|
Schlagtrio
''Schlagtrio'' (Percussive Trio) is a chamber-music work for piano and two timpanists (each playing three timpani) composed by Karlheinz Stockhausen in 1952. It is Nr. ⅓ in his catalogue of works. History The ''Schlagtrio'' was originally written in Paris in 1952 as a ''Schlagquartett'' (Percussive Quartet), for piano and three timpanists, each playing a pair of drums. It was premiered that year in Hamburg, but only in a radio recording. The first public performance was given in Munich on 23 March 1953, in Karl Amadeus Hartmann's musica viva concert series, after which Stockhausen decided that he had made impractical demands for subtle attack differentiations in both the percussion and piano parts. He withdrew the score after those two performances until 1973, when he decided to renotate it. This revision was carried out during a holiday break in 1974, at N'Gor, a beach resort near Dakar in Senegal. The attacks and pitches remained unaltered, but the six timpani were redistribute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formel (Stockhausen)
''Formel'' (Formula) is a composition for chamber orchestra by Karlheinz Stockhausen, written while he was still a student in 1951. It is given the number in his catalog of works, indicating that it is amongst the pieces preceding the composition he recognised as his first mature work, Nr. 1 ''Kontra-Punkte''. History ''Formel'', originally titled ''Studie für Orchester'' (Study for Orchestra), was written in November and December 1951 immediately after ''Kreuzspiel'' and was intended to have been the first movement of a three-movement composition. When he completed the other two movements the following year, however, he decided their more punctual style did not fit well with the more thematic character of the intended opening, and the two 1952 movements became the separate composition ''Spiel''. Only twenty years later did Stockhausen retrospectively discover in the early piece similarities to the formula technique he had devised for his then-latest composition, ''Mantra'' (197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spiel (Stockhausen)
''Spiel'' (Play, or Game) is a two- movement orchestral composition by Karlheinz Stockhausen, written in 1952. Withdrawn by the composer after its first performance, it was later revised and restored to his catalogue of works, where it bears the work-number ¼. The score is dedicated to the composer's first wife, Doris. History In November 1951, Stockhausen sketched his first orchestral work and began composing the first of its three planned movements, provisionally titled ''Studie für Orchester'' (Study for Orchestra). Shortly afterward Herbert Eimert introduced Stockhausen to the director of the Donaueschinger Musiktage, Heinrich Strobel, who asked if he would be willing to compose an orchestral work for the festival, for which Strobel was prepared to pay a sum of 1500 DM—the largest sum of money Stockhausen had ever received for any single job up to that point in his life. Stockhausen agreed to send a two-piano reduction of the movement he had already begun to Hans Rosbau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain (Stockhausen)
''Refrain'' for three players (piano with woodblocks, vibraphone with alpine cowbells, and amplified celesta with antique cymbals) is a chamber music composition by Karlheinz Stockhausen, and is number 11 in his catalog of works. History ''Refrain'' was composed in June and July 1959 on commission from Gerhart von Westerman for the Berlin Festwochen, and is dedicated to . It was premiered on 2 October 1959 by David Tudor (piano), Cornelius Cardew (celesta), and a percussionist from the WDR Symphony Orchestra, Siegfried Rockstroh (vibraphone), at the Berlin Congresshalle, as part of an all-Stockhausen concert that also included ''Kreuzspiel'', ''Zeitmaße'', ''Zyklus'', and the ''Klavierstücke I'', ''IV'', ''V'', ''VII'', ''VIII'', and ''XI''. Materials and form The title refers to the disturbance six times of a placid and wide-rangingly composed sound texture by a short refrain. These refrains are notated on a rotatable transparent plastic strip, superimposed on curved sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeitmaße
''Zeitmaße'' (; German for "Time Measures") is a chamber-music work for five woodwinds (flute, oboe, cor anglais, clarinet, and bassoon) composed in 1955–1956 by German composer Karlheinz Stockhausen; it is Number 5 in the composer's catalog. It is the first of three wind quintets written by Stockhausen, followed by '' Adieu für Wolfgang Sebastian Meyer'' (1966) and the ''Rotary'' Wind Quintet (1997), but is scored with cor anglais instead of the usual French horn of the standard quintet. Its title refers to the different ways that musical time is treated in the composition. History ''Zeitmaße'' was composed more or less concurrently with three other works in contrasting media, which together formed the basis for Stockhausen's rise to fame in the 1950s. The others were ''Gesang der Jünglinge'' for electronic and concrète sounds, ''Gruppen'' for three orchestras, and '' Klavierstück XI'' for piano. In order to begin work on a commission for the new orchestral compositi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kontra-Punkte
''Kontra-Punkte'' (Counter-Points, or Against-Points) is a composition for ten instruments by Karlheinz Stockhausen which resolves contrasts among six instrumental timbres, as well as extremes of note values and dynamic levels, into a homogeneous ending texture. Stockhausen described it: "Counter-Points: a series of the most concealed and also the most conspicuous transformations and renewals—with no predictable end. The same thing is never heard twice. Yet there is a distinct feeling of never falling out of an unmistakable construction of the utmost homogeneity. An underlying force that holds things together—related proportions: a structure. Not the same ''Gestalten'' in a changing light. But rather this: various ''Gestalten'' in the same light, that permeates everything." History The first, untitled version, written in 1952–53, was a sparse-textured, " punctual" composition scored for flute, E-flat clarinet, contrabass clarinet, contrabassoon, trumpet, contrabass tuba, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punkte
''Punkte'' (Points) is an orchestral composition by Karlheinz Stockhausen, given the work number ½ in his catalogue of works. History ''Punkte'' originated as a punctual orchestral work which was begun in September in Hamburg and had reached a first-draft stage by 30 September. The final draft was completed on 24 October 1952, but the work remained unperformed and unpublished . The work did not receive the title by which it is known today until much later, however. In a letter dated 4 November 1952 to (the editor from Universal Edition in Vienna who, at the premiere of Stockhausen's ''Spiel'' at the Donaueschingen Festival in October, had offered to publish his works), Stockhausen initially called his new score ''Zweites Orchesterspiel / Kontrapunkte / für Saiten- und Blasinstrumente'', and in a letter to his friend Karel Goeyvaerts dated 14 January 1953, he calls the orchestral work ''Nr. 4 Kontrapunkte'', adding, "It will be very difficult to perform this work". At this point ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonatine (Stockhausen)
The Sonatine ( Sonatina) for violin and piano is a chamber music composition by Karlheinz Stockhausen, written while he was still a student in 1951. It carries the work-number ⅛ in his catalogue of works. History Stockhausen composed the Sonatine as the second of two "free works" required for his final examinations at the Cologne Conservatory. The piano part of the first movement was composed originally as a separate work, titled ''Präludium'', and the violin part was then superimposed. The manuscript of the completed composition is dated 19 March 1951. It was premiered by Wolfgang Marschner, concertmaster of the NWDR Symphony Orchestra, with the composer at the piano, in a broadcast recording transmitted for the first time on 24 August 1951. The first performance before a live audience, however, did not occur until twenty years later, when Saschko Gawriloff (violin) and Aloys Kontarsky (piano) played it on 22 October 1971 at a concert of the SMIP in Paris. Analysis The work i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drei Lieder (Stockhausen)
''Drei Lieder'' (Three Songs), for alto voice and chamber orchestra, is a song cycle by Karlheinz Stockhausen, written while he was still a conservatory student in 1950. In the composer's catalogue of works, it bears the number 1/10. History When the 21-year-old Stockhausen wrote the ''Drei Lieder'' in two weeks during the summer of 1950, he had no ambition to become a composer. He was approaching the end of his studies in music education at the Cologne Conservatory and, after numerous classroom exercises, wanted merely to try his hand at composing something of substantial proportions. The work was originally titled ''Lieder der Abtrünnung'' (Songs of a Renegade), and set three poems written by the composer himself: "Mitten im Leben" (In the Midst of Life), "Frei" (Free), and "Der Saitenmann" (The Fiddler). (It is possible that there were originally five songs, but two were later destroyed.) The score is dedicated to Doris Andreae, who later became the composer's wife. Stockhaus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Von Blumröder
Christoph von Blumröder (born 18 July 1951) is a German musicologist. Career Born in Northeim, Blumröder studied musicology at the Albert-Ludwigs-Universität Freiburg in Breisgau with Hans Heinrich Eggebrecht, philosophy and history of the . After his doctorate in 1979, Blumröder was a research assistant at the ' (1972–2006). From 1980 Blumröder also taught at the university there, where he received his habilitation in 1990. After assistant professorships at the University of Bonn in the winter semester of 1991/92 and at the Saarland University in the summer semester of 1995, he accepted an appointment as professor for contemporary music at the Musicological Institute of the University of Cologne in the winter semester of 1996/97. There he founded the cycles of events ''Composition and Musicology in Dialogue'' (1997) and ''Space Music'' (1998) as well as the publication series ''Signale aus Köln. Beiträge zur Musik der Zeit'' and was elected chairman of the associatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wergo
WERGO is a German record label focusing on contemporary classical music. It was founded in 1962 by German art historian and music publisher (1903–1975) and the musicologist Helmut Kirchmeyer. Their first release, filed under "WER 60001", was Schoenberg's ''Pierrot lunaire'', conducted by Pierre Boulez. The record company is owned by Schott Music, both based in Mainz, Germany. A great number of contemporary composers have been recorded by the label. These include Louis Andriessen, George Antheil, Béla Bartók, Pierre Boulez, Earle Brown, John Cage, Elliott Carter, George Crumb, Morton Feldman, Mauricio Kagel, György Ligeti, Meredith Monk, Conlon Nancarrow, Luigi Nono, Harry Partch, Steve Reich, Wolfgang Rihm, Terry Riley, Kaija Saariaho, Giacinto Scelsi, Dieter Schnebel, Karlheinz Stockhausen, Pēteris Vasks, and Walter Zimmermann. Earle Brown was repertory director of an important series of new-music recordings on the Time-Mainstream label re-issued in 2008 on Wergo. Betw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music By Karlheinz Stockhausen
Chamber or the chamber may refer to: In government and organizations * Chamber of commerce, an organization of business owners to promote commercial interests *Legislative chamber, in politics * Debate chamber, the space or room that houses deliberative assemblies such as legislatures, parliaments, or councils. In media and entertainment *Chamber (comics), a Marvel Comics superhero associated with the X-Men * Chamber music, a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber * ''The Chamber'' (game show), a short-lived game show on FOX * ''The Chamber'' (novel), a suspense novel by John Grisham ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film directed by Ben Parker * , a musical ensemble from Frankfurt, Germany-based around vocalist/guitarist Marcus Testory Other *Chamber (firearms), the portion of the barrel or firing cylinder in which the cartridge is i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieter Schnebel
Dieter Schnebel (14 March 1930 – 20 May 2018) was a German composer, theologian and musicologist. He composed orchestral music, chamber music, vocal music and stage works. From 1976 until his retirement in 1995, Schnebel served as professor of experimental music at the Hochschule der Künste, Berlin. Career Schnebel was born in Lahr/Baden. He began general private music studies with Wilhelm Siebler from 1942 until 1945, when he started piano lessons with Wilhelm Resch, and continued study with him until 1949 at the age of 19. He continued with music history through 1952, under Eric Doflein. Simultaneously he began to study composition, from 1950, with Ernst Krenek, Theodor W. Adorno and Pierre Boulez, among others. He entered formal studies at the University of Tübingen where he took musicology with Walter Gerstenberg, as well as theology, philosophy and further piano studies. In 1955, he left with a degree in theology, but with a dissertation about Arnold Schoenberg. Soon aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
