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Santouri
The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran and Mesopotamia. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Each country customized and designed its own versions to adapt to their musical scales and tunings. The original santur was made with wood and stones and strung with goat intestines. The Mesopotamian santur has been claimed to be the father of the harp, the Chinese yangqin, the harpsichord, the qanun, the cimbalom, and the American and European hammered dulcimers. Name The name 'santur ...
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Santur Range
The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran and Mesopotamia. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Each country customized and designed its own versions to adapt to their musical scales and tunings. The original santur was made with wood and stones and strung with goat intestines. The Mesopotamian santur has been claimed to be the father of the harp, the Chinese yangqin, the harpsichord, the Qanun (instrument), qanun, the cimbalom, and the American and European hammered dulcimers. Name T ...
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Hammered Dulcimer
The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman ''dulcimer'' ("sweet song") derives from the Latin ''dulcis'' (sweet) and the Greek ''melos'' (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked. Hammered dulcimers and other similar instruments are traditionally played in Iraq, India, Iran, Southwest Asia, China, Korea, and parts of Southeast Asia, Central Europe (Hungary, Slovenia, Romania, Slovakia, Poland, Czech Republic, Switzerland (particularly Appenzell), Austria and Ba ...
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Hammered Dulcimer
The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman ''dulcimer'' ("sweet song") derives from the Latin ''dulcis'' (sweet) and the Greek ''melos'' (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked. Hammered dulcimers and other similar instruments are traditionally played in Iraq, India, Iran, Southwest Asia, China, Korea, and parts of Southeast Asia, Central Europe (Hungary, Slovenia, Romania, Slovakia, Poland, Czech Republic, Switzerland (particularly Appenzell), Austria and Ba ...
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Iraqi Santur
The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻUmmāl al-Markazīyya. History The santur was invented and developed in the area of Iran and Mesopotamia. "The earliest sign of it comes from Assyrian and Babylonian stone carvings (669 B.C.); it shows the instrument being played while hanging from the player's neck" (35). This instrument was traded and traveled to different parts of the Middle East. Each country customized and designed its own versions to adapt to their musical scales and tunings. The original santur was made with wood and stones and strung with goat intestines. The Mesopotamian santur has been claimed to be the father of the harp, the Chinese yangqin, the harpsichord, the qanun, the cimbalom, and the American and European hammered dulcimers. Name The name 'santur' co ...
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Manoochehr Sadeghi
Manoochehr Sadeghi (born April 13, 1938) is a Persian-American naturalized citizen, born in Tehran, Iran. He is considered a Grandmaster or Ostad of the santur, a Persian hammered dulcimer. He has been lecturing, teaching, recording and performing Persian classical music on the santur professionally for over 50 years. In 2002, Sadeghi received the Durfee Foundation Master Musician Award and he is a recipient of a 2003 National Heritage Fellowship from the National Endowment of the Arts, which is the United States' highest honor in the folk and traditional arts. Early life Sadeghi began studying the santur at the age of 7 with a music teacher coincidentally named Manoochehr Sadeghian. By the age of 14 he became the prized pupil of a legendary figure in Persian classical music, the late Ostad Abol Hassan Saba; who was a master and creator of the Radif of Saba, considered today's manual to mastering Persian classical music. At the age of 19 he performed in Saba's fir ...
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Abol Hassan Saba
Abol is a given name. Notable people with the name include: *Abol Fath Khan (1755–1787), the third Shah of Zand dynasty, who ruled the Persian Empire for a period in 1779 *Abol Hassan Ispahani (1902–1981), Pakistani legislator and diplomat *Abol-Ghasem Kashani (born 1882), prominent Twelver Shi'a Muslim cleric and former Parliament Speaker of Iran *Khaled Abol Naga (born 1966), Egyptian actor, TV host, producer and director See also *Abol Tabol, collection of Bengali children's poems and rhymes composed by Sukumar Ray, first published in 1923 * Abol, IAU condoned proper name of exoplanet HD 16175 b HD 16175 b is an extrasolar planet located approximately 195.6 light-years away in the constellation of Andromeda, orbiting the star HD 16175. This planet masses 4.8 times that of Jupiter. However, the mass is only a minimum since the inclination ..., orbiting Buna (HD 16175), in the constellation of Andromeda {{given name ...
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Rebab
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the ''Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to a ...
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Maqam Al-iraqi
Iraqi Maqam ( ar, المقام العراقي) is a genre of Arabic maqam music found in Iraq. The roots of modern Iraqi maqam can be traced as far back as the Abbasid Caliphate, when that large empire was controlled from Baghdad. The ensemble of instruments used in this genre, called ''Al Chalghi al Baghdadi'', includes a ''qari' '' (singer), ''santur'', goblet drum, joza, ''cello,'' and sometimes ''oud'' and naqqarat. The focus is on the poem sung in classical Arabic or an Iraqi dialect (then called ''zuhayri''). A complete maqam concert is known as ''fasl'' (plural ''fusul'') and is named after the first maqam: Bayat, Hijaz, Rast, Nawa, or Husayni. A typical performance includes the following sections: *''tahrir'', sometimes ''badwah'' *''taslum'' *''finalis'' Maqama texts are often derived from classical Arabic poetry, such as by al-Mutanabbi, Jawahiri, al-Mutanabbi and Abu Nuwas. Some performers used traditional sources translated into the dialect of Baghdad, and still o ...
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Iraqi Santur Player
Iraqi or Iraqis (in plural) means from Iraq, a country in the Middle East, and may refer to: * Iraqi people or Iraqis, people from Iraq or of Iraqi descent * A citizen of Iraq, see demographics of Iraq * Iraqi or Araghi ( fa, عراقی), someone or something of, from, or related to Persian Iraq, an old name for a region in Central Iran * Iraqi Arabic, the colloquial form of Arabic spoken in Iraq * Iraqi cuisine * Iraqi culture *The Iraqis (party), a political party in Iraq *Iraqi List, a political party in Iraq *Fakhr-al-Din Iraqi, 13th-century Persian poet and Sufi. See also * List of Iraqis * Iraqi diaspora * Languages of Iraq There are a number of languages spoken in Iraq, but Mesopotamian Arabic (Iraqi Arabic) is by far the most widely spoken in the country. Arabic and Kurdish are both official languages in Iraq. Contemporary languages The most widely spoken language ... * {{disambiguation Language and nationality disambiguation pages ...
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Romani Music
Romani music (often referred to as gypsy or gipsy music, which is sometimes considered a derogatory term) is the music of the Romani people who have their origins in northern India but today live mostly in Europe. Historically nomadic, though now largely settled, the Romani people have long acted as entertainers and tradesmen. In many of the places Romanies live they have become known as musicians. The wide distances travelled have introduced a multitude of influences of: Byzantine music, Byzantine, Music of Greece, Greek, Arabic music, Arabic, Music of India, Indian, Persian traditional music, Persian, Music of Turkey, Turkish, Slavic peoples, Slavic, Music of Romania, Romanian, Music of Germany, German, Music of the Netherlands, Dutch, Music of France, French, Music of Spain, Spanish, and even Jewish musical forms. It is difficult to define the parameters of a unified Romani musical style, as there are many differences in melodic, harmonic, rhythmic and formal structures from ...
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Santoor
The Indian santoor instrument is a trapezoid-shaped hammered dulcimer, and a variation of the Iranian santur. The instrument is generally made of walnut and has 25 bridges. Each bridge has 4 strings, making for a total of 100 strings. It is a traditional instrument in Jammu and Kashmir (union territory), Jammu and Kashmir, and dates back to ancient times. It was called ''Shatha Tantri Veena'' in ancient Sanskrit texts. Development In ancient Sanskrit texts, it has been referred to as ''shatatantri vina'' (100-stringed vina). In Kashmir the santoor was used to accompany Music of Kashmir, folk music. It is played in a style of music known as the ''Sufiana Mausiqi''. Some researchers slot it as an improvised version of a primitive instrument played in the Mesopotamian times (1600–900 B.C.) Sufi mystics used it as an accompaniment to their hymns. In Indian santoor playing, the specially-shaped mallets (''mezrab'') are lightweight and are held between the index and middle fingers. ...
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Radif (music)
Radif ( fa, ردیف, meaning ''order'') is a collection of many old melodic figures preserved through many generations by oral tradition. It organizes the melodies in a number of different tonal spaces called dastgah. The traditional music of Iran is based on the radif, which is a collection of old melodies that have been handed down by the masters to the students through the generations. Over time, each master's own interpretation has shaped and added new melodies to this collection, which may bear the master's name. The preservation of these melodies greatly depended on each successive generation's memory and mastery, since the interpretive origin of this music was expressed only through the oral tradition. To learn and absorb the essence of the radif, many years of repetition and practice are required. A master of the radif must internalize it so completely to be able to perform any part of it at any given time. The radif contains several different dastgahs which are dis ...
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