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Schnittke
Alfred Garrievich Schnittke (russian: Альфре́д Га́рриевич Шни́тке, link=no, Alfred Garriyevich Shnitke; 24 November 1934 – 3 August 1998) was a Russian composer of Jewish-German descent. Among the most performed and recorded composers of late 20th-century classical music, he is described by musicologist Ivan Moody as a "composer who was concerned in his music to depict the moral and spiritual struggles of contemporary man in ..depth and detail." Schnittke's early music shows the strong influence of Dmitri Shostakovich. He developed a polystylistic technique in works such as the epic Symphony No. 1 (1969–1972) and his first concerto grosso (1977). In the 1980s, Schnittke's music began to become more widely known abroad with the publication of his second (1980) and third (1983) string quartets and the String Trio (1985); the ballet ''Peer Gynt'' (1985–1987); the third (1981), fourth (1984), and fifth (1988) symphonies; and the viola concerto ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Schnittke
Alfred Garrievich Schnittke (russian: Альфре́д Га́рриевич Шни́тке, link=no, Alfred Garriyevich Shnitke; 24 November 1934 – 3 August 1998) was a Russian composer of Jewish-German descent. Among the most performed and recorded composers of late 20th-century classical music, he is described by musicologist Ivan Moody as a "composer who was concerned in his music to depict the moral and spiritual struggles of contemporary man in ..depth and detail." Schnittke's early music shows the strong influence of Dmitri Shostakovich. He developed a polystylistic technique in works such as the epic Symphony No. 1 (1969–1972) and his first concerto grosso (1977). In the 1980s, Schnittke's music began to become more widely known abroad with the publication of his second (1980) and third (1983) string quartets and the String Trio (1985); the ballet ''Peer Gynt'' (1985–1987); the third (1981), fourth (1984), and fifth (1988) symphonies; and the viola concerto ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Quintet (Schnittke)
The Piano Quintet by Alfred Schnittke is a five-movement work for piano and string quartet composed 1972–1976. It was later arranged for symphony orchestra at the request of Gennady Rozhdestvensky and retitled ''In Memoriam...'' When Schnittke's mother died in 1972, he decided to compose a work in her memory. Initially he devised a number of ideas, many of which were either later used in his ''Requiem'', which he had been working on concurrently with the Piano Quintet, or were discarded. Progress on the quintet's first movement moved along rapidly, but soon reached an impasse after its completion. He did not resume work on the Piano Quintet until 1975, by which point his music had changed significantly. He completed and premiered it in 1976. Rozhdestvensky later heard a recording of the Piano Quintet, which he felt needed to be transcribed for orchestra in order to fully realize its potential. Schnittke at first responded noncommittally to his suggestion, but eventually agreed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Ivashkin
Alexander Ivashkin (russian: link=no, Александр Васильевич Ивашкин), (17 August 1948 – 31 January 2014) was a Russian cellist, writer, academic and conductor. Ivashkin studied at the Gnessin Institute, where his teachers included Gennady Rozhdestvensky and Valery Polyansky. He also played electric cello, viola da gamba, sitar and piano. Ivashkin became co-principal cellist of the Bolshoi Theatre Orchestra. In 1978, he founded the Bolshoi Soloists, a new chamber orchestra. From 1995, Ivashkin founded the Adam International Cello Festival and Competition. He was also artistic director of annual festivals in London, including The VTB Capital Prize for Young Cellists. In 1999 he founded a series of research and performance seminars/symposia and international concert series at the Centre for Russian Music. He was the curator of Alfred Schnittke Archive at Goldsmiths and the editor-in-chief of the ongoing Schnittke Collected Works Critical edition in 63 v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Concerto (Schnittke)
The Concerto for Viola and Orchestra is a viola concerto by Soviet and German composer Alfred Schnittke. It was written in the summer of 1985 (Schnittke's final work on it was on 11 July 1985, just ten days before he suffered his first stroke). Its dedicatee is viola player Yuri Bashmet, who gave the work its world premiere with the Royal Concertgebouw Orchestra conducted by Lukas Vis at the Concertgebouw in Amsterdam on 9 January 1986. Structure and style The concerto is scored for solo viola and an orchestra of: 3 flutes (no. 2 doubling piccolo, no. 3 doubling alto flute), 3 oboes (no. 3 doubling cor anglais), 3 clarinets in B (no. 2 doubling clarinet in E, no. 3 doubling bass clarinet), 3 bassoons (no. 3 doubling contrabassoon), 4 horns, 4 trumpets, 4 trombones, tuba, timpani, percussion (2 players), harp, celesta, harpsichord, piano, and 8 each of violas, cellos and double basses. Note that violins are absent. The movements are as follows: # Largo #Allegro molto #Largo D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polystylism
Polystylism is the use of multiple styles or techniques in literature, art, film, or, especially, music. Some prominent contemporary polystylist composers include Peter Maxwell Davies, Alfred Schnittke, and John Zorn. Polystylist composers from earlier in the twentieth century include Charles Ives and Erik Satie. Among literary figures, James Joyce has been referred to as a polystylist. On the other hand, composers including Sofia Gubaidulina have rejected the term as not applicable to their work.Vera Lukomsky, "Sofia Gubaidulina: 'My Desire Is Always to Rebel, to Swim against the Stream!'”. ''Perspectives of New Music'' 36. no. 1 (Winter 1998): 5–41, citation on 24–26. Though perhaps not the original source of the term, the first important discussion of the subject is Alfred Schnittke's essay "Polystylistic Tendencies in Modern Music (1971)".Alfred Schnittke, "Polystylistic Tendencies in Modern Music (1971)", in ''A Schnittke Reader'', edited by Aleksandr Ivashkin, English t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thea Schnittke
Thea Schnittke (born Taube/Toiba Katz —15 February 1889, Liepāja - 1970, Moscow) was a German Soviet writer and translator. Life Taube Katz was born in Liepāja, Latvia, the daughter of Abram Meerovich Katz and Mina-Reizi Orelovna Kadyshevich. She married Viktor Schnittke with whom she moved to Frankfurt in 1910. Viktor and Thea (sometimes spelled Tea) were the grandparents of the composer Alfred Schnittke and his brother, also called (1937—1994).Edgar Seibel: Viktor Schnittke: Ein wolgadeutsch-jüdisches Schicksal. Hrsg.: "Volk auf dem Weg" - Landsmannschaft der Deutschen aus Russland e.V. Nr. 7. Stuttgart Juli 2018, S. 28–29. Works In 1920 Thea Schnittke had two texts published in ''Der Gegner Der Gegner (The Opponent) was a German arts magazine published between April 1919 – 27 September 1922. It was edited by Julian Gumperz, and Karl Otten. It was published in Halle by Franz Joest Verlag. Wieland Herzfelde replaced Otten on the edi ...'': *Kommunismus und Trad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso No
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
