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Sarkash
Sasanian music encompasses the music of the Sasanian Empire, which existed from 224 to 651 CE. Many Sasanian Shahanshahs were enthusiastic supporters of music, including the founder of the empire Ardashir I and Bahram V. In particular, Khosrow II () was an outstanding patron, his reign being regarded as a golden age of Persian music. Persian classical music dates to the sixth century BCE; during the time of the Achaemenid Empire (550–331 BCE), music played an important role in prayer and in royal and national events. But Persian music had its zenith during the Sasanian dynasty from 224 until 651 CE. In this era, many of Persian music's ''dastgahs'' and modes were invented, most of them traditionally attributed to Barbad. He employed 30 sounds for music. Naturally he recorded his inspirations and performed them for his audience, since if he did not, he could not play them again. Dance and ''chanson'' were prevalent in court banquets. It said that on several occasions Persian mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbad
Barbad or Bārbad ( fa, باربد; various other names; ) was a Persian poet-musician, lutenist, music theorist and composer of Sasanian music who served as chief minstrel-poet under Shahanshah Khosrow II (). A '' barbat'' player, he is among the major figures in the history of Iranian/Persian music and was the most distinguished Persian musician of his time. He appears frequently in later Persian literature, most famously in Ferdowsi's ''Shahnameh''. The content and abundance of such references demonstrate his unique influence on the music and culture of his time, with some sources declaring him the "founder of Persian music". Despite scarce biographical information, Barbad's historicity is generally secure. Purportedly born in Merv or Jahrom, Barbad served most of his career under Khosrow, who held him in high regard. He interacted closely and rivaled with other musicians of his time, such as Sarkash. After Khosrow's assassination, sources vary as to whether Barbad was murd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamshad
Bamshad ( fa, بامشاد) or Bāmšād was a musician of Sasanian music during the reign of Khosrow II (). Life and career Many Shahanshahs of the Sasanian Empire were ardent supporters of music, including the founder of the empire Ardashir I and Bahram V. Khosrow II () was the most outstanding patron, his reign being regarded as a golden age of Persian music. Musicians in Khosrow's service include Āzādvar-e Changi, Bamshad, the harpist Nagisa (Nakisa), Ramtin, Sarkash (also Sargis or Sarkas) and Barbad, who was by-far the most famous. These musicians were usually active as minstrels, which were performers who worked as both court poets and musicians; in the Sasanian Empire there was little distinction between poetry and music. Essentially nothing is known of Bamshad except that he was a noted musician during the reign of Khosrow II (). His name comes from his practice of playing music at dawn every day: "bam" and "shad" translate as "dawn" and "happiness". The Persian l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sassanid Music
Sasanian music encompasses the music of the Sasanian Empire, which existed from 224 to 651 CE. Many Sasanian Shahanshahs were enthusiastic supporters of music, including the founder of the empire Ardashir I and Bahram V. In particular, Khosrow II () was an outstanding patron, his reign being regarded as a golden age of Persian music. Persian classical music dates to the sixth century BCE; during the time of the Achaemenid Empire (550–331 BCE), music played an important role in prayer and in royal and national events. But Persian music had its zenith during the Sasanian dynasty from 224 until 651 CE. In this era, many of Persian music's ''dastgahs'' and modes were invented, most of them traditionally attributed to Barbad. He employed 30 sounds for music. Naturally he recorded his inspirations and performed them for his audience, since if he did not, he could not play them again. Dance and ''chanson'' were prevalent in court banquets. It said that on several occasions Persian mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarkash
Sasanian music encompasses the music of the Sasanian Empire, which existed from 224 to 651 CE. Many Sasanian Shahanshahs were enthusiastic supporters of music, including the founder of the empire Ardashir I and Bahram V. In particular, Khosrow II () was an outstanding patron, his reign being regarded as a golden age of Persian music. Persian classical music dates to the sixth century BCE; during the time of the Achaemenid Empire (550–331 BCE), music played an important role in prayer and in royal and national events. But Persian music had its zenith during the Sasanian dynasty from 224 until 651 CE. In this era, many of Persian music's ''dastgahs'' and modes were invented, most of them traditionally attributed to Barbad. He employed 30 sounds for music. Naturally he recorded his inspirations and performed them for his audience, since if he did not, he could not play them again. Dance and ''chanson'' were prevalent in court banquets. It said that on several occasions Persian mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakisa
Nagisa or Nakisa was a noted harpist and composer of Sasanian music in the royal court Khosrow II (). Historical context The music of Iran/Persia stretches to at least the prehistoric depictions of arched harps from 3300–3100 BCE, though not until the 224–651 CE Sasanian Empire is substantial information available. This influx of Sasanian records suggests a prominent musical culture in the Empire, especially in the areas dominated by Zoroastrianism. Many Sassanian Shahanshahs were ardent supporters of music, including the founder of the empire Ardashir I and Bahram V. Khosrow II () was the most outstanding patron, his reign being regarded as a golden age of Persian music. In addition to Nagisa, musicians in Khosrow's service included Āzādvar-e Changi, Bāmshād, Rāmtin, Sarkash and Bārbad, who was the most famous. These musicians were usually active as minstrels, which were performers who worked as both court poets and musicians; in the Sassanian Empire there was lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khosrow II
Khosrow II (spelled Chosroes II in classical sources; pal, 𐭧𐭥𐭮𐭫𐭥𐭣𐭩, Husrō), also known as Khosrow Parviz (New Persian: , "Khosrow the Victorious"), is considered to be the last great Sasanian king (shah) of Iran, ruling from 590 to 628, with an interruption of one year. Khosrow II was the son of Hormizd IV (reigned 579–590), and the grandson of Khosrow I (reigned 531–579). He was the last king of Iran to have a lengthy reign before the Muslim conquest of Iran, which began five years after his execution. He lost his throne, then recovered it with the help of the Byzantine emperor Maurice, and, a decade later, went on to emulate the feats of the Achaemenids, conquering the rich Roman provinces of the Middle East; much of his reign was spent in wars with the Byzantine Empire and struggling against usurpers such as Bahram Chobin and Vistahm. After the Byzantines killed Maurice, Khosrow II began a war in 602 against the Byzantines. Khosrow II's forces cap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khosrau II
Khosrow II (spelled Chosroes II in classical sources; pal, 𐭧𐭥𐭮𐭫𐭥𐭣𐭩, Husrō), also known as Khosrow Parviz (New Persian: , "Khosrow the Victorious"), is considered to be the last great Sasanian king (shah) of Iran, ruling from 590 to 628, with an interruption of one year. Khosrow II was the son of Hormizd IV (reigned 579–590), and the grandson of Khosrow I (reigned 531–579). He was the last king of Iran to have a lengthy reign before the Muslim conquest of Iran, which began five years after his execution. He lost his throne, then recovered it with the help of the Byzantine emperor Maurice, and, a decade later, went on to emulate the feats of the Achaemenids, conquering the rich Roman provinces of the Middle East; much of his reign was spent in wars with the Byzantine Empire and struggling against usurpers such as Bahram Chobin and Vistahm. After the Byzantines killed Maurice, Khosrow II began a war in 602 against the Byzantines. Khosrow II's forces ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taq-e Bostan
Taq-e Bostan ( fa, طاق بستان, ) is a site with a series of large rock reliefs from the era of the Sassanid Empire of Persia (Iran), carved around the 4th century CE. This example of Persian Sassanid art is located 5 km from the city center of Kermanshah. It is located in the heart of the Zagros mountains, where it has endured almost 1,700 years of wind and rain. Originally, several sources were visible next to and below the reliefs and arches, some of which are now covered. Sources next to the reliefs still feed a large basin in front of the rock. The site has been turned into an archaeological park and a series of late Sassanian and Islamic column capitals have been brought together (some found at Taq Bostan, others at Mount Behistun and Kermanshah). The carvings, some of the finest and best-preserved examples of Persian sculpture under the Sassanids, include representations of the investitures of Ardashir II (379–383) and Shapur III (383–388). Like other S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horn (instrument)
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts. Types Variations include: *Lur (prehistoric) *Shofar *Roman horns: ** Cornu **Buccina * Dung chen *Dord * Sringa * Nyele *Wazza *Alphorn *Cornett *Serpent * Ophicleide *Natural horn **Bugle **Post horn *French horn *Vienna horn *Wagner tuba *Saxhorns, including: **Alto horn (UK: tenor horn), pitched in E ** Baritone horn, pitched in B * Valved bugles, including ** c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishapur Zan
Bishapur (Middle Persian: ''Bay-Šāpūr''; fa, بیشاپور}, ''Bishâpûr'') was an ancient city in Sasanid Persia (Iran) on the ancient road between Persis and Elam. The road linked the Sassanid capitals Estakhr (very close to Persepolis) and Ctesiphon. It is located south of modern Faliyan in the Kazerun County of Pars Province, Iran. Bishapur was built near a river crossing and at the same site there is also a fort with rock-cut reservoirs and a river valley with six Sassanid rock reliefs. The most important point about this city, is the combination of Persian and Roman art and architecture that hadn't been seen before Bishapur construction. Before Bishapour was built, almost all the main cities in Persia/Iran had a circular shape like the old city in Firuzabad or Darab. Bishapour is the first Persian city with vertical and horizontal streets. Also in the city, especially in interior design, we can see tile work that's adapted from Roman Art. History The name ''B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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