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Sarjeant Gallery
The Sarjeant Gallery Te Whare o Rehua Whanganui at Pukenamu, Queen's Park Whanganui is currently closed for redevelopment. The temporary premises at Sarjeant on the Quay, 38 Taupo Quay currently house the Sarjeant Collection, and all exhibitions and events. The Sarjeant Gallery is a regional art museum with a collection of international and New Zealand art. Founding and building The Sarjeant was built as the result of a bequest to the city by Henry Sarjeant in 1912. Sarjeant bequeathed the money "for the inspiration of ourselves and those who come after us." A competition was held to select an architect for the project; the winner was Dunedin architect Edmund Anscombe, but it is likely the actual design was completed by a young student in his offices names Donald Hosie. The cruciform, neo-classical style gallery was opened in 1919. Four galleries branch off a central space capped with an oculus in a hemispherical dome. The building is registered with the New Zealand Historic Pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Hotere
Hone Papita Raukura "Ralph" Hotere (11 August 1931 – 24 February 2013) was a New Zealand artist. He was born in Mitimiti, Northland and is widely regarded as one of New Zealand's most important artists. In 1994 he was awarded an honorary doctorate from the University of Otago and in 2003 received an Icon Award from the Arts Foundation of New Zealand. In the 2012 New Year Honours, Hotere was appointed to the Order of New Zealand for services to New Zealand. Early history Hotere was born in Mitimiti, close to the Hokianga Harbour in the Northland Region, one of 15 children. When Hotere was 9, his older brother Jack enlisted in the army. Jack was killed in action in Italy in 1943. Hotere received his secondary education at Hato Petera College, Auckland, where he studied from 1946 to 1949. After early art training at the Auckland Teachers' Training College under the tutelage of J. D. Charlton Edgar, he moved to Dunedin in 1952, where he studied at Dunedin School of Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Whanganui
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NZHPT Category I Listings In Manawatū-Whanganui
Heritage New Zealand Pouhere Taonga (initially the National Historic Places Trust and then, from 1963 to 2014, the New Zealand Historic Places Trust) ( mi, Pouhere Taonga) is a Crown entity with a membership of around 20,000 people that advocates for the protection of ancestral sites and heritage buildings in New Zealand. It was set up through the Historic Places Act 1954 with a mission to "...promote the identification, protection, preservation and conservation of the historical and cultural heritage of New Zealand" and is an autonomous Crown entity. Its current enabling legislation is the Heritage New Zealand Pouhere Taonga Act 2014. History Charles Bathurst, 1st Viscount Bledisloe gifted the site where the Treaty of Waitangi was signed to the nation in 1932. The subsequent administration through the Waitangi Trust is sometimes seen as the beginning of formal heritage protection in New Zealand. Public discussion about heritage protection occurred in 1940 in conjunction with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Museums And Galleries In New Zealand
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Zealand Herald
''The New Zealand Herald'' is a daily newspaper published in Auckland, New Zealand, owned by New Zealand Media and Entertainment, and considered a newspaper of record for New Zealand. It has the largest newspaper circulation of all newspapers in New Zealand, peaking at over 200,000 copies in 2006, although circulation of the daily ''Herald'' had declined to 100,073 copies on average by September 2019. Its main circulation area is the Auckland region. It is also delivered to much of the upper North Island including Northland, Waikato and King Country. History ''The New Zealand Herald'' was founded by William Chisholm Wilson, and first published on 13 November 1863. Wilson had been a partner with John Williamson in the ''New Zealander'', but left to start a rival daily newspaper as he saw a business opportunity with Auckland's rapidly growing population. He had also split with Williamson because Wilson supported the war against the Māori (which the ''Herald'' termed "the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warren And Mahoney
Warren and Mahoney is an international architectural and interior design practice - one of the few third generation architectural practices in the history of New Zealand architecture. It is a highly awarded architectural practice, with offices in New Zealand and Australia. History The practice was founded by Miles Warren in 1955, and with the award of the Dental Nurses Training School (now known as Central Nurses' Training School) Miles sought the assistance of his fellow atelier colleague Maurice Mahoney. In 1958,Warren and Mahoney Christchurch City Libraries, retrieved 2012-04-30 the partnership of Warren and Mahoney was established. The partnership created a distinctive form of architecture utilising a modern, |
Tylee Cottage Residency
The Tylee Cottage Residency is an artist-in-residence programme facilitated by the Sarjeant Gallery in Whanganui, New Zealand. Established in 1986, the scheme began as a partnership between the Sarjeant Gallery, the Wanganui District Council and the QEII Arts Council of New Zealand (now known as Creative New Zealand). It is currently managed by the Sarjeant Gallery and funded by the Wanganui District Council. Each year, the selected artist works full-time on their work for 2–12 months and resides in Tylee Cottage. Tylee Cottage was built in 1853 and is one of Whanganui's oldest homes. List of artists-in-residence Since the Tylee Cottage Residency was established in 1986, the artists-in-residence have been: *1986 Laurence Aberhart *1987 Andrew Drummond *1988 Mervyn Williams *1989 Anne Noble *1990 Sue Cooke *1991 Emare Karaka *1992 Dennis Turner *1993 Ans Westra *1994 Gary Freemantle *1995–96 Peter Ireland *1996 John Beard *1997 Andrew Smith *1997–98 George Krause *1998 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Grehan
Joan Grehan (5 January 1920 – 25 November 2007) was a New Zealand artist. Grehan was born Joan Greenwood Brodie in 1920 in Whanganui. Her parents were Archibald Douglas Brodie and Marjorie Gascoyne Greenwood, who married in 1916. Grehan attended Whanganui Girls' College and studied fine art at the University of Canterbury, then later at the Camberwell College of Arts in London. While at Canterbury she studied under noted Christchurch artists Cecil F. Kelly and Archibald Nicholl. She lived and worked overseas for 30 years in Australia, Cyprus, Uganda, Lebanon, Italy and France before returning to New Zealand in 1983. Grehan moved to Australia with her first husband Don Oldfield, and then to other countries with her second husband Michel Grehan, a water engineer in the British colonial service and later in the United Nations Food and Agricultural Organisation. From 1954 to 1958, Grehan worked as a portrait painter in Cyprus during the British occupation there, and from 1958 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edith Collier
Edith Marion Collier (28 March 1885 – 12 December 1964) was an early modern painter from New Zealand. Brought up and educated in Wanganui, Edith received a thorough although conservative art education studying at the Technical School in Whanganui. At the age of 27 Edith then travelled to Britain in 1913 and studied at the St John's Wood School of Art in London and toured throughout the United Kingdom, executing works in St. Ives, Cornwall; Glasgow Scotland; Bonmahn, Southern Ireland among others.. Through her works, Edith explored the media of oil paint, watercolour, printmaking and pencil drawing. After spending almost a decade receiving professional artistic training, Edith returned to provincial Whanganui where her works were met with criticism as a result of her assimilation into the radical innovations of British modernism and New Zealand's dissimilar art scene at the time. For this reason, her work is largely unknown at home and overseas. Collier returned to New Zea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrus Van Der Velden
Petrus van der Velden (5 May 1837 – 11 November 1913), who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand. Early life and career in the Netherlands Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time. He studied at the academies in Rotterdam and Berlin. He registered at the Academy of Art, Rotterdam in 1868. After a stay on the island of Marken (1871–73) he lived in or near The Hague until 1888 and was part of the Hague School in artistic and stylistic origins. During this period he pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottfried Lindauer
Gottfried Lindauer (5 January 1839 – 13 June 1926) was a Bohemian and New Zealand artist famous for his portraits, including many of Māori people. Czech life and Austrian school He was born Bohumír Lindauer in Plzeň (Pilsen), Western Bohemia, Austrian Empire (now part of the Czech Republic). His father, Ignatz Lindauer was a gardener. His first drawing experience was plants and trees. From 1855 Lindauer studied at the Academy of Fine Arts in Vienna, where he took classes of Leopold Kupelwieser, Josef Führich and Professor Rohl. To increase his chances on the market, he decided to change his name from the Czech Bohumír to the German translation of his name, "Gottfried". From his studio in Pilsen he created paintings with religious themes for churches and painting frescoes in the Cathedral churches of Austria. His paintings attracted people, particularly the prominent people who were often the subjects of his paintings, including Bishop Jieschek, of Budweis, in Bohemia. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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