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Scipione
''Scipione'' ( HWV 20), also called ''Publio Cornelio Scipione'', is an opera seria in three acts, with music composed by George Frideric Handel for the Royal Academy of Music in 1726. The librettist was Paolo Antonio Rolli. Handel composed ''Scipione'' whilst in the middle of writing ''Alessandro''. It is based on the life of the Roman general Scipio Africanus. Its slow march is the regimental march of the Grenadier Guards and is known for being played at London Metropolitan Police passing out ceremonies. Performance history ''Scipione'' had its premiere on 12 March 1726 at The King's Theatre, Haymarket. Handel revived the opera in 1730, but it did not receive another UK production until October 1967, by the Handel Opera Society. In Germany, ''Scipione'' was revived at the Göttingen International Handel Festival in 1937 and at the annual Handel Festival in Halle in 1965.Dean, Winton, "Handel's ''Scipione'' (October 1967). ''The Musical Times'', 108 (1496): pp. 902–904. Wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scipio Africanus
Publius Cornelius Scipio Africanus (, , ; 236/235–183 BC) was a Roman general and statesman, most notable as one of the main architects of Rome's victory against Carthage in the Second Punic War. Often regarded as one of the best military commanders and strategists of all time, his greatest military achievement was the defeat of Hannibal at the Battle of Zama in 202 BC. This victory in Africa earned him the epithet ''Africanus'', literally meaning “the African,” but meant to be understood as a conqueror of Africa. Scipio's conquest of Carthaginian Iberia culminated in the Battle of Ilipa in 206 BC against Hannibal's brother Mago Barca. Although considered a hero by the Roman people, primarily for his victories against Carthage, Scipio had many opponents, especially Cato the Elder, who hated him deeply. In 187 BC, he was tried in a show trial alongside his brother for bribes they supposedly received from the Seleucid king Antiochos III during the Roman–Seleucid War. Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaius Laelius
Gaius Laelius was a Roman general and statesman, and a friend of Scipio Africanus, whom he accompanied on his Iberian campaign (210–206 BC; the Roman Hispania, comprising modern Spain and Portugal) and his African campaign (204–202 BC). His command of the Roman fleet in the attack on New Carthage and command of the Roman cavalry at Zama contributed to Scipio's victories. Background According to some Roman historians, including Polybius (Book 10), Laelius was a friend of Scipio from childhood; however, his family background is obscure. This obscurity unfortunately extends to how he became acquainted with Scipio in the first place. Livy suggested that he was not from a rich family, since he wanted command of the campaign against Antiochus the Great in 190 BC to repair (or more likely make) his family fortunes. Polybius suggests that Laelius was a companion of Scipio from their earliest days in the army together, since Laelius was apparently a witness to Scipio's rescue of his f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Antinori
Luigi Antinori (c. 1697 – before 6 March 1734) was an Italian operatic tenor. Antinori was born at Bologna about 1697. He was one of the best tenor singers of the beginning of the 18th century, with a voice of pure and penetrating quality, and having acquired an excellent method of using it. He came to London in 1725 and sang in ''Elisa,'' an anonymous opera, and in ''Elpidia,'' by Leonardo Vinci and others, a pasticcio given by George Frideric Handel, in which Antinori took the place of Borosini, who sang in it at first. In the season of 1726 he appeared in Handel's ''Scipione'' and ''Alessandro''. After that season, he returned to Italy. He sang in Venice (1726 in Nicola Porpora’s ''Imeneo in Atene,'' and again 1731), Livorno (1725, 1730–31), Turin (1728), Genoa (1728, 1732), Mantua (1729), and Reggio nell’Emilia (1732). In the 1733/34 season he performed at the Teatro della Pergola, Florence in operas by Giovanni Battista Pergolesi and Alessandro Scarlatti Pietro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro (opera)
''Alessandro'' ( HWV 21), is an opera composed by George Frideric Handel in 1726 for the Royal Academy of Music. Paolo Rolli's libretto is based on the story of Ortensio Mauro's ''La superbia d'Alessandro''. This was the first time the famous singers Faustina Bordoni and Francesca Cuzzoni appeared together in one of Handel's operas. The original cast also included Francesco Bernardi who was known as Senesino. Handel had originally planned ''Alessandro'' to be his first contribution to the 1725/1726 season of the Royal Academy. However, Bordoni did not arrive in London in time to stage ''Alessandro'', and Handel substituted his own ''Scipione'' in March and April 1726 until her arrival. The opera received its first performance on 5 May 1726 at the King's Theatre, London, and was received "with great applause". The story recounts Alexander the Great's journey to India and depicts him less in a heroic vein than as vainglorious as well as indecisive in matters of the heart. The wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel Festival, Halle
The Handel Festival (in German: Händel-Festspiele) in Halle an der Saale, Saxony-Anhalt, is an international music festival concentrating on the music of George Frideric Handel in the composer's birthplace. It was founded in 1922 and it grew into a center of Handel studies and performance in Europe. Especially Handel's operas have been staged regularly, some of them as first revivals. History The first Handel Festival in Halle was conducted in 1922,George Frideric Handel Halle feiert den "Weltbürger Händel" MDR 2009 three years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grenadier Guards
"Shamed be whoever thinks ill of it." , colors = , colors_label = , march = Slow: " Scipio" , mascot = , equipment = , equipment_label = , battles = Oudenarde WaterlooAlmaInkermanSevastopol OmdurmanYpresBattle of the BulgeCyprus Emergency , anniversaries = , decorations = , battle_honours = , battle_honours_label = , disbanded = , flying_hours = , website = , commander1 = The King , commander1_label = Colonel-in-Chief , commander2 = The Queen Consort , commander2_label = Colonel of the Regiment , commander3 = , commander3_label = , commander4 = , commander4_label ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Giuseppe Maria Boschi
Giuseppe Maria Boschi (born Viterbo !--According to the reference; the previous Mantua, however, accords with the Italian Wikipedia, and may be correct.-->; '' fl'' 1698–1744) was an Italian bass singer – though in modern terms a baritone – of the 18th century. He is best remembered for his association with the composer George Frideric Handel, whom he worked for in both Italy and London. During the first decade of the century he is known to have performed at Casale Monferrato, Vicenza, Ferrara, Vienna, Bologna and at Venice, where he created the role of Pallas in Handel's '' Agrippina'' for the 1709–1710 ''Carnevale'' season. He made his London début in 1710 and, after 1711, returned to northern Italy, where he appeared in Venice, Verona, Bologna and Genoa. From 1717 to 1720 he was active primarily in Dresden. From 1720 to 1728 he was engaged by the Handel's Royal Academy of Music in London, where he sang in all of the 32 operas that the organisation produced du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesca Cuzzoni
Francesca Cuzzoni (2 April 1696 – 19 June 1778) was an Italian operatic soprano of the Baroque era. Early career Cuzzoni was born in Parma. Her father, Angelo, was a professional violinist, and her singing teacher was Francesco Lanzi. She made her debut in her home city in 1714, singing in ''La virtù coronata, o Il Fernando'' by an unknown composer. In 1716–17 she sang at Bologna in operas by Bassani, Buini, Gasparini and Giuseppe Maria Orlandini. By the 1717–18 season she had been appointed ("chamber soloist") to Violante Beatrice, Grand Princess of Tuscany, performing at Florence, Siena, Genoa, Mantua, and Reggio nell'Emilia in operas by Orlandini and Carlo Francesco Pollarolo, and in Vivaldi's ''Scanderbeg'' . She also made her Venetian debut in 1718, singing the role of Dalinda in Pollarolo's ''Ariodante'', in which, for the first time, she appeared on the same stage as Faustina Bordoni, later her great rival. They also sang together in Venice the following year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
