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Satellite Supersonic Vol. 1
Satellite Supersonic Vol. 1 is a compilation of Secret Chiefs 3 songs. All but one of the songs are by the Secret Chiefs 3's satellite bands UR, Ishraqiyun and Electromagnetic Azoth, making the album the third digital recording to feature such releases. Some of the songs were previously released as limited edition 7-inch singles, whereas others are previously unreleased tracks. The final piece is an unreleased rarity from the early years of the band, recorded in 1998. The previously released songs have seen "a full studio work-over" in 2010. Some of them feature newly recorded material. Track listing Personnel * Trey Spruance — guitars (electric guitar, bass guitar, baritone guitar, Pythagorean guitar), piano, organ, percussion, glockenspiel, saz, autoharp, synthesizer, vocals, production, overdubbing, mixing, arrangement, design * Lucas Abela — power drill * Anonymous 13 — viola, vocals * butcherBaker — layout * Matt Chamberlain — drums * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secret Chiefs 3
Secret Chiefs 3 (or SC3) is an American avant-garde group led by guitarist/composer Trey Spruance (of Mr. Bungle and formerly, Faith No More). Their studio recordings and tours have featured different lineups, as the group performs a wide range of musical styles, mostly instrumental, including surf rock, Persian, neo-Pythagorean, Indian, death metal, film music, and electronic music. The band's name is derived from the "Secret Chiefs" said to inspire and guide various esoteric and mystical groups of the previous two centuries. Spruance has expressed interest in, and drawn inspiration from, various mystical or occult systems such as Sufism, Kabbalah, Hermeticism, and alchemy. Satellite bands In 2007, it was announced that Secret Chiefs 3 has always been a general name for seven different bands, each representing a different aspect of Spruance's musical and philosophical interests. The seven bands are Electromagnetic Azoth, UR, Ishraqiyun, Traditionalists, Holy Vehm, FORMS, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justice Yeldham
Lucas Abela (born 7 May 1972), also known by the stage name Justice Yeldham, is an Australian noise musician. He is most famous for creating an instrument made from a diamond-shaped pane of glass, fitted with contact microphones and attached to effects pedals. During live shows, he manipulates and breaks the glass with his mouth, often receiving cuts in the process and leaving his face and the instrument smeared in blood. ''NME'' described his live shows as "crossing the line between music and bloodsport". Despite being classified as a noise artist, Abela sees himself as an improvisational musician in the free jazz tradition.Priest, Gail (2009). ''Experimental Music: Audio Explorations in Australia''. University of New South Wales Press. , pp. 148–149. Abela began his music career in Sydney in the 1990s as a DJ and turntablist.Morgans, Julian (11 July 2018)"Meet the Experimental Musician Who Plays Cut Glass With His Mouth" SBS. Retrieved 17 July 2018. Realising that any met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albums Produced By Trey Spruance
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
