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See See Rider
"See See Rider", also known as "C.C. Rider", "See See Rider Blues" or "Easy Rider", is a popular American 12-bar blues song that became a standard in several genres. Gertrude "Ma" Rainey was the first to record it on October 16, 1924, at Paramount Records in New York. The song uses mostly traditional blues lyrics to tell the story of an unfaithful lover, commonly called an "easy rider": "See see rider, see what you have done", making a play on the word "see" and the sound of "easy". Background "See See Rider" is a traditional song that may have originated on the black vaudeville circuit. It is similar to "Poor Boy Blues" as performed by Ramblin' Thomas. Jelly Roll Morton recollected hearing the song as a young boy some time after 1901 in New Orleans, Louisiana, when he performed with a spiritual quartet that played at funerals. Older band members played "See See Rider" during get-togethers with their "sweet mamas" or as Morton called them "fifth-class whores". Big Bill Broonz ...
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Ma Rainey
Gertrude "Ma" Rainey ( Pridgett; April 26, 1886 – December 22, 1939) was an American blues singer and influential early blues recording artist. Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers. Gertrude Pridgett began performing as a teenager and became known as "Ma" Rainey after her marriage to Will "Pa" Rainey in 1904. They toured with the Rabbit Foot Minstrels and later formed their own group, ''Rainey and Rainey, Assassinators of the Blues''. Her first recording was made in 1923. In the following five years, she made over 100 recordings, including " Bo-Weevil Blues" (1923), "Moonshine Blues" (1923), "See See Rider Blues" (1925), "Ma Rainey's Black Bottom" (1927), and "Soon This Morning" (1927). Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a "moaning" style of singing. Her qualities are present and most evident in he ...
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I Wonder Where My Easy Rider's Gone
"I Wonder Where My Easy Rider's Gone?" is a ragtime/blues song written by Shelton Brooks in 1913. Sometimes categorized as hokum, it led to an answer song written in 1915 by W.C. Handy, "Yellow Dog Rag", later titled "Yellow Dog Blues". Lines and melody from both songs show up in the 1920s and 1930s in such songs as "E. Z. Rider", "See See Rider", "C. C. Rider", and "Easy Rider Blues". "I Wonder Where My Easy Rider's Gone?" Written for the vaudeville stage, the lyrics tell of a Susie Johnson who bets on a horse race using a tip from Jockey Lee, who subsequently runs off with her money. First verse: :Chorus: "I Wonder Where My Easy Rider's Gone?" was first popularized on the vaudeville stage by Sophie Tucker. It is most noted for its performance in a 1933 movie, ''She Done Him Wrong'', in which Mae West sang it in a suggestive manner. It is perhaps this performance which gave it its hokum reputation. "Yellow Dog Rag"/"Yellow Dog Blues" In 1915, W.C. Handy wrote an answer song ...
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LaVern Baker
Delores LaVern Baker (November 11, 1929 – March 10, 1997) was an American R&B singer who had several hit records on the pop chart in the 1950s and early 1960s. Her most successful records were "Tweedle Dee" (1955), " Jim Dandy" (1956), and "I Cried a Tear" (1958). Baker was inducted into the Rock and Roll Hall of Fame in 1991. The Hall remarked that her "fiery fusion of blues, jazz and R&B showcased her alluring vocals and set the stage for the rock and roll surge of the Fifties". Between 1955 and 1965, 20 of her songs made the R&B charts. Over the years, Elvis Presley recorded eight Baker songs. Early life Baker was born Delores Evans in Chicago. She was raised in Calumet City, Illinois. Under her mother's new surname, McMurley, Delores – on December 23, 1948, at age , in Cook County, Illinois – married Eugene Williams.Goldberg, Marv (2009)"Lavern Baker". ''Marv Goldberg's R&B Notebooks'' Retrieved May 25, 2014. Career Baker began singing in Chicago clubs such as the ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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Chuck Willis
Harold "Chuck" Willis (January 31, 1926 – April 10, 1958) was an American blues, rhythm and blues, and rock and roll singer and songwriter. His biggest hits, " C. C. Rider" (1957) and "What Am I Living For" (1958), both reached No.1 on the ''Billboard'' R&B chart. He was known as The King of the Stroll for his performance of the 1950s dance the stroll.Windham, Ben (February 15, 2003). "New release digs deep into Chuck Willis' background". ''The Tuscaloosa News''. p. 16. Life and career Willis was born in Atlanta, Georgia, in 1926. He was spotted at a talent contest by Atlanta radio disc jockey Zenas Sears, who became his manager and helped him to sign with Columbia Records in 1951. After one single, Willis began recording on a Columbia subsidiary, Okeh. During his stay at Okeh, he established himself as a popular R&B singer and songwriter, performing material that he wrote himself. In 1956, he moved to Atlantic Records where he had immediate success with " It's Too Late", "Juan ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ...
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Bea Booze
Bea Booze (March 23, 1912 – November 11, 1986), often credited as Wee Bea Booze, was an American R&B and jazz singer most popular in the 1940s. She was one of the few female blues guitarists of that time. Biography She was born Beatrice BoozePaulus, George; Campbell, Robert; Pruter, RobertEbony, Chicago, Southern, and Harlem: The Mayo Williams Indies Retrieved September 22, 2014 in Baltimore, the daughter of Phillip and Lydia Booze. She made her name as a singer in Harlem, New York. Booze was signed by Decca Records to cover the songs and emulate the style of Lil GreenHarris, Sheldon (1994). ''Blues Who's Who'' (rev. ed.). New York: Da Capo Press. p. 61. . and, under the guidance of Sammy Price, first recorded in 1942. Her version of "See See Rider Blues", first recorded by Ma Rainey, reached number 1 on the US ''Billboard'' R&B chart, after which she was billed as the "See See Rider Blues Girl". In addition to singing, she played guitar in performance and on many of her ...
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Charlie Dixon (musician)
Charles Edward Dixon (December 31, 1898 in Jersey City, New Jersey – December 6, 1940, New York City) was an American jazz banjoist. Between 1921 and 1923, Dixon was a member of Johnny Dunn's Original Jazz Hounds,The Red Hot Jazz Archive: Jazz Hounds discography
Redhotjazz.com, Retrieved 16 May 2013. one of several Dunn-led line-ups that recorded in New York around that time for the label. Dixon played in local ensembles in Boston and New York before becoming a member of Sam Wooding's orchestra in 1922.
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Fletcher Henderson
James Fletcher Hamilton Henderson (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson (because of smacking sounds he made with his lips). Biography James Fletcher Hamilton Henderson was born in Cuthbert, Georgia. He grew up in a middle-class African American family. His father, Fletcher Hamilton Henderson (1857–1943), was the principal of the nearby Howard Normal Randolph School from 1880 until 1942. His home, now known as the Fletcher Henderson House, is a historic site. His mother, a teacher, taught him and his brother Horace to play the piano. He be ...
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Buster Bailey
William C. "Buster" Bailey (July 19, 1902 – April 12, 1967) was an American jazz clarinetist. Career history Early career Buster Bailey was taught clarinet by classical teacher Franz Schoepp, who also taught Benny Goodman. Bailey gained his start with W.C. Handy, W.C. Handy's Orchestra in 1917, when he was just fifteen years old. After two years of touring with Handy, Bailey quit the orchestra while the band was in Chicago. In 1919, Bailey joined Erskine Tate, Erskine Tate's Vendome Orchestra and remained with Tate until 1923 when he joined up with King Oliver, Joe "King" Oliver. As a member of King Oliver's Creole Jazz Band, Bailey met and became friends with Louis Armstrong, who was also a member of the band at that time. In 1924, Armstrong left King Oliver's Jazz Band to join Fletcher Henderson, Fletcher Henderson's Orchestra in New York. Within a month, Armstrong extended an invitation for Buster Bailey to join him as a member of Henderson's band. Bailey accepted and moved ...
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