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Scala (band)
Scala was an electronic rock band from London, UK formed in 1996 by members of the band Seefeel. They released two singles, three albums, and two EPs over the following two years. History The disintegration of the post-rock band Seefeel in 1996-1997 led to its lead member Mark Clifford continuing as essentially a solo act. The remaining members of Seefeel—Sarah Peacock, Justin Fletcher, and Daren Seymour—collaborated with former Seefeel member Mark Van Hoen to form the group Scala. Scala released their debut album '' Beauty Nowhere'' in 1997 followed by two albums in 1998: ''To You in Alpha'' and ''Compass Heart''. After working with Scala, Peacock continued work in the group January. Style ''Exclaim!'' described the band's sound as "a crystal clear instrumental sound made of finely textured synths, guitar and drum machine patterns that should appeal to jaded listeners of both pop and 'electronica.'" ''Side Line'' wrote that 'Scala take the rhythmic, ambient guitar sonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through the work of groups such as Cocteau Twins and A.R. Kane. Subsequently, acts such as My Bloody Valentine, Slowdive, Galaxie 500, Julee Cruise, Lush, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-'00s success of Beach House. Characteristics The term dream pop is thought to relate to the "immersion" in the music experienced by the listener.Goddard, Michael et al. (2013) ''Resonances: Noise and Contemporary Music'', Bloomsbury Academic, ''The AllMusic G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Too Pure
Too Pure was a London-based independent record label formed in 1990 by Richard Roberts and Paul Cox. The label gained prominence after the release of PJ Harvey's debut album '' Dry'' in 1992, and subsequently found further success in the late 1990s and early 2000s with albums by indie rock artists such as Mclusky and Electrelane. The label was closed in 2008. History Too Pure started off as an experimental label and built its reputation by releasing primarily alternative/independent music which its founders felt was being ignored by major labels. At its inception Too Pure was largely preoccupied by the so-called Camden Lurch scene, through its 'Sausage Machine' night in North London (documented by its ''Now That's Disgusting Music'' (1990) compilation). The label discovered PJ Harvey but was struggling to hold on to the artist after the success of single " Sheela Na Gig", as an industry feeding frenzy brought in a host of major labels. Eventually Too Pure secured UK release r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Touch Records
Touch (sometimes mistakenly written 'Touch Records' and sometimes written Touch Music, which is technically the publishing side of the company) is a British audio-visual organisation, operating the Touch label. Touch was founded in 1982 by Jon Wozencroft and Mike Harding. Activities Touch Music is the main arm of the London-based multimedia publishing company Touch, established in 1982 with such composers as Oren Ambarchi, Jasmin Blasco, Christian Fennesz, Soliman Gamil, Hildur Guðnadóttir, Philip Jeck, Phill Niblock, BJNilsen (alias Hazard), Yann Novak, Rosy Parlane, Zachary Paul, Peter Rehberg, Simon Scott, Claire M Singer, Carl Michael von Hausswolff, Chris Watson (''El Tren Fantasma'') and Jana Winderen on their roster. Since January 2005 Touch's project Touch Radio has broadcast monthly programmes of varying lengths by artists including Niblock, Watson, and Jeck. In 2011 the Touch Radio archive was added to the British Library Sound Archive. Labels Owned labels: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seefeel
Seefeel are a British electronic and post-rock band formed in the early 1990s by Mark Clifford (guitar, programming), Daren Seymour (bass), Justin Fletcher (drums, programming), and Sarah Peacock (vocals, guitar). Their work became known for fusing guitar-based shoegaze with the production techniques of ambient techno and electronica. Initially forming as a more conventional rock band, Seefeel soon embraced electronic production and gained recognition for their 1993 debut EP ''More Like Space'' and first album '' Quique'' (1993), both on the British independent label Too Pure. The band subsequently released music on electronic labels Warp Records and Rephlex, and then went on an extended hiatus in 1997, with members pursuing the side-projects Scala and Disjecta. Following the reissue of ''Quique'' in 2007, Clifford and Peacock relaunched Seefeel and were joined by Shigeru Ishihara ( DJ Scotch Egg) on bass, and former Boredoms drummer Iida Kazuhisa (E-Da). In 2010 they releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Van Hoen
Mark Van Hoen (born September 1966, Croydon, London, England) is an English electronic music artist. He has created music under his own name as well as Locust, and Autocreation. Pitchfork said, "Musically, Van Hoen belongs to a distinguished family tree. Originally influenced by the likes of Brian Eno and Tangerine Dream, and later presaging both Autechre's glitch and Boards of Canada's pastoral IDM, with his latest album Van Hoen would fit in just as well alongside White Rainbow or Atlas Sound on a current label like Kranky: He combines oceanic drone with pop lyricism, using technology as a catalyst." In 1993, Van Hoen signed with the Belgian-based record label, R&S. The initial releases were as Locust and used vintage analogue synthesizers and tape recorders. As the Locust sound moved towards an increasingly more vocal oriented approach in the late 1990s, Van Hoen also began to release music under his own name. In October 2013, Black Hearted Brother, Van Hoen's collaboration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Ensemble
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo ( harpsichord and cello) and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles (e.g., string quartet) or wind ensembles (e.g., wind quintet). Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers and their website, exclaim.ca, has an average of 675,000 unique visitors a month. History ''Exclaim!'' began as a discussion among campus and community radio programmers at Ryerson's CKLN-FM in 1991. It was started by then-CKLN programmer Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded. The group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start. James Keast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
