Sarah Vaughan With The Jimmy Rowles Quintet
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Sarah Vaughan With The Jimmy Rowles Quintet
''Sarah Vaughan and the Jimmy Rowles Quintet'' is a 1974 live album by Sarah Vaughan, accompanied by pianist Jimmy Rowles and his quintet. The song "Morning Star" was mistakenly attributed in the liner notes of the album to W. C. Handy, but was actually written by Rowles and lyricist Johnny Mercer.Leslie Gourse ''Sassy: The Life of Sarah Vaughan'' 2009 - Page 276 0786751142 "Of the songs that were released, "Morning Star" was written by Jimmy Rowles with lyrics by Johnny Mercer, though W. C. Handy was given credit — apparently by accident — for the composition. This information comes directly from Jimmy " Reception The AllMusic review by Ken Dryden stated that Rowles proves himself to be "a consummate accompanist," and Vaughan is "in her usual outstanding form." Track listing # "The Folks Who Live On the Hill" ( Oscar Hammerstein II, Jerome Kern) - 4:50 # "That Face" ( Alan Bergman, Lew Spence) - 7:55 # " That Sunday, That Summer" (Joe Sherman, George David Weiss) - 4:33 ...
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Sarah Vaughan
Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer. Nicknamed "Sassy" and "Jazz royalty, The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine Grammy Awards. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had "one of the most wondrous voices of the 20th century". Early life Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. She developed an early love for popular music on records and th ...
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A House Is Not A Home (song)
"A House Is Not a Home" is a 1964 ballad written by the team of Burt Bacharach and Hal David for the 1964 film of the same name, starring Shelley Winters and Robert Taylor. The song was recorded by American singer Dionne Warwick at Bell Sound Studios in New York City, and was a modest hit in the United States for the singer, peaking at #71 on the pop singles chart as the B-side of the top 40 single, "You'll Never Get to Heaven (If You Break My Heart)". Another version of the song, by Brook Benton, which was the version that appeared in the film, was released at nearly the same time. It debuted two weeks earlier on the ''Billboard'' Hot 100. Benton's version split airplay with Warwick's, and ultimately peaked at #75. Warwick's version of "A House Is Not a Home" fared better in Canada, where it was a top 40 hit, peaking at #37. The ballad made the R&B top 10 in Cashbox by both Warwick and Benton, with neither artist specified as best seller. Despite its modest initial success, th ...
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Mainstream Records Albums
Mainstream may refer to: Film * ''Mainstream'' (film), a 2020 American film Literature * ''Mainstream'' (fanzine), a science fiction fanzine * Mainstream Publishing, a Scottish publisher * ''Mainstream'', a 1943 book by Hamilton Basso Music * Mainstream jazz, a term coined in the 1950s to describe the form of jazz which was a continuation of the Swing era * ''Mainstream'' (band), a late-1990s British shoegazer band, or their first album * ''Mainstream'' (Fullerton College Jazz Band album), 1994 * ''Mainstream'' (Lloyd Cole and the Commotions album), 1987 * ''Mainstream'' (Quiet Sun album), 1975 * ''Mainstream EP'', by Metric, 1998 * Mainstream Records, an American record label * "Mainstream", a song by Thea Gilmore from the 2003 album ''Avalanche'' See also *Mainstreaming (other) *Mainstream media *Mainline Protestant, a group of American denominations *Mainstream Renewable Power, an Irish renewable energy development company *Mainstream Energy Corporation ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Donald Bailey (musician)
Donald Orlando "Duck" Bailey (March 26, 1933 – October 15, 2013) was an American jazz drummer. Biography Bailey was born in Philadelphia, Pennsylvania, on March 26, 1933. He was largely self-taught as a drummer. Bailey got his big break in the jazz world and he is probably best known as the drummer in the trio of jazz organist Jimmy Smith from 1956 to 1964 and also for his work with The Three Sounds on Blue Note Records. While based in Los Angeles, Bailey also worked as a sideman for musicians including Sarah Vaughan, Carmen McRae, Hampton Hawes, Kenny Burrell, and Red Mitchell. In the mid-1970s, Bailey moved to Japan, where he lived for five years. His album ''Blueprints of Jazz, Vol. 3'' was recorded in 2006 and issued by Talking House Records in 2008. It features Charles Tolliver (trumpet), Odean Pope (tenor saxophone), George Burton (piano), and Tyrone Brown (bass). The album is part of the ''Blueprints of Jazz'' series conceived, produced and recorded by Talking H ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Monty Budwig
Monte Rex Budwig (December 26, 1929 – March 9, 1992) was a West Coast jazz double bassist, professionally known as Monty Budwig. Early life Monte Rex Budwig was born in Pender, Nebraska, on December 26, 1929.His full birthname was Monte Rex Budwig, although he performed and recorded as Monty Budwig. His parents were musical. He began playing bass during high school, and continued in military bands while he was enlisted in the Air Force for three years. Later life and career In 1954, Budwig moved to Los Angeles and performed and recorded under the name Monty Budwig with jazz musicians including Carmen McRae, Barney Kessel, Woody Herman, Red Norvo, and Shelly Manne. Budwig played with pianist Vince Guaraldi in the 1960s, including on the pianist's album ''Jazz Impressions of Black Orpheus''. Budwig was part of Benny Goodman's band for performances in New York, and a tour of Japan in 1964. He also began his career as a studio musician in the 1960s, which encompassed film and telev ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Teddy Edwards
Theodore Marcus Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist. Biography Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and then clarinet. His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Edwards had planned to go to New York City, but Fields convinced him he could get there by way of Washington, D.C., if he worked with his band. Edwards ended up at the "Club Alabam" on Central Avenue in Los Angeles, which later became his city of residence. Edwards played with many jazz musicians, including his personal friend Charlie Parker, Roy Milton, Wynonie Harris, Vince Guaraldi, Joe Castro and Ernie Andrews. A 1947 recording with Dexter Gordon, '' The Duel' ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Al Aarons
Albert Aarons (March 23, 1932 – November 17, 2015) was an American jazz trumpeter. Biography Aarons was born in Pittsburgh, Pennsylvania, and graduated from Wayne State University in Detroit. He began to gain attention as a trumpet player in 1956, and started working with jazz artist Yusef Lateef and pianist Barry Harris in the latter part of that decade in Detroit. After a period playing with jazz organist Wild Bill Davis, he played trumpet in the Count Basie Orchestra from 1961 to 1969. In the 1970s, Aarons worked as a sideman for singers Sarah Vaughan and Ella Fitzgerald, and saxophonist Gene Ammons. He was also a contributor to jazz fusion, playing on '' School Days'' with Stanley Clarke, and appears with Snooky Young on the classic 1976 album '' Bobby Bland and B. B. King Together Again...Live''. Discography As leader *''Al Aarons & the L.A. Jazz Caravan'' (LOSA, 1996?) As sideman With Gene Ammons *'' Free Again'' (Prestige, 1971) With Count Basie *'' The Legend'' (Ro ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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