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Schweigt Stille, Plaudert Nicht, BWV 211
' (Be still, stop chattering), BWV 211, also known as the ''Coffee Cantata'', is a secular cantata by Johann Sebastian Bach. He composed it probably between 1732 and 1735. Although classified as a cantata, it is essentially a miniature comic opera. In a satirical commentary, the cantata amusingly tells of an addiction to (or rather dependence on) coffee. History and text Bach regularly directed a musical ensemble based at Zimmermann's coffee house called a collegium musicum, founded by Georg Philipp Telemann in 1702. The libretto suggests that some people in eighteenth-century Germany viewed coffee drinking as a bad habit. However, the work is likely to have been first performed at the coffee house in Leipzig. The cantata's libretto (written by Christian Friedrich Henrici, known as Picander), features lines like "If I couldn't, three times a day, be allowed to drink my little cup of coffee, in my anguish I will turn into a shriveled-up roast goat". Bach wrote no operas: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Secular Cantatas By Johann Sebastian Bach
Apart from his hundreds of church cantatas, Johann Sebastian Bach wrote secular cantatas in Weimar, Köthen and Leipzig, for instance for members of the Royal-Polish and Prince-electoral Saxonian family (e.g. '' Trauer-Ode''), or other public or private occasions (e.g. '' Hunting Cantata''). The text of these cantatas was occasionally in dialect (e.g. '' Peasant Cantata'') or in Italian (e.g. ''Amore traditore''). Many of the secular cantatas were lost, but for some of these the text and the occasion are known, for instance when Picander later published their libretto (e.g. BWV Anh. 11– 12). Some of the secular cantatas had a plot carried by mythological figures of Greek antiquity (e.g. '' Der Streit zwischen Phoebus und Pan''), others were almost miniature buffo operas (e.g. ''Coffee Cantata''). Extant secular cantatas are published in the New Bach Edition (Neue Bach-Ausgabe, NBA), Series I, volumes 35 to 40, with the two Italian cantatas included in volume 41. The Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Hogwood
Christopher Jarvis Haley Hogwood (10 September 194124 September 2014) was an English conductor, harpsichordist, writer, and musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century. Early life and education Born in Nottingham, Hogwood went to The Skinners' School, Royal Tunbridge Wells, and then studied Music and Classics at Pembroke College, Cambridge, graduating in 1964. He went on to study performance and conducting under Raymond Leppard, Mary Potts and Thurston Dart, and later with Rafael Puyana and Gustav Leonhardt. He also studied in Prague with Zuzana Ruzickova for a year, under a British Council scholarship. Career In 1967, Hogwood co-founded the Early Music Consort with David Munrow. In 1973 he founded the Academy of Ancient Music, which specializes in performances of Baroque and Classical music using p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Ancient Music
The Academy of Ancient Music (AAM) is a British period-instrument orchestra based in Cambridge, England. Founded by harpsichordist Christopher Hogwood in 1973, it was named after an 18th-century organisation of the same name (originally the Academy of Vocal Music). The musicians play on either original instruments from the period when the music was composed or modern copies of such instruments. They generally play Baroque and Classical music, though they have also played some new compositions for baroque orchestra in recent years. The AAM's current Music Director is Laurence Cummings, who took over the post from Richard Egarr at the beginning of the 2021-2022 season. Original organisation The original Academy of Vocal Music was founded in London, England in 1725/26 (the Gregorian date of the inaugural meeting was 1 February 1726). Records of the purpose of the academy no longer exist, but according to John Hawkins in 1770, it was intended to "promote the study and practice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Thomas (singer)
David Thomas (born 1943) is an English classical bass singer, performing mostly in concert. He has performed internationally at notable concert halls and festivals. Life Thomas began his musical career as a chorister at St. Paul's Cathedral in London. He attended King's School, Canterbury, and then as a teenager on a choral scholarship at King's College, Cambridge. He focused on Early music, appearing with ensembles such as Consort of Musicke, conducted by Anthony Rooley, and Academy of Ancient Music, conducted by Christopher Hogwood. As a soloist, he performad Bach's ''Christmas Oratorio'' in Leipzig and Berlin, Handel's ''Messiah'' in Italy, Handel's '' Serse'' at the Göttingen Handel Festival, among others. In the U.S., he performed ''Messiah'' in the Hollywood Bowl with the Los Angeles Philharmonic Orchestra, Schubert's ''Winterreise'' at Cornell University, and Handel's oratorios '' Judas Maccabaeus'', '' Susanna'' and '' Theodora'', conducted by Nicholas McGegan. He sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogers Covey-Crump
Rogers Henry Lewis Covey-Crump (born 1944) is an English tenor noted for his performances in both early music and contemporary classical music. He has sometimes been identified as an ''haute-contre'' tenor. He has performed for over 50 years in choirs and ensembles such as the Hilliard Ensemble, and as a soloist. He has been especially in demand for the part of the Evangelist in Bach's ''St Matthew Passion'' and ''St John Passion''. He also specialises in vocal tuning, and has written articles on the subject. Background Covey-Crump's paternal grandfather was Canon Walter William Covey-Crump. His uncle was Commander A. T. L. Covey-Crump. His father Charles Leslie Covey-Crump was a musician, and his mother Joyce () was a violinist. He was born in St Albans, Hertfordshire, in 1944. Covey-Crump's unusual name has sometimes been misremembered; for example as "Corey-Grunt" or Covery-Crumb". Operatic bass Brian Bannatyne-Scott has described ... ... my dear friend and colleague ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emma Kirkby
Dame Carolyn Emma Kirkby, (; born 26 February 1949) is an English soprano and early music specialist. She has sung on over 100 recordings. Education and early career Kirkby was educated at Hanford School, Sherborne School for Girls in Dorset, and Somerville College, Oxford University. Her father was Geoffrey John Kirkby, a Royal Navy Officer. Kirkby did not originally intend to become a professional singer. In the late 1960s, while she was studying classics at Oxford, she joined the Schola Cantorum of Oxford, a student choir which, at the time, was being conducted by Andrew Parrott. After graduation, Kirkby went to work as a school teacher, but became increasingly involved in singing with the growing number of music ensembles that were being founded during the Early music revival of the early 1970s. She married Parrott, and sang with his Taverner Choir which he founded in 1973. Her vocal career developed throughout the 1970s, and she became noted as a soloist in performanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Alberta
The University of Alberta, also known as U of A or UAlberta, is a Public university, public research university located in Edmonton, Alberta, Canada. It was founded in 1908 by Alexander Cameron Rutherford,"A Gentleman of Strathcona – Alexander Cameron Rutherford", Douglas R. Babcock, 1989, The University of Calgary Press, 2500 University Drive NW, Calgary, Alberta, Canada, the first premier of Alberta, and Henry Marshall Tory,"Henry Marshall Tory, A Biography", originally published 1954, current edition January 1992, E.A. Corbett, Toronto: Ryerson Press, the university's first president. It was enabled through the Post-secondary Learning Act''.'' The university is considered a "comprehensive academic and research university" (CARU), which means that it offers a range of academic and professional programs that generally lead to undergraduate and graduate level credentials. The university comprises four campuses in Edmonton, an Augustana Campus in Camrose, Alberta, Camrose, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obbligato
In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking ''ad libitum''. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or only by the specified instrument, without changes or omissions. The word is borrowed from Italian (an adjective meaning ''mandatory''; from Latin ''obligatus'' p.p. of ''obligare'', to oblige); the spelling ''obligato'' is not acceptable in British English, but it is often used as an alternative spelling in the US. The word can stand on its own, in English, as a noun, or appear as a modifier in a noun phrase (e.g. ''organ obbligato''). Independence ''Obbligato'' includes the idea of independence, as in C.P.E. Bach's 1780 Symphonies "''mit zwölf obligaten Stimmen''" ("with twelve ''obbligato'' parts") by which Bach was referring to the independent woodwind parts he was us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
