduating with a diploma in 1919. She gave singing lessons to pay for studying voice with Cornélie van Zanten. Her first public concert was in Assendelft in 1920. She first appeared with the Royal Concertgebouw Orchestra ...
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Concertgebouw Orchestra
The Royal Concertgebouw Orchestra ( nl, Koninklijk Concertgebouworkest, ) is a Dutch symphony orchestra, based at the Amsterdam Royal Concertgebouw (concert hall). Considered one of the world's leading orchestras, Queen Beatrix conferred the "Royal" title upon the orchestra in 1988. History The Concertgebouw opened on 11 April 1888. The Concertgebouw Orchestra was established several months later and gave its first concert in the Concertgebouw on 3 November 1888. This performance was conducted by the orchestra's first chief conductor, Willem Kes. 1888–1945: Kes and Mengelberg Kes served as the orchestra's chief conductor from its 1888 founding to 1895. In 1895, Willem Mengelberg became chief conductor and remained in this position for fifty years, an unusually long tenure for a music director. He is generally regarded as having brought the orchestra to a level of major international significance, with a particular championing of such then-contemporary composers as Gustav Mah ...
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Willem Mengelberg
Joseph Wilhelm Mengelberg (28 March 1871 – 21 March 1951) was a Dutch conductor, famous for his performances of Beethoven, Brahms, Mahler and Strauss with the Concertgebouw Orchestra in Amsterdam. He is widely regarded as one of the greatest symphonic conductors of the 20th century. Biography Mengelberg was the fourth of fifteen children of German-born parents in Utrecht, Netherlands. His father was the Dutch-German sculptor Friedrich Wilhelm Mengelberg. After studies in Utrecht with the composer and conductor Richard Hol, the composer Anton Averkamp (1861–1934) and the violinist Henri Wilhelm Petri (1856–1914), he went on to study piano and composition at the Cologne conservatory (now the Hochschule für Musik Köln), where his principal teachers were Franz Wüllner, Isidor Seiss and Adolf Jensen. In 1891, when he was 20, he was chosen as General Music Director of the city of Lucerne Switzerland, where he conducted an orchestra and a choir, directed a music school, tau ...
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Lobe Den Herren, Den Mächtigen König Der Ehren
"Praise to the Lord, the Almighty" is a Christian hymn based on Joachim Neander's German-language hymn "Lobe den Herren, den mächtigen König der Ehren", published in 1680. John Julian in his ''A Dictionary of Hymnology'' calls the German original "a magnificent hymn of praise to God, perhaps the finest creation of its author, and of the first rank in its class." The melody used by Neander, first published in 1665, exists in many versions and is probably based on a folk tune. It is catalogued as Zahn number 1912c with several variants. The text paraphrases Psalm 103 and Psalm 150. Catherine Winkworth published her English translation of Neander's hymn in 1863. History The common name given to this melody is "Lobe den Herren". Several variants were published with various secular texts between 1665 and 1680, when Joachim Neander published his German hymn "Lobe den Herren, den mächtigen König der Ehren", using its meter. It was the favorite hymn of King Frederick William III o ...
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Triad (music)
In music, a triad is a set of three notes (or "pitch classes") that can be stacked vertically in thirds.Ronald Pen, ''Introduction to Music'' (New York: McGraw-Hill, 1992): 81. . "A triad is a set of notes consisting of three notes built on successive intervals of a third. A triad can be constructed upon any note by adding alternating notes drawn from the scale.... In each case the note that forms the foundation pitch is called the ''root'', the middle tone of the triad is designated the ''third'' (because it is separated by the interval of a third from the root), and the top tone is referred to as the ''fifth'' (because it is a fifth away from the root)." Triads are the most common chords in Western music. When stacked in thirds, notes produce triads. The triad's members, from lowest-pitched tone to highest, are called: * the root **Note: Inversion does not change the root. (The third or fifth can be the lowest note.) * the third – its interval above the root being a minor thi ...
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Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ...
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John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on ...
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Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ...
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Vox Christi
Vox (Latin for 'voice') may refer to: Arts, entertainment and media Fictional characters * Vox (DC Universe character), Mal Duncan * Vox, several characters in the anime series '' Lagrange: The Flower of Rin-ne'' * Gleeman Vox, from the ''Ratchet & Clank'' video game series * Vox, a character in the animated web series ''Hazbin Hotel''; see List of Hazbin Hotel and Helluva Boss characters Literature * ''Vox'' (Nicholson Baker novel), 1992 * ''Vox'' (Stewart and Riddell novel), 2003 Music * "Vox" (song), by Sarah McLachlan, 1988 * Vox Records (Germany), a German record label * Vox Records, an American record label Television and radio * VOX (Norwegian TV channel) * VOX (German TV channel) * MAtv, formerly Vox, a Canadian TV channel * Vox, a former satellite radio channel * Radio Vox T, a Romanian radio station * WVOX, a radio station licensed to New Rochelle, New York, U.S. Other uses in arts, entertainment and media * Vox Media, an American digital media company ** ''Vox ...
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Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ...
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