Self-portrait As David
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Self-portrait As David
''Self-Portrait as David'' is a c.1509-1510 oil on panel portrait by Giorgione, now in the Herzog Anton Ulrich Museum in Brunswick. It is not universally accepted as an autograph work but - if it is - it is thought to be the prototype for another ''Self-Portrait'' ( Budapest Museum of Fine Arts) by the artist himself or an assistant. Alessandra Fregolent, ''Giorgione'', Electa, Milano 2001. It is mentioned in an inventory of the Casa Grimani dating to 1528 and was seen by Vasari, who mentioned the subject as holding Goliath's head and used it was the basis for the printed portrait of Giorgione in the second edition of his ''Lives of the Artists ''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-ce ...'' in 1568. References Self-portraits Paintings by Giorgione 16th-century portra ...
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Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appe ...
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Herzog Anton Ulrich Museum
The Herzog Anton Ulrich Museum (HAUM) is an art museum in the German city of Braunschweig, Lower Saxony. History Founded in 1754, the Herzog Anton Ulrich Museum is one of the oldest museums in Europe. The museum has its origins in the art and natural history cabinet of Duke Charles I of Brunswick, which he opened in 1754 at the suggestion of the Dutch physician Daniel de Superville. It was one of the first museums in Germany to open to the public and was opened only one year after the British Museum in London. This "cabinet" included a collection of handicraft works and sculptures from the Baroque and Renaissance, but also ancient works of art from outside Europe. The natural history collection later became the basis of the Natural History Museum. The current museum building was opened in 1887. Its architect, Oskar Sommer, planned the building in Italian Renaissance style. In 2010 an extension building was added to the museum. The historical building was closed for renovation ...
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Self-portrait (Giorgione)
The Self-portrait of Giorgione is a possible self-portrait by the Italian painter Giorgione, now in the Museum of Fine Arts in Budapest. It is not universally accepted as an autograph work but – if it is – it is thought to be based on the c.1509-1510 ''Self-portrait as David'' now in the Herzog Anton Ulrich Museum. It was stolen on 5 November 1983. It was recovered in Operation Budapest. 1510 paintings Giorgione Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic qualit ... Stolen works of art 16th-century portraits Paintings in the Museum of Fine Arts (Budapest) Paintings by Giorgione {{16C-painting-stub ...
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Budapest Museum Of Fine Arts
The Museum of Fine Arts ( hu, Szépművészeti Múzeum seːpmyveːsɛti ˈmuːzɛum is a museum in Heroes' Square, Budapest, Hungary, facing the Palace of Art. It was built by the plans of Albert Schickedanz and Fülöp Herzog in an eclectic- neoclassical style , between 1900 and 1906. The museum's collection is made up of international art (other than Hungarian), including all periods of European art, and comprises more than 100,000 pieces. The collection is made up of older additions such as those from Buda Castle, the Esterházy and Zichy estates, as well as donations from individual collectors. The Museum's collection is made up of six departments: Egyptian, Antique, Old sculpture gallery, Old master paintings gallery, Modern collection, Graphics collection. The institution celebrated its centenary in 2006. Collection and exhibits Ancient Egyptian art The gallery holds the second largest collection of Egyptian art in central Europe. It comprises a number of collection ...
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Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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Lives Of The Artists
''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' più eccellenti pittori, scultori, e architettori), often simply known as ''The Lives'' ( it, Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art",Max Marmor, ''Kunstliteratur''
translated by , in Art Documentation Vol 11 # 1, 1992
"some of the 's most influential writing on ...
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Self-portraits
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Paintings By Giorgione
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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16th-century Portraits
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Portraits Of Men
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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