Second Ancient Theatre, Larissa
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Second Ancient Theatre, Larissa
The Second Ancient Theatre of Larissa ( el, Β΄ Αρχαίο Θέατρο της Λάρισας) is an ancient Greek theatre in the city of Larissa in Thessaly, Greece. History The theatre was built in the second half of the 1st century BC, on the southwestern slopes of the Pefkakia hill. Its construction is probably connected to the conversion of the city's original theatre, which was converted into an arena for gladiatorial contests and public spectacles after the Roman conquest of Greece. The excavator of the site, Athanasios Tziafalias, suggested in particular a connection with the festival of Eleutheria, which featured athletic and horsemanship contests as well as theatrical, musical, and poetry performances. An inscription dedicated to Demeter and the Kore indicates that the site also housed a temple dedicated to them ('' thesmophorion''). The theatre was left in ruins in the Middle Ages, when a Byzantine church dedicated to the Holy Wisdom or to Saint Paraskevi was erect ...
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Second Ancient Theater Of Larissa 2
The second (symbol: s) is the unit of time in the International System of Units (SI), historically defined as of a day – this factor derived from the division of the day first into 24 hours, then to 60 minutes and finally to 60 seconds each (24 × 60 × 60 = 86400). The current and formal definition in the International System of Units ( SI) is more precise:The second ..is defined by taking the fixed numerical value of the caesium frequency, Δ''ν''Cs, the unperturbed ground-state hyperfine transition frequency of the caesium 133 atom, to be when expressed in the unit Hz, which is equal to s−1. This current definition was adopted in 1967 when it became feasible to define the second based on fundamental properties of nature with caesium clocks. Because the speed of Earth's rotation varies and is slowing ever so slightly, a leap second is added at irregular intervals to civil time to keep clocks in sync with Earth's rotation. Uses Analog clocks and watches often have ...
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Byzantine
The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople. It survived the fragmentation and fall of the Western Roman Empire in the 5th century AD and continued to exist for an additional thousand years until the fall of Constantinople to the Ottoman Empire in 1453. During most of its existence, the empire remained the most powerful economic, cultural, and military force in Europe. The terms "Byzantine Empire" and "Eastern Roman Empire" were coined after the end of the realm; its citizens continued to refer to their empire as the Roman Empire, and to themselves as Romans—a term which Greeks continued to use for themselves into Ottoman times. Although the Roman state continued and its traditions were maintained, modern historians prefer to differentiate the Byzantine Empire from Ancient Rome a ...
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Buildings And Structures In Larissa
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Ancient Greek Theatres In Greece
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood ...
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Buildings And Structures Completed In The 1st Century BC
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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List Of Ancient Greek Theatres
This is a list of ancient Greek theatres by location. Attica and Athens *Theatre of Dionysus, Athens *Odeon of Athens, Athens * Theatre of Oropos, Oropos, East Attica * Theatre of Zea, Piraeus, Athens * Theatre of Thoricus, East Attica * Theatre of Aegina, Attica * Theatre of Rhamnous, East Attica Continental Greece and Euboea * Theatre of Chaeronea, Boeotia * Theatre of Orchomenos, Orchomenus (Boeotia) * Theatre of Delphi, Delphi * Theatre of Stratos, Aetolia-Acarnania * Theatre of Oiniades, Aetolia-Acarnania * Theatre of Eretria, Euboea * Theatre of Thebes, Thebes Thessaly and Epirus *First Ancient Theatre, Larissa *Second Ancient Theatre, Larissa * Theatre of Dodona, Ioannina *Theatre of Ambracia, Arta *Theatre of Omolion, Larissa *Theatre of Demetrias, Volos *Theatre of Cassope, Preveza *Theatre of Gitanae,Thesprotia *Theatre of Apollonia, in Illyria *Theatre of Bouthrotos (modern Butrinti) * Theatre of Byllis Macedonia and Thrace * Theatre of Dion, Pieria *Theatre of M ...
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Freedmen
A freedman or freedwoman is a formerly enslaved person who has been released from slavery, usually by legal means. Historically, enslaved people were freed by manumission (granted freedom by their captor-owners), abolitionism, emancipation (granted freedom as part of a larger group), or self-purchase. A fugitive slave is a person who escaped enslavement by fleeing. Ancient Rome Rome differed from Greek city-states in allowing freed slaves to become Plebs, plebeian citizens. The act of freeing a slave was called ''manumissio'', from ''manus'', "hand" (in the sense of holding or possessing something), and ''missio'', the act of releasing. After manumission, a slave who had belonged to a Roman citizen enjoyed not only passive freedom from ownership, but active political freedom ''(libertas)'', including the right to vote. A slave who had acquired ''libertas'' was known as a ''libertus'' ("freed person", grammatical gender, feminine ''liberta'') in relation to his former master, ...
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Kymatia
Cymatium, the uppermost molding at the top of the cornice in the classical order, is made of the s-shaped cyma molding (either ''cyma recta'' or ''cyma reversa''), combining a concave cavetto with a convex ovolo. It is characteristic of Ionic columns and can appear as part of the entablature, the epistyle or architrave, which is the lintel or beam that rests on the capitals of columns, and the capital itself. Often the cymatium is decorated with a palmette or egg-and-dart ornament on the surface of the molding. The heights of the parts of the capital are to be so regulated that three of the nine parts and a half, into which it was divided, lie below the level of the astragal on the top of the shaft. The remaining parts are for the cymatium, abacus, and channel. The projection of the cymatium beyond the abacus is not to be greater than the size of the diameter of the eye f the voluteIn the case of a concave-convex profile, a distinction is made between cyma recta and cyma reversa, ...
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Parodoi
A parodos (also parode and parodus; grc, πάροδος, 'entrance', plural ), in the theater of ancient Greece, is a side-entrance to the stage, or the first song that is sung by the chorus at the beginning of a Greek tragedy. Side-entrance to the theater The parodos is a large passageway affording access either to the stage (for actors) or to the orchestra (for the chorus) of the ancient Greek theater. The parodoi can be distinguished from the entrances to the stage from the ''skene'', or stage building, as the two parodoi are long ramps located on either side of the stage, between the and the ''theatron'', or audience seating area. The term ('way in') is also used. Scholars note that was an older term for the passageway while ''parodos'' was widely used by writers from Aristotle onwards. Entrance song of the chorus ''Parodos'' also refers to the ode sung by the chorus as it enters and occupies its place in the orchestra. Aristotle defined it as "the first whole utterance of a ...
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Skene (theatre)
In the theatre of ancient Greece, the ''skene'' was the structure at the back of a stage. The word means 'tent' or 'hut', and it is thought that the original structure for these purposes was a tent or light building of wood and was a temporary structure. It was initially a very light structure or just cloth hanging from a rope, but over the course of time the ''skene'' underwent fundamental changes. First, it became a permanent building, whose roof could sometimes be used to make speeches, and as time passed it was raised up from the level of the orchestra, creating a , or "space in front of the ". The facade of the was behind the orchestra and provided a space for supporting stage scenery. During the Roman Period, the had become a large and complex, elaborately decorated, stone building on several levels. Actors emerged from the '' parodoi'' and could use its steps and balconies to speak from. It was also where costumes were stored and to which the ''periaktoi'' (painted p ...
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Ottoman Greece
Most of the areas which today are within modern Greece's borders were at some point in the past part of the Ottoman Empire. This period of Ottoman rule in Greece, lasting from the mid-15th century until the successful Greek War of Independence that broke out in 1821 and the proclamation of the First Hellenic Republic in 1822 (preceded by the creation of the autonomous Septinsular Republic in 1800), is known in Greek as ''Tourkokratia'' ( el, Τουρκοκρατία, "Turkish rule"; en, "Turkocracy"). Some regions, however, like the Ionian islands, various temporary Venetian possessions of the Stato da Mar, or Mani peninsula in Peloponnese did not become part of the Ottoman administration, although the latter was under Ottoman suzerainty. The Eastern Roman Empire, the remnant of the ancient Roman Empire which ruled most of the Greek-speaking world for over 1100 years, had been fatally weakened since the sacking of Constantinople by the Latin Crusaders in 1204. The Ottoman ...
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Paraskevi Of Rome
Saint Paraskevi of Rome (also Parasceva) is venerated as a Christian martyr of the 2nd century. She was arrested and tortured under the reign of the Roman Emperor Antoninus Pius for her refusal to worship idols. Though he eventually released her after she performed a miracle which cured him of his blindness, she was arrested on multiple later occasions for her Christianity and was eventually beheaded by the Roman governor Tarasius. She is invoked for the healing of ailments to the eyes. The Church commemorates her on July 26. Life Early life Paraskevi was born in a village near Rome, likely during the reign of the Roman Emperor Hadrian (117-138 AD). Her parents, Agathon and Politia, were Christians of Greek origin, and had prayed for many years to have a child. When Politia finally bore a child, she was born on a Friday, the day of Our Lord's suffering. They therefore named the baby girl ''Paraskevi'' (Παρασκευή), meaning "Friday" in Greek (literally "preparation (d ...
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