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Scheherazade (Rimsky-Korsakov)
''Scheherazade'', also commonly ''Sheherazade'' ( rus, Шехеразада, Shekherazada, ʂɨxʲɪrɐˈzadə), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on ''One Thousand and One Nights'' (also known as ''The Arabian Nights)''. This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name "Scheherazade" refers to the main character Scheherazade of the ''One Thousand and One Nights''. It is one of Rimsky-Korsakov's most popular works. Background During the winter of 1887, as he worked to complete Alexander Borodin's unfinished opera ''Prince Igor,'' Rimsky-Korsakov decided to compose an orchestral piece based on pictures from ''One Thousand and One Nights'' as well as separate and unconnected episodes.Rimsky-Korsakov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Suite
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luga, Leningrad Oblast
Luga (russian: Лу́га; Finnish: ''Ylä-Laukaa'' or ''Laukaa''; vot, Laugaz; et, Luuga) is a town and the administrative center of Luzhsky District in Leningrad Oblast, Russia, located on the Luga River south of St. Petersburg. Population: History It was founded on the banks of the river of that name by order of the Catherine the Great on August 3 (14), 1777. The town developed in following stages: #Initial construction (1777–c. 1800) #Early growth to population of 3,000 (c. 1810–c. 1860) #Intense social and urban development (c. 1870–1910) #Soviet development according to the typical plan for smaller towns (1926–c. 1950) #Reconstruction of the historical town structure (c. 1960–c. 1995) #Transition to free market agro-industrial town (c. 1995–2005) Luga was founded as a town in Pskov Viceroyalty, but in March 3 (14), 1782 it was transferred to St. Petersburg Governorate (renamed Petrogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole Tone Scale
In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone. In twelve-tone equal temperament, there are only two complementary whole-tone scales, both six-note or ''hexatonic'' scales. A single whole-tone scale can also be thought of as a "six-tone equal temperament". : : The whole-tone scale has no leading tone and because all tones are the same distance apart, "no single tone stands out, ndthe scale creates a blurred, indistinct effect". This effect is especially emphasised by the fact that triads built on such scale tones are all augmented triads. Indeed, all six tones of a whole-tone scale can be played simply with two augmented triads whose roots are a major second apart. Since they are symmetrical, whole-tone scales do not give a strong impression of the tonic or tonality. The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition. The composer and music th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subject (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seriatim
In law, ''seriatim'' (Latin for "in series") indicates that a court is addressing multiple issues in a certain order, such as the order in which the issues were originally presented to the court. Legal usage A seriatim opinion is an opinion delivered by a court with multiple judges, in which each judge reads his or her own opinion rather than a single judge writing an opinion on behalf of the entire court. Traditionally, judges read in order of reverse seniority, with the most junior judge speaking first. In the United States, this practice was discontinued in favour of majority opinions contra the British tradition of separate opinions. In the United Kingdom Most frequently used in modern times (when used at all) pleadings as a shorthand for "one by one in sequence". For example, in English civil cases, defence statements generally used to conclude with the phrase "save as expressly admitted herein, each allegation of the plaintiffs is denied as if set out in full and trav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naoum Blinder
Naoum Blinder (July 19, 1889 – November 21, 1965) was a Russian- American virtuoso violinist and teacher, born in Yevpatoria (then Russian Empire, now Ukraine). Early life and education He graduated from the Imperial Musical College of Odessa at 16, where he studied with Alexander Fiedemann.''Otchet Odesskago Otdeleniya Imperatorskago Russkago Muzykal'nago Obshchestva za 1905-1906 god. (Annual report 1905/1906 of the Imperial Russian Musical College, Odessa) — p. 14''. Odessa 1907 (ru) From 1910 to 1913, he attended the Royal Manchester College of Music, where he studied with Adolph Brodsky. He then returned to Odessa to teach at the Imperial Conservatory of Odessa, which he did until 1920. Violinist career In 1921 Blinder embarked on a concert tour that included stops in Ukraine, Turkmenistan, Leningrad, Moscow among others. In 1926 he went on tour again, this time playing in Turkey, and Palestine and Siberia. In 1928 Blinder played seven concerts in Tokyo and twenty th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Monteux
Pierre Benjamin Monteux (; 4 April 18751 July 1964) was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in 1907. He came to prominence when, for Sergei Diaghilev's Ballets Russes company between 1911 and 1914, he conducted the world premieres of Stravinsky's ''The Rite of Spring'' and other prominent works including ''Petrushka'', '' The Nightingale'', Ravel's ''Daphnis et Chloé'', and Debussy's '' Jeux''. Thereafter he directed orchestras around the world for more than half a century. From 1917 to 1919 Monteux was the principal conductor of the French repertoire at the Metropolitan Opera in New York. He conducted the Boston Symphony Orchestra (1919–24), Amsterdam Concertgebouw Orchestra (1924–34), Orchestre Symphonique de Paris (1929–38) and San Francisco Symphony (1936–52). In 1961, aged eighty-six, he accepted the chief cond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Symphony
The San Francisco Symphony (SFS), founded in 1911, is an American orchestra based in San Francisco, California. Since 1980 the orchestra has been resident at the Louise M. Davies Symphony Hall in the city's Hayes Valley neighborhood. The San Francisco Symphony Youth Orchestra (founded in 1981) and the San Francisco Symphony Chorus (1972) are part of the organization. Michael Tilson Thomas became the orchestra's music director in 1995, and concluded his tenure in 2020 when Esa-Pekka Salonen took over the position. Among the orchestra's awards and honors are an Emmy Award and 15 Grammy Awards in the past 26 years. History The early years The orchestra's first concerts were led by conductor-composer Henry Hadley. There were sixty musicians in the Orchestra at the beginning of their first season. The first concert included music by Wagner, Tchaikovsky, Haydn, and Liszt. There were thirteen concerts in the 1911–1912 season, five of which were popular music. In 1915, Alfred He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinbad The Sailor
Sinbad the Sailor (; ar, سندباد البحري, Sindibādu al-Bahriyy; fa, سُنباد بحری, Sonbād-e Bahri or Sindbad) is a fictional mariner and the hero of a story-cycle of Persian origin. He is described as hailing from Baghdad during the early Abbasid Caliphate (8th and 9th centuries A.D.). In the course of seven voyages throughout the seas east of Africa and south of Asia, he has fantastic adventures in magical realms, encountering monsters and witnessing supernatural phenomena. Origins and sources The tales of Sinbad are a relatively late addition to the ''One Thousand and One Nights'' – they do not feature in the earliest 14th-century manuscript, and they appear as an independent cycle in 18th- and 19th-century collections. The tale reflects the trend within the Abbasid realm of Arab and Muslim sailors exploring the world. The stories display the folk and themes present in works of that time. The Abbasid reign was known as a period of great economic and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatoly Lyadov
Anatoly Konstantinovich Lyadov (russian: Анато́лий Константи́нович Ля́дов; ) was a Russian composer, teacher, and conductor (music), conductor. Biography Lyadov was born in 1855 in Saint Petersburg, St. Petersburg, into a family of eminent Russian musicians. He was taught informally by his conductor step-father Konstantin Lyadov from 1860 to 1868, and then in 1870 entered the Saint Petersburg Conservatory, St. Petersburg Conservatory to study piano and violin. He soon gave up instrumental study to concentrate on counterpoint and fugue, although he remained a fine pianist. His natural musical talent was highly thought of by, among others, Modest Mussorgsky, and during the 1870s he became associated with the group of composers known as The Five (composers), The Five. He entered the composition classes of Nikolai Rimsky-Korsakov, but was expelled for absenteeism in 1876. In 1878 he was readmitted to these classes to help him complete his graduatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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