Sebastian Weigle
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Sebastian Weigle
Sebastian Weigle (born 1961, in East Berlin) is a German conductor and horn player. He is currently ''Generalmusikdirektor'' of the Oper Frankfurt and principal conductor of the Yomiuri Nippon Symphony Orchestra. Biography Weigle is a nephew of the conductor and music educator Jörg-Peter Weigle and the brother of the late violist Friedemann Weigle of the Artemis Quartet. Weigle studied at the Hochschule für Musik "Hanns Eisler" in horn, piano and conducting. In 1987 he founded the Berlin Chamber Choir, and later he led the New Berlin Chamber Orchestra. He was principal horn player in the orchestra of the Berlin State Opera for 15 years. He also was a member of the jazz orchestra "Vielharmonie" in East Berlin. In 1993, Weigle became chief conductor of the . In 1997, he became of the Staatsoper Unter den Linden. In 2003, Weigle was named "Conductor of the Year" by the German magazine ''Opernwelt'', and subsequently won this award in 2005 and 2006. From 2004 to 2008, he was ...
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East Berlin
East Berlin was the ''de facto'' capital city of East Germany from 1949 to 1990. Formally, it was the Allied occupation zones in Germany, Soviet sector of Berlin, established in 1945. The American, British, and French sectors were known as West Berlin. From 13 August 1961 until 9 November 1989, East Berlin was separated from West Berlin by the Berlin Wall. The Western Allied powers did not recognize East Berlin as the GDR's capital, nor the GDR's authority to govern East Berlin. On 3 October 1990, the day Germany was officially German reunification, reunified, East and West Berlin formally reunited as the city of Berlin. Overview With the London Protocol (1944), London Protocol of 1944 signed on 12 September 1944, the United States, the United Kingdom, and the Soviet Union decided to divide Germany into three occupation zones and to establish a special area of Berlin, which was occupied by the three Allied Forces together. In May 1945, the Soviet Union installed a city gove ...
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Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ...
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Sylvain Cambreling
Sylvain Cambreling (born 2 July 1948 in Amiens, France) is a French conductor. Biography Trained as a trombone player, Cambreling studied at the Paris Conservatoire. He joined l' Orchestre Symphonique de Lyon (OSL) as a trombonist in 1971. In 1974, he took second prize in the International Besançon Competition for Young Conductors. His conducting debut was with the OSL in 1975, leading Robert Schumann's ''Scenes from Goethe's Faust''. At the invitation of Pierre Boulez, he began to guest-conduct the Ensemble Intercontemporain regularly from 1976. Cambreling was the music director of the Théâtre de la Monnaie, Brussels from 1981 to 1991, during Gerard Mortier's tenure. He served as artistic director and general music director of the Frankfurt Opera from 1993 to 1997. During his Frankfurt tenure, he encountered controversy over proposed budget cuts from the city of Frankfurt and the director for opera and ballet, Martin Steinhoff. From 1997 to 2004, he served as principal gue ...
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Paolo Carignani
Paolo Carignani (born 1961) is an Italian conductor. He has been chief conductor of the Opern- und Schauspielhaus Frankfurt (1997–2008),Something Sensational p295 William Guy – 2008 "... and this sort of ecstasy is what occurred for me in Frankfurt this time, almost from the moment the overture began under the direction of the elfin and agile Paolo Carignani, whose illuminated bald head was visible bobbing around ..." and season conductor of the Frankfurter Opern- und Museumsorchester. Selected discography and videography * Puccini's ''Tosca'' with Emily Magee, Jonas Kaufmann and Thomas Hampson for the Zürich Opera Zürich Opera (Oper Zürich) is a Swiss opera company based in Zürich. The company gives performances in the Zürich Opera House. History The first performance at the current theatre occurred on 30 September 1891, with a production of Wagner's '' ... 2009, DVD Decca 2011. * * * References Italian male conductors (music) Musicians from Milan 1961 b ...
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Michael Boder
Michael Boder (born 9 November 1958) is a German conductor of opera and concert who works internationally. The chief conductor of the Royal Danish Theatre, he has conducted regularly at the Vienna State Opera, including the premieres of Cerha's ''Der Riese vom Steinfeld'' and Reimann's ''Medea''. He also conducted the premieres of operas by Dusapin, Enescu, Henze, Lombardi, Penderecki and Trojahn. Career Born in Darmstadt, Boder studied first at the Musikhochschule Hamburg, then in Florence where he worked with Riccardo Muti and Zubin Mehta. He was an assistant to Michael Gielen at the Frankfurt Opera. He became chief conductor of the Basel Opera at age 29, working as a guest already at this time in Hamburg, Cologne, Munich, Berlin and at Covent Garden in London. In 1991, he conducted in Basel the premiere of Luca Lombardi's ''Faust. Un travestimento''. He became a regular guest conductor at the state operas of Berlin, Dresden, Hamburg and Munich. He also conducted at th ...
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Bertrand De Billy
Bertrand de Billy (born Paris, 11 January 1965) is a French conductor. He attended a Jesuit school, but only started serious musical studies when he was around 14–15; he studied piano and violin.Bertrand de Billy, chef d’orchestre, interview with Valéry Fleurquin, 3 January 2007, in French
accessed 7 February 2014.
After his career as an instrumental musician, de Billy began his conducting career in . He later moved to and built up his career as an opera conductor. His professional operatic conducting debu ...
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Naxos Records
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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Frankfurter Allgemeine Zeitung
The ''Frankfurter Allgemeine Zeitung'' (; ''FAZ''; "''Frankfurt General Newspaper''") is a centre-right conservative-liberal and liberal-conservativeHans Magnus Enzensberger: Alter Wein in neuen Schläuchen' (in German). ''Deutschland Radio'', 16 October 2007 German newspaper founded in 1949. It is published daily in Frankfurt. Its Sunday edition is the ''Frankfurter Allgemeine Sonntagszeitung'' (; ''FAS''). The paper runs its own correspondent network. Its editorial policy is not determined by a single editor, but cooperatively by four editors. It is the German newspaper with the widest circulation abroad, with its editors claiming the newspaper is delivered to 148 countries. History The first edition of the ''F.A.Z.'' appeared on 1 November 1949; its founding editors were Hans Baumgarten, Erich Dombrowski, Karl Korn, Paul Sethe and Erich Welter. Welter acted as editor until 1980. Some editors had worked for the moderate '' Frankfurter Zeitung'', which had been banned in ...
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Vera Nemirova
Vera Nemirova ( bg, Вера Немирова, born 1972) is a Bulgarian-German opera director who has worked at major opera houses in Europe, staging for example Wagner's ''Der Ring des Nibelungen'' at the Oper Frankfurt. She directed for the Munich Biennale and the Salzburg Festival. Career Born in Sofia, Nemirova has lived in Germany from 1982. She studied directing music theatre (''Musiktheaterregie'') at the Hochschule für Musik Hanns Eisler in Berlin, taking master classes with Ruth Berghaus and Peter Konwitschny. Nemirova staged Puccini's ''La fanciulla del West'' at the Deutsche Oper Berlin in 2004, conducted by Christian Thielemann. She directed at the Vienna State Opera Tchaikovsky's '' The Queen of Spades'' in 2007 and Verdi's '' Macbeth'' in 2009. She staged Alban Berg's ''Lulu'' at the Salzburg Festival in 2010. From 2010 to 2012 season, she staged Wagner's ''Der Ring des Nibelungen'' at the Oper Frankfurt. She directed in 2015 Peter Ruzicka's ''Hölderlin'' and Mey ...
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Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ...
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Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ...
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