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Santuerio
''Santuerio'' is a live album by pianist Marilyn Crispell. It was recorded at Roulette in New York City in May 1993, and was released later that year by Leo Records. On the album, Crispell is joined by violinist Mark Feldman, cellist Hank Roberts, and drummer Gerry Hemingway. Reception In a review for AllMusic, Brian Olewnick wrote that on ''Santuerio'', the music, "here essentially an eight-part suite, took on a more elegiac, overtly spiritual tone. The pieces are draped around the loosest of thematic materials, the musicians instead using the wisps of ideas to gently launch into introspective investigations, occasionally coalescing into brief, more frenzied bouts, but generally remaining in a pensive state... Overall, it's an impressive achievement, showing a new side of this fascinating musician." The authors of the ''Penguin Guide to Jazz Recordings'' awarded the album 4 stars, and stated: "''Santuerio'' marks Crispell's full emergence as a composer... much of the music is i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Roberts
Hank Roberts (born March 24, 1954, Terre Haute, Indiana) is an American jazz cellist and vocalist. He plays the electric cello, and his style is a mixture of rock, jazz, avant-garde, folk, and classical influences. He emerged with the downtown New York City jazz scene of the 1980s and is associated with its post-modern tendencies. Background In the early 1980s, Roberts made a number of recordings for the defunct JMT label, was a featured member of the Bill Frisell Quartet, and was an important voice in many groups of saxophonist Tim Berne. Roberts also recorded three discs with the Arcado String Trio, an improvisational chamber group featuring Mark Feldman, violin, and Mark Dresser, double bass. In the early 1990s, Roberts left Frisell's group and stopped touring widely. He continued to release recordings, if sporadically, including with the progressive folk group Ti Ti Chickapea. In 2008, he was again touring and performing regularly, releasing ''Green'' (with Jim Black a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marilyn Crispell
Marilyn Crispell (born March 30, 1947) is an American jazz pianist and composer. Scott Yanow described her as "a powerful player... who has her own way of using space... She is near the top of her field." Jon Pareles of The New York Times wrote: "Hearing Marilyn Crispell play solo piano is like monitoring an active volcano... She is one of a very few pianists who rise to the challenge of free jazz." In addition to her own extensive work as a soloist or bandleader, Crispell is also known as a longtime member of saxophonist Anthony Braxton's quartet in the 1980s and '90s. Biography Crispell was born in Philadelphia and, at the age of ten, moved to Baltimore, where she attended Western High School. She studied classical piano at the Peabody Conservatory beginning at age seven, and also began improvising at an early age, thanks to a teacher who required all her students to improvise regardless of their skill level. She later attended the New England Conservatory of Music, where s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerry Hemingway
Gerry Hemingway (born March 23, 1955) is an American drummer and composer. Hemingway was a member of the Anthony Braxton quartet from 1983 to 1994. He has also performed with Ernst Reijseger, Anthony Davis, Earl Howard, Leo Smith, George E. Lewis, Ray Anderson, Mark Helias, Reggie Workman, Michael Moore, Oliver Lake, Marilyn Crispell, Christy Doran, John Wolf Brennan, Don Byron, Cecil Taylor, and Cuong Vu. Hemingway received a Guggenheim Fellowship for his work in music composition in 2000, and was a student of Alan Dawson. He is a graduate of Foote School in New Haven. He has recorded on over one hundred albums for the labels Clean Feed, Enja, hatArt, Palmetto, Random Acoustics, and Tzadik. He owns his own label, Auricle. Discography As leader * 1979 ''Kwambe'' Auricle * 1982 ''Solo Works'' (solo) Auricle * 1983–94 ''Electro-Acoustic Solo Works'' (solo) Random Acoustics 1996 * 1984–95 ''Electro-Acoustic Solo Works'' (solo) Random Acoustics 1996 * 1987 ''O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roulette Intermedium
Roulette Intermedium is a performing arts and new music venue located in Brooklyn, New York City. Founded in 1978, it has been located in the neighborhoods of Tribeca and SoHo in Manhattan, and now resides in a renovated theater in downtown Brooklyn. Roulette is a nonprofit organization focusing on fostering experimental dance, new music, and performance. History Origins Roulette Intermedium Inc. was founded in 1978 by trombonist Jim Staley, sound-artists David Weinstein and Dan Senn, and graphic artist Laurie Szujewska as an artists' space for the presentation of music, dance and intermedia. Named in honor of Weinstein's piece Café Roulette —"an homage to Dada and to chance operations in music" — and housed in Staley's TriBeCa loft, Roulette was a product of the burgeoning Downtown Music scene and produced between 50 and 90 concerts a year. The range is broad, with a strong focus on new jazz and contemporary music works, improvised collaborations, and one-time special ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Records
Leo Records is a British record company and label which releases jazz from Russian, American, and British musicians. It concentrates on free jazz. Leo Records was founded in 1979 by Leo Feigin (also known under his broadcasting name Aleksei Leonidov), a Russian immigrant to Britain. The label was particularly associated with establishing the world reputation of the Ganelin Trio during the 1970s and 1980s. It is generally associated with more experimental releases. The label has a close relationship with the artists who release material on the label; it does not sign artists to contracts, but releases their material on a single-album basis. By 2010 there were over 700 titles in Leo Records catalogue. Leo Records comprises four labels: Leo Records, Leo Lab (Leo Records Laboratory), Golden Years of New Jazz, and FeetFirst records. This label is different from the Leo Records that was formed by Edward Vesala in Helsinki, Finland, in 1978. Artists * Aardvark Jazz Orchestra * Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Feigin
Leo Records is a British record company and label which releases jazz from Russian, American, and British musicians. It concentrates on free jazz. Leo Records was founded in 1979 by Leo Feigin (also known under his broadcasting name Aleksei Leonidov), a Russian immigrant to Britain. The label was particularly associated with establishing the world reputation of the Ganelin Trio during the 1970s and 1980s. It is generally associated with more experimental releases. The label has a close relationship with the artists who release material on the label; it does not sign artists to contracts, but releases their material on a single-album basis. By 2010 there were over 700 titles in Leo Records catalogue. Leo Records comprises four labels: Leo Records, Leo Lab (Leo Records Laboratory), Golden Years of New Jazz, and FeetFirst records. This label is different from the Leo Records that was formed by Edward Vesala in Helsinki, Finland, in 1978. Artists * Aardvark Jazz Orchestra *Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for '' The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Virgin Encyclopedia Of Jazz
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
