Saxophone Quartet
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Saxophone Quartet
A saxophone quartet is a musical ensemble composed of four saxophones, typically soprano, alto, tenor and baritone saxophones. Different saxophone family members are employed to provide a larger range and a variety of tone colours. Other arrangements of instruments also exist, but are rarer. A piece of music composed for such an ensemble can also itself be referred to as a ''saxophone quartet''. History The saxophone was developed in 1840 by Adolphe Sax, a Belgian instrument maker, flautist, and clarinetist based in Brussels. Sax went to considerable effort to popularize the instrument but faced opposition in his efforts from his fellow instrument makers at the time. Despite being initially conceived of as an orchestral instrument, it was through the avenue of military music that the instrument first gained significant momentum. Composer Jean-Baptiste Singelee had written works for four saxophones in the 19th century. These included ''Allegro de concert'' (AATB), ''Quatuor en 4 P ...
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Python Saxophone Quartet
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Carina Rascher
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29th Street Saxophone Quartet
The 29th Street Saxophone Quartet was an American saxophone quartet. Established in 1982, the ensemble's members included alto saxophonists Bobby Watson and Ed Jackson, tenor saxophonist Rich Rothenberg (in more recent years, Willie Williams), and baritone saxophonist Jim Hartog. The group has performed an eclectic repertoire, including jazz, show tunes, funk, rap, and original experimental works. Throughout the 1980s and 1990s the band toured in Britain, Europe, Turkey, Canada and in the United States. Critical reception In an early review of the band's first extended engagement in New York City in 1984, John S. Wilson of ''The New York Times'' wrote, "The ensemble playing is clean, precise and tightly together, but the solos are filled with slashing, exuberant abandon. At times it is the very essence of loose, free jazz but it also uses the heavy, stylized sound of Stan Kenton's saxophone writing. The four musicians are choreographed in shifting formations to spotlight soloists ...
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Timothy McAllister
Timothy McAllister (born October 21, 1972) is an American classical saxophonist and music educator, who, as of 2014, is Professor of Saxophone at the University of Michigan School of Music, Theatre & Dance. Career Born in 1972, he gave his solo debut at age 16 with the Houston Civic Symphony. As a teenager he attended the Interlochen Center for the Arts, where he studied with John Sampen. McAllister studied saxophone with Donald Sinta and conducting with H. Robert Reynolds at the University of Michigan. He holds a Bachelor of Music (1995), the Albert A. Stanley Medal (1995), Masters of Music (1997), and a Doctor of Musical Arts (2002). As of 2014, McAllister has been Professor of Saxophone at the University of Michigan School of Music, Theatre & Dance, a role held previously by Donald Sinta and Larry Teal. Each summer he teaches saxophone at Interlochen, the MPulse Saxophone Institute, Arosa Music Course in Switzerland, and the Orford Music Academy in Canada. From 2012 to 2014, ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Fischoff National Chamber Music Competition
The Fischoff National Chamber Music Competition is the largest and oldest continuous chamber music competition in the United States. In 1973, Joseph E. Fischoff and fellow members of the South Bend Chamber Music Society established a competition to encourage young people to pursue chamber music study and performance. The first competition drew six ensembles. Today it averages around 125 ensembles, representing 22 nationalities. There are two categories, string and wind. Fischoff is the only national chamber music competition with senior (ages 18–35) and junior (age 18 and younger) divisions. More than 7,600 musicians have participated, many of whom have gone on to distinguished careers in music performance and education. The Fischoff attracts young musicians from around the globe, and winning a prize at the Fischoff is a coveted honor. The competition The annual competition takes place at the University of Notre Dame's DeBartolo Performing Arts Center. The 49th Annual Fisch ...
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World Saxophone Congress
The World Saxophone Congress is a festival gathering approximately 1000 saxophone, saxophonists and other musicians from all over the world. It is held every three years at a different congress centre in a different country and focuses primarily (although not exclusively) on the performance of classical saxophone music. The Congress presents an opportunity to meet saxophonists from many countries and to listen to various concerts and performances of saxophone soloists, chamber ensembles, big bands and symphony orchestras that run simultaneously throughout the day in different halls of the congress centre. Each of the five days is concluded by an evening concert of the orchestra and outstanding international soloists. It is also convened with the purpose of presenting the advancements of music production and distribution as well as innovations in instrument-making and equipment. The seventeenth and most recent World Saxophone Congress, known as SaxOpen, was held between 9 and 14 ...
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Deep Schrott TFF2014 (1)
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Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically. Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written fifteen operas, numerous chamber operas and musical theatre works, fourteen symphony, symphonies, twelve concertos, nine string quartets and various other chamber music, and several film scores. Three of his film scores have been nominated for an Academy Award. Life and work 1937–1964: Beginnings, early education and influences Philip Glass was born in Baltimore, Maryland, on January 31, 1937, the son of Ida (née Gouline) and Benjamin Charles Glass. His family were Lithuanian Je ...
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Eugene Bozza
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Alexander Glazunov
Alexander Konstantinovich Glazunov; ger, Glasunow (, 10 August 1865 – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. He was director of the Saint Petersburg Conservatory between 1905 and 1928 and was instrumental in the reorganization of the institute into the Petrograd Conservatory, then the Leningrad Conservatory, following the Bolshevik Revolution. He continued as head of the Conservatory until 1930, though he had left the Soviet Union in 1928 and did not return. The best-known student under his tenure during the early Soviet years was Dmitri Shostakovich. Glazunov successfully reconciled nationalism and cosmopolitanism in Russian music. While he was the direct successor to Balakirev's nationalism, he tended more towards Borodin's epic grandeur while absorbing a number of other influences. These included Rimsky-Korsakov's orchestral virtuosity, Tchaikovsky's lyricism and Taneyev's contrapuntal skill. Younger comp ...
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Phil Woods
Philip Wells Woods (November 2, 1931 – September 29, 2015) was an American jazz alto saxophonist, clarinetist, bandleader, and composer. Biography Woods was born in Springfield, Massachusetts. After inheriting a saxophone at age 12, he began taking lessons at a local music shop. His heroes on the alto saxophone included Benny Carter and Johnny Hodges. He studied music with Lennie Tristano at the Manhattan School of Music and at the Juilliard School. His friend, Joe Lopes, coached him on clarinet as there was no saxophone major at Juilliard at the time and received a bachelor’s degree in 1952. Although he did not copy Charlie Parker, Woods was known as the New Bird, a nickname also given to other alto saxophone players such as Sonny Stitt and Cannonball Adderley. In the 1950s, Woods began to lead his own bands. Quincy Jones invited him to accompany Dizzy Gillespie on a world tour sponsored by the U.S. State Department. A few years later he toured Europe with Jones, and in 19 ...
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