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Sarod
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music. Origins The word sarod, which comes from the Persian, is much older than the Indian musical instrument. It can be traced back to ''sorūd'' meaning "song", "melody", "hymn" and further to the Persian verb ''sorūdan'', which correspondingly means "to sing", "to play a musical instrument", but also means "to compose". Alternatively, the shahrud may have given its name to the sarod. The Persian word šāh-rūd is made up of ''šāh'' (shah or king) and ''rūd'' (string). Many scholars of Indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarod MET DP-14177-002
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music. Origins The word sarod, which comes from the Persian, is much older than the Indian musical instrument. It can be traced back to ''sorūd'' meaning "song", "melody", "hymn" and further to the Persian verb ''sorūdan'', which correspondingly means "to sing", "to play a musical instrument", but also means "to compose". Alternatively, the shahrud may have given its name to the sarod. The Persian word šāh-rūd is made up of ''šāh'' (shah or king) and ''rūd'' (string). Many scholars of Indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amjad Ali Khan
Ustad Amjad Ali Khan (born 9 October 1945) is an Indian classical ''sarod'' player, best known for his clear and fast ekhara taans. Khan was born into a classical musical family and has performed internationally since the 1960s. He was awarded India's second highest civilian honor Padma Vibhushan in 2001. Career and recognition Khan first performed in the United States in 1963 and continued into the 2000s, with his sons. He has experimented with modifications to his instrument throughout his career. Khan played with the Hong Kong Philharmonic Orchestra and worked as a visiting professor at the University of New Mexico. In 2011, he performed on Carrie Newcomer's album ''Everything is Everywhere''. In 2014, along with his two sons, Ayaan Ali Khan and Amaan Ali Khan, he performed 'Raga For Peace' in 2014 Nobel Peace Prize Concert. Khan was awarded 21st Rajiv Gandhi National Sadbhavna Award. Khan received Padma Shri in 1975, Padma Bhushan in 1991, and Padma Vibhushan in 2001, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubab (instrument)
Rubab, robab or rabab (Pashto/Persian: رُباب, Kashmiri : رَبابہٕ, Sindhi: (Nastaleeq), रबाब (Devanagari), Azerbaijani/ Turkish: Rübab, Tajik/ Uzbek ''рубоб'') is a lute-like musical instrument.David Courtney, 'Rabab'Chandra & David's Homepage/ref> The rubab is one of the national musical instruments of Afghanistan; and is also commonly used in Pakistan in areas inhabited by the Pashtun and Baloch, and also played by Sindhi people in Sindh, by Kashmiri people in Kashmir, and by the Punjabis of the Punjab. Three variants of the rubab are the ''Kabuli rebab'' of Afghanistan, the ''Seni rebab'' of northern India, and the ''Pamiri rubab'' of Tajikistan. These proliferated throughout West, Central, South and Southeast Asia. The Kabuli rebab originates from Afghanistan, and it derives its name from Arabic '' rebab'' 'played with a bow'; in Central Asia and the Indian subcontinent, however, the instrument is plucked and is distinctly different in construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surasingar
The sursingar (IAST: ), sursringar or surshringar (Sringara: Pleasure in Sanskrit), is a musical instrument originating from the Indian subcontinent having many similarities with the sarod. It is larger than the sarod and produces a deeper sound. It precedes the sarod chronologically. In Dhrupad style, it was used as a solo instrument in the 19th and 20th centuries. It is regarded as a further development of the Dhrupad-Rabab that has more or less disappeared today. Its neck has a metal fingerboard and the steel and bronze strings are played with a metal pick, while the bridge is made of a flat horn. It has two resonant boxes; the main box is made from a cut gourd, on which a wooden cover is attached.Ram Avtar Vir. Musical Instruments of India. Construction and Playing style The main body is made of wood and not leather (the material used in earlier instruments). The sound producing mechanism of the instrument is formed by a gourd. The gourd is attached to a hollow wooden han ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubab (instrument)
Rubab, robab or rabab (Pashto/Persian: رُباب, Kashmiri : رَبابہٕ, Sindhi: (Nastaleeq), रबाब (Devanagari), Azerbaijani/ Turkish: Rübab, Tajik/ Uzbek ''рубоб'') is a lute-like musical instrument.David Courtney, 'Rabab'Chandra & David's Homepage/ref> The rubab is one of the national musical instruments of Afghanistan; and is also commonly used in Pakistan in areas inhabited by the Pashtun and Baloch, and also played by Sindhi people in Sindh, by Kashmiri people in Kashmir, and by the Punjabis of the Punjab. Three variants of the rubab are the ''Kabuli rebab'' of Afghanistan, the ''Seni rebab'' of northern India, and the ''Pamiri rubab'' of Tajikistan. These proliferated throughout West, Central, South and Southeast Asia. The Kabuli rebab originates from Afghanistan, and it derives its name from Arabic '' rebab'' 'played with a bow'; in Central Asia and the Indian subcontinent, however, the instrument is plucked and is distinctly different in construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sursingar
The sursingar (IAST: ), sursringar or surshringar (Sringara: Pleasure in Sanskrit), is a musical instrument originating from the Indian subcontinent having many similarities with the sarod. It is larger than the sarod and produces a deeper sound. It precedes the sarod chronologically. In Dhrupad style, it was used as a solo instrument in the 19th and 20th centuries. It is regarded as a further development of the Dhrupad-Rabab that has more or less disappeared today. Its neck has a metal fingerboard and the steel and bronze strings are played with a metal pick, while the bridge is made of a flat horn. It has two resonant boxes; the main box is made from a cut gourd, on which a wooden cover is attached.Ram Avtar Vir. Musical Instruments of India. Construction and Playing style The main body is made of wood and not leather (the material used in earlier instruments). The sound producing mechanism of the instrument is formed by a gourd. The gourd is attached to a hollow wooden han ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatiya Sangeet Vadya
''Bharatiya Sangeet Vadya'' (Indian Musical Instruments) is a book () written by Lalmani Misra. It was published under the Lokodya Granthmala series (Granthak / Volume No.: 346) of Bharatiya Jnanpith, New Delhi. The first edition was published in 1973, the second in 2002. The book was written in Hindi. It was described in a 1974 review in ''Ethnomusicology'', the journal of the Society for Ethnomusicology, as "the most complete, authoritative work ever published on the history of Indian musical instruments." The book carries an exhaustive documentation of musical instruments, right from the ancient to modern times, with an emphasis on establishing that modern Indian instruments have their origins in ancient Indian, rather than in Muslim and Western, culture. The book has always been in great demand by scholars and musicians for it also gives insight into fundamentals of playing instruments and traces the development in content along with that of the instrument. Chapters The book ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahrud
The Shahrud (Turkish ''Şehrud'' from Persian شاهرود, DMG ''šāh-i rūd'' or ''šāh-rūd'') was a short-necked lute, illustrated in the '' Surname-i Hümayun'', resembling an oud or barbat, but being much larger. The larger size gave the instrument added resonance and a deeper ( bass) range, like the modern mandobass, mandolone or Algerian mandole. The word also referred to a type of zither written about by Al Farabi and illustrated in his book ''Kitāb al-mūsīqī al kabīr''. That illustration has led scholars to speculate the instrument was a box-zither, or a harp combined with a psaltery. The šāh-rūd was introduced to Samarkand in the early 10th century and spread to Middle Eastern Arabic music. Another writer who referred to the instrument was Abd al-Qadir in his work ''Maqasid al-Alhan'' (Persian for: purports of Music)(مقاصد الحان). al-Qadir was interested in the restoration and improvement of stringed musical instruments, and his work provides inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tungna
The Tungna ( Nepali: टुङ्ना) is a plucked string instrument from the Northern Himalayan region: Nepal, Tibet, Sikkim and Bhutan. It is made from a single piece of carved wood. The front hollow body (which serves as the sound-box) is covered with stretched animal skin on which the 'bridge' sits. The Tungna has four strings which is anchored to the keys and body at both ends and the 'bridge' acts as a cantilever thus maintaining the tension of the strings. It is mostly played by the people in the Himalayan Kingdom of Nepal mainly by the Tamang, Sherpa and Gurung people during auspicious occasions, gatherings and festivals. The musicians play the Tungna and sing songs, which they compose themselves especially to welcome the New Year or during the harvest season. Most households of this mountain region have at least one Tungna in their house. See also *Navneet Aditya Waiba *Music of Nepal *Dramyin *Arbajo The aarbajo () is a Nepali four-string lute used as a rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sympathetic String
Sympathetic strings or resonance strings are auxiliary strings found on many Indian musical instruments, as well as some Western Baroque instruments and a variety of folk instruments. They are typically not played directly by the performer (except occasionally as an effect), only indirectly through the tones that are played on the main strings, based on the principle of sympathetic resonance. The resonance is most often heard when the fundamental frequency of the string is in unison or an octave lower or higher than the catalyst note, although it can occur for other intervals, such as a fifth, with less effect. Description Sympathetic strings are used to enhance the sound of an instrument. Some instruments have only a few sympathetic strings such as the Hardanger fiddle (pictured above right). Other instruments which have more include the sitar with 11-13 sympathetic strings and sarod with 15 sympathetic strings, and the sarangi, which has a total of 37 sympathetics. In Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chitravina
The chitravina ( sa, चित्रवीणा) (also known as chitra veena, chitraveena, chitra vina, hanumad vina, or mahanataka vina) is a 20 or 21-string fretless lute-style veena in Carnatic music. Around the late 19th and early 20th centuries, it started to be known by another name, Gotuvadyam (often mis-spelt as gottuvadyam, and kottuvadyam etc.), which was bestowed upon it by Sakha Rama Rao from Tiruvidaimarudur, who was responsible for bringing it back to the concert scene. Today it is played mainly in South India, though its origins can be traced back to Bharata's Natya Shastra (200 BCE-200 CE), where it is mentioned as a seven string fretless instrument. Sarangadeva (1210–47) also made a similar reference to the chitravina in his work, Sangita Ratnakara. Recent history The ''chitravina'' was popularised in South India by Sakha Rama Rao before his disciple Gotuvadyam Narayana Iyengar (1903 - 1959), who was a palace musician of the erstwhile states of Travanco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
