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Schrammelharmonika
A Schrammel accordion (german: Schrammelharmonika) is an accordion with a melody (right hand) keyboard in the chromatic B-Griff system and a twelve-button diatonic bass keyboard. It is named for a traditional combination of two violins, accordion or clarinet, and contraguitar known as a Schrammelquartet – a group that played Schrammelmusik in the Vienna chamber music tradition. In most cases, the instrument has two or three sets of reeds tuned in unison configuration. Its sound is quite different from modern chromatic button accordions, because it is much smaller and lighter. The handmade reeds used may also contribute to its sound. History The first written notice about the existence of such instruments are from the 1854 Industrial Exhibition in Munich. The Vienna accordion builder Matthäus Bauer was mentioned as one who showed instruments with piano keyboards, and one with a "3 row machine and accidentals", mentioned in combination with the piano accordion. It se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schrammelmusik
Schrammelmusik () is a style of Vienna, Viennese folk music originating in the late nineteenth century and still performed in present-day Austria. The style is named for the prolific folk composers Johann and Josef Schrammel. The Schrammel brothers In 1878, the brothers Johann Schrammel (1850–1893) and Josef Schrammel (1852-1895), musicians, violinists and composers from Vienna, Austria, formed an ensemble with guitarist :de:Anton Strohmayer, Anton Strohmayer, son of the celebrated composer Alois Strohmayer. The Schrammel brothers played two violins, accompanied by Strohmayer on a double-necked contraguitar. Inspired by both urbane and rustic traditions, the three musicians performed folk songs, marches, and dance music, most often for audiences at wine taverns (''Heurigen'') and inns around Vienna. At first the trio called themselves the "Nussdorfers" after the village of Nußdorf, Vienna, Nussdorf where they often performed. In 1884 clarinetist Georg Dänzer joined the group, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ländler
The Ländler () is a folk dance in time which was popular in Austria, Bavaria, German Switzerland, and Slovenia at the end of the 18th century. It is a partner dance which strongly features hopping and stamping. It might be purely instrumental or have a vocal part, sometimes featuring yodeling. When dance halls became popular in Europe in the 19th century, the Ländler was made quicker and more elegant, and the men shed the hobnail boots which they wore to dance it. Along with a number of other folk dances from Germany and Bohemia, it is thought to have influenced the development of the waltz. A number of classical composers wrote or included Ländler in their music, including Ludwig van Beethoven, Franz Schubert and Anton Bruckner. In several of his symphonies, Gustav Mahler replaced the menuet with a Ländler. The Carinthian folk tune quoted in Alban Berg's ''Violin Concerto'' is a Ländler, and another features in Act II of his opera ''Wozzeck''. The "German Dances" o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Dänzer
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Anton Strohmayer
Anton Strohmayer, (25 January 1848 – 20 December 1937), born in Lichtental, Vienna, was an Austrian musician. His instruments were contraguitar and clarinet; a founding member of the "Schrammel Brothers Specialities Quartet", he played Schrammelmusik. His father, Alois Strohmayer (1822-1890) was a composer. Strohmayer studied the guitar with his father Alois. As a boy, he already had similar ability to the brothers Johann and Josef Schrammel, two renowned Austrian guitarists who were taken in by his father to play guitar in restaurants across the city. At age 12, Strohmayer was taken by his father to play, for the first time at the "Green Hunter" in the Prater. In 1862 he played with Johann, Kaspar and Josef Schrammel in Hernals; from 1866 he played with Georg Dänzer and Josef Turnofsky; from 1873 in Wr. National Quartet, 1877 in the First Wr. National Quintet and from 1878 with Johann and Joseph Schrammel in the successful Nußdorfer Terzett (Gebrüder Schrammel and S.), w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Schrammel
Josef Schrammel, (3 March 1852 – 24 November 1895), was an Austrian composer and musician. He was an illegitimate son of Kasper Schrammel and his later wife Alosia Ernst. Very early in his life, his father recognised the talent of Josef and sent them, despite financial hardship, to the'' Conservatory of the Gesellschaft der Musikfreunde'' (Society of Friends of Music in Vienna) where he received violin lessons. Later in his life, he travelled to the Orient. In 1878 Josef founded, along with his brother Johann Schrammel and a guitarist, a trio; the following year Anton Strohmayer replaced the first guitarist. This eventually, with the addition of clarinetist Georg Dänzer, became the famous Schrammel Quartet. His grave is located in Hernals Hernals (; Viennese German: Hernois) is the 17th district of Vienna, Austria (german: 17. Bezirk, Hernals). Hernals is in northwest Vienna.Statistik Austria, 2007, webpagestatistik.at-23450. Wien.gv.at webpage (see below: References). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Schrammel
Johann Schrammel, (22 May 1850 – 17 June 1893), was an Austrian composer and musician. Life Johann was the illegitimate son of the clarinettist Kaspar Schrammel and his late wife Aloisia Ernst; his younger brother Josef Schrammel was in a similar situation. He also had an older half-brother named Konrad Schrammel (1833–1905), who had a less prestigious livelihood as a barrel organ player as he was forced to retire as an "invalid" from military service. In his first musical lessons Schrammel got together with his brother, with assistance from his father. With approximately six years, Johann Schrammel could sing in the church choir in his home town Neulerchenfeld. His father had helped him receive violin lessons from Ernst Melzer despite a poor financial position. On 6January 1861, Johann Schrammel debuted along with his brother and father at a concert at the local inn "Zum goldenen Stuck" at the Neulerchenfelder Straße. From 1862–63 he and his two brothers studied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
