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Scottish National Ballet
Scottish Ballet is the national ballet company of Scotland and one of the five leading ballet companies of the United Kingdom, alongside the Royal Ballet, English National Ballet, Birmingham Royal Ballet and Northern Ballet. Founded in 1969, the company is based in Glasgow, the resident ballet company at the Glasgow Theatre Royal and from 2009 in their purpose-built ballet centre in Tramway Arts Centre, Glasgow. History Scottish Ballet is Scotland's national dance company. Its primary aim is to provide programmes of world-class dance performance and educational activity at all scales. Scottish Ballet presents a wide range of dance to audiences across Scotland, the UK and abroad – and employs 36 professional dancers, 41 staff and a part-time freelance orchestra of up to 70 musicians. Founded by Peter Darrell and Elizabeth West as the Western Theatre Ballet in Bristol in 1957, the company moved to Glasgow in 1969 and was renamed Scottish Theatre Ballet, changing to Scottish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Darrell
Peter Darrell (''né'' Skinner; 16 September 1929 – 2 December 1987) was an English ballet dancer, choreographer, and founder of the Scottish Ballet. For almost four decades Darrell was one of the most productive and imaginative talents in British ballet. Born in Richmond, Surrey, he studied at the Sadler's Wells Ballet School, joined the opera ballet there and then took part in the inaugural performance of The Sadler's Wells Ballet Company – what is now Birmingham Royal Ballet. He then worked in musicals and at the Malmö Opera and Music Theatre, Malmö Opera House, Sweden, until the founding of "Rambert Dance Company, Ballet Workshop" at the Mercury Theatre, Notting Hill Gate, Mercury Theatre, London, brought the chance for would-be choreographers to try their talents. Darrell proved to be their best discovery and from 1951 to 1955 made a series of skilled and original works there. This experience led, in 1952, to his first professional commission when Anton Dolin (ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jewels (ballet)
''Jewels'' is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates. ''Jewels'' has been called the first full-length abstract ballet. It has three related movements: ''Emeralds'', ''Rubies'', and ''Diamonds'' (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: ''Emeralds'' is set to the music of Gabriel Fauré, ''Rubies'' to the music of Igor Stravinsky and ''Diamonds'' to music by Pyotr Ilyich Tchaikovsky. Costumes The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noriko Ohara (ballet)
is a Japanese artistic director and retired ballet dancer. She was a principal dancer with the Scottish Ballet from 1976 to 1995. Since 2014, she has been the artistic director of the National Ballet of Japan at the New National Theatre, Tokyo. Ohara was awarded an honorary Order of the British Empire (OBE) in 1997 and was named to Japan's Order of the Rising Sun in 2014. Biography Ohara was born in Tokyo in 1943. She began training in ballet at the age of four years, under . She also trained with Alexandra Danilova. At age 18, she joined the Asami Maki Ballet. She moved to New York in 1971 to further her training, then to London in 1974 to join the New London Ballet. After a season with the London Festival Ballet (now the English National Ballet), she joined the Scottish Ballet in 1976 as a principal dancer. She briefly danced with the Basel Ballet in 1977. She returned to the Scottish Ballet in 1978, where she remained until 1995. Ohara's roles included Juliet in ''Romeo and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daria Klimentová
Daria Klimentová (born 23 June 1971) is a Czech retired ballet dancer, ballet teacher and photographer . She spent most of her career as a lead principal dancer at English National Ballet. She is currently a teacher at the Royal Ballet Upper School. Early life and training Klimentová is from Prague, and grew up under the Soviet regime. She was first trained as a gymnast, then switched to ballet as she would have a longer career. Klimentová had her ballet training at the Prague State Conservatoire of Music and Dance for eight years, and graduated with the highest honour. As a student she won Prix de Lausanne competition (1989, Paris Dance Foundation award) and the Gold medal of the International Ballet Competition in Pretoria. Career Dance In 1989, following her graduation, Klimentová joined National Theatre Ballet in Prague as a soloist, and was promoted to principal dancer a year later. In 1992, she joined Cape Town City Ballet in South Africa as principal. The following y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leigh Alderson
Leigh Alderson (born 1986) is a male ballet dancer, model and actor from Portadown, Northern Ireland. Alderson trained at The Royal Ballet School performing in Rudi van Dantzig's ''Four Last Songs'' in Toronto and Stuttgart before graduating in 2006. He joined Scottish Ballet dancing works by Ashley Page, Forsythe and Trisha Brown and Pastor and works by Richard Wherlock with New English Contemporary Ballet, later joining Atlantic Ballet Theatre of Canada and guesting with Cork City Ballet. With Les Grands Ballets Canadiens he performed in works by Stijn Celis, Stephan Thoss, The Snake in Didy Veldman's '' Petit Prince'', Jiří Kylián's '' aguyahime' and The Prince in Mats Ek's ''Sleeping Beauty''. Film and TV work has included the Canadian horror film ''Undress Me'' (2017), ''StreetDance 3D'' (2010), ''Angel'' (2009), the BBC documentary series ''Lost to Dance'' (1998) and ''God Given Gift'' (2005/07). Awards include Royal Ballet School Achievement Award (2005 & 2006) Lyn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Martin
Sophie Christine Martin (born 1984) is a French ballet dancer. She was a principal dancer with the Scottish Ballet between 2008 and 2022, before joining the Badisches Staatsballett Karlsruhe in the 2022/23 season. Early life Sophie Martin was born in Cherbourg, France. As a teenager she moved to Paris and started her vocational training at the Conservatoire national supérieur de musique et de danse de Paris. Career Martin joined the Scottish Ballet in 2003 under the directorship of Ashley Page. She was promoted to coryphée in 2005, soloist in 2006 and principal in 2008. In 2014 she performed at the XX Commonwealth Games opening ceremony and at the Ryder Cup Gala Concert in Glasgow. In September 2022 Martin joined the Badisches Staatsballett Karlsruhe in Germany in the 2022/23 season. Selected repertoire Martin's repertoire with the Scottish Ballet Scottish Ballet is the national ballet company of Scotland and one of the five leading ballet companies of the Unite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Daily Telegraph
''The Daily Telegraph'', known online and elsewhere as ''The Telegraph'', is a national British daily broadsheet newspaper published in London by Telegraph Media Group and distributed across the United Kingdom and internationally. It was founded by Arthur B. Sleigh in 1855 as ''The Daily Telegraph & Courier''. Considered a newspaper of record over ''The Times'' in the UK in the years up to 1997, ''The Telegraph'' generally has a reputation for high-quality journalism, and has been described as being "one of the world's great titles". The paper's motto, "Was, is, and will be", appears in the editorial pages and has featured in every edition of the newspaper since 19 April 1858. The paper had a circulation of 363,183 in December 2018, descending further until it withdrew from newspaper circulation audits in 2019, having declined almost 80%, from 1.4 million in 1980.United Newspapers PLC and Fleet Holdings PLC', Monopolies and Mergers Commission (1985), pp. 5–16. Its si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Of The Earth (ballet)
''Das Lied von der Erde'' (The Song of the Earth) is a symphonic work written by the Austrian composer Gustav Mahler in 1908–1909. It is scored for two voices and orchestra, and has been used for ballets by several well-known choreographers, including Antony Tudor (1908–1987), Kenneth MacMillan (1929–1992), Heinz Spoerli (born 1940), and John Neumeier (born 1939). Tudor version As staff choreographer with Ballet theatre (later American Ballet Theatre), Antony Tudor began creating a ballet set to Mahler's ''Das Lied von der Erde''. The six songs based on ancient Chinese poems, expressing the transience of human existence, had long interested him as a choreographic possibility. He explained their appeal: "Like the seasons, human experience is cyclical and has no sudden beginning or end." His ballet, entitled ''Shadow of the Wind'', had its premiere on 14 April 1948 at the Metropolitan Opera House in New York. Scenery, costumes, and lighting were designed by Jo Mielziner. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scènes De Ballet (Ashton)
''Scènes de ballet'' is a one-act ballet choreographed by Frederick Ashton, who created it during 1947–1948 to Igor Stravinsky's eponymous music from 1944. The first performance was given by the Sadler's Wells Ballet, at the Royal Opera House, London. Creation, choreography and design Ashton's choreography is along classical lines, in the tradition of Marius Petipa's 19th-century works. Instead of Petipa's symmetry, however, Ashton used a system of Euclidean geometry, with geometric theorems adapted to serve as floor patterns for the dancers. As a result, the ballet is unusual in that it makes sense from all angles, as Ashton himself explained, "I wanted to do a ballet that could be seen from any angle – anywhere could be front, so to speak. So I did these geometric figures that are not always facing front – if you saw ''Scènes de ballet'' from the wings, you'd get a very different but equally good picture." The ballet was originally designed by André Beaurepaire, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregory Dean
Gregory Dean (born 1984) is an English ballet dancer. After terms with the Ballet Vorpommern and the Scottish Ballet, he joined the Royal Danish Ballet in 2008 where he has been promoted to principal dancer. Biography Born in London, Dean trained in ballet at the Tring Park School. In 2004, he danced with the Ballet Vorpommern before joining the Scottish Ballet in 2005, performing several leading roles including Balanchine's ''Apollo''. After joining the Royal Danish Ballet in 2008, he became a soloist in 2011 and in December 2013 he was promoted to the rank of principal dancer following his performance of the prince in ''The Nutcracker''. Other notable performances include his Romeo in John Neumeier's '' Romeo and Juliet'' and his role as Hank in Twyla Tharps ''Come Fly Away ''Come Fly Away'' is a dance revue conceived, directed and choreographed by Twyla Tharp, around the songs of Frank Sinatra. The musical, set in a New York City nightclub, follows four couples as they loo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (Pastor)
''Romeo and Juliet'' is a 2008 ballet choreographed by Krzysztof Pastor based on William Shakespeare's play ''Romeo and Juliet''. Pastor's three-act version is set to the same score used in the Prokofiev version of the ballet. The libretto is by Pastor and Willem Bruls. Synopsis The ballet is recast as a contemporary political statement set in three Italian political eras of the 20th century. Act I is set in Italy in the 1930s, during the reign of Benito Mussolini and the emergence of Fascism. (1935 was the year in which Prokofiev composed the original score.) Act II takes place in the 1950s, amid the rise of the Red Brigades and political terrorism. Act III is set in the 1990s during Silvio Berlusconi's tenure of social unrest, which serves as the backdrop for the climatic tragedy. The content of the three acts mirrors the contemporary Italian eras. In the first act, paralleling the rise of Fascism, the upper-class Capulet family is depicted with "stiff, militaristic movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Façade (ballet)
''Façade'' is a ballet by Frederick Ashton, to the music of William Walton; it is a balletic interpretation of items from '' Façade – an Entertainment'' (1923) by Walton and Edith Sitwell. The ballet was first given by the Camargo Society at the Cambridge Theatre, on 26 April 1931. It has been regularly revived and restaged all over the world. Background In 1923 '' Façade – an Entertainment'' was first given in public. It consisted of poems by Edith Sitwell recited by the author over music composed for the purpose by William Walton, performed by an ensemble of six players. The work was regarded as ''avant-garde'' and caused some controversy. In 1926 Walton arranged a suite of five of the numbers, omitting the spoken verses and expanding the orchestration. In 1929 the choreographer Günter Hess created a ''Façade'' ballet for the German Chamber Dance Theatre, using Walton's orchestral suite; Sitwell declined to allow her words to be used. Hess visited London in 1930 and is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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