Scheisse Minnelli
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Scheisse Minnelli
Scheisse or Scheiße may refer to: * "Scheisse", 1981 song by Ebba Grön Ebba Grön was a Swedish punk band formed in Stockholm, Sweden, in 1977. Ebba Grön consisted of Joakim Thåström (lead vocals, guitar), Gunnar Ljungstedt (drums) and Lennart Eriksson (bass guitar, backing vocals). Thåström, Ljungstedt and ... * "Scheiße" (song), by Lady Gaga See also * Shit (other) {{Dab ...
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Ebba Grön
Ebba Grön was a Swedish punk band formed in Stockholm, Sweden, in 1977. Ebba Grön consisted of Joakim Thåström (lead vocals, guitar), Gunnar Ljungstedt (drums) and Lennart Eriksson (bass guitar, backing vocals). Thåström, Ljungstedt and Eriksson were also known as Pimme, Gurra and Fjodor. After the release of their second album in 1981, they were joined by a fourth member, Anders Sjöholm, also known as Stry Terrarie, on keyboard. The group disbanded in 1983. One of the most famous songs they recorded is a cover version of "Den ena handen vet vad den andra gör" by the Swedish progg band, ''Blå Tåget''. Renamed "Staten och kapitalet", the song expresses an anti-capitalist sentiment about how the state (''staten'') and the capitalist owned corporations (''kapitalet'') control and enslave the working classes. History During a December 1977 party in Rågsved, a working-class suburb of Stockholm, Thåström, Gurra, and Fjodor formed a band called ''The Haters''. A few ...
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Scheiße (song)
"Scheiße" (German for " shit") is a song by American singer Lady Gaga from her second studio album, '' Born This Way'' (2011). The song was written and produced by Lady Gaga and Nadir "RedOne" Khayat, and was recorded in Europe on the tour bus during the Monster Ball Tour. "Scheiße" was first introduced as a remix during a Thierry Mugler fashion show held on January 19, 2011. A dance-pop song with heavy, pounding synths, it also has a fast techno beat with electroclash and Eurodisco influences. Gaga speaks the first verse and parts of the chorus of the song in faux-German, as the name of the song is German. The lyrics have a feminist tone, speaking of female empowerment. The song received positive reviews from contemporary critics, who complimented its heavy dance beat and catchy chorus, despite criticizing the faux-German lyrics and Gaga's accent. The song charted on the South Korean Gaon Music Chart and US '' Billboard'' dance charts, as well as entering the component ...
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