Santissima Trinità A Via Condotti
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Santissima Trinità A Via Condotti
Santissima Trinità a Via Condotti or Santissima Trinità degli Spagnoli is a church in Rome at the start of via Condotti in the Campo Marzio district. It is one of the national churches of Spain in Rome. History The church and its adjoining convent were built by the Spanish Trinitarians between 1741 and 1746 under pope Benedict XIV. They were designed by the Portuguese architect Emanuele Rodriguez dos Santos, assisted by Giuseppe Sardi. It was on the site of the former palazzo Ruccellai, bought in 1733 for 25474 Roman scudi by Father Lorenzo of the Trinitarian Order, in the name of the provinces of Castiglia, Leone and Navarre. Shortly afterwards the foundation was placed under the protection of the Spanish crown. The church has a concave facade with statues of the order's two founders saint John of Matha and saint Felix of Valois and the coat of arms of Philip V of Spain. Interior Its interior has a vestibule and then an elliptical plan with seven inter-communicating ...
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Campo Marzio
Campo Marzio is the 4th ''rione'' of Rome, identified by the initials R. IV. It belongs to the Municipio I and covers a smaller section of the area of the ancient ''Campus Martius''. The logo of this rione is a silver crescent on a blue background. History Until the domination of Napoleon, in 19th century, the ''rione'' was also known by the name Campo Marzo. In the Middle Ages, after the main aqueducts of the city were ruined during the Gothic sieges in 6th century and following to the establishing of St. Peter's Basilica as a focal point for pilgrims, Campo Marzio became one of the most densely populated zones of Rome. The borough was crossed by the procession that used to accompany newly elected Popes from St. Peter's Basilica to their official residence, St. John in Lateran. Moreover, the area was also passed through by the ''Via Lata'', one of the main arteries linking Rome to the rest of Europe, resulting from the merger of Via Cassia and Via Flaminia. The urban patter ...
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John Of Matha
John of Matha (1160–1213) was a Christian saint of the 12th century and founder of the Order of the Most Holy Trinity, dedicated to ransoming Christians who had been captured by marauders from North Africa (cf. Barbary corsairs). Background Between the eighth and the 15th centuries, Medieval Europe was in a state of intermittent warfare between the Christian kingdoms of southern Europe and the Muslim polities of North Africa, southern France, Sicily and portions of Spain. According to James W. Brodman, the threat of capture or kidnapping, whether by Muslim pirates or coastal raiders, or during one of the region's intermittent wars, was a continual concern for residents of Catalonia, Languedoc, and other coastal provinces of mediaeval Christian Europe.Brod ...
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Trinitarian Order
, logo = Trynitarze.svg , logo_size = 150px , logo_caption = Flag of the Trinitarians , image = Signumordinis.gif , image_size = 200px , caption = Mosaic of Jesus Christ used as the emblem of the Trinitarians , abbreviation = OSsT , nickname = Trinitarians , formation = , full_name = Order of the Most Holy Trinity and of the Captives , founders = John of Matha and Felix of Valois , type = Mendicant order , purpose = To ransom Christian captives , headquarters = Rome, Italy , membership = 610 (415 priests) , membership_year = 2018 , leader_title = Minister General , leader_name = Luigi Buccarello, OSsT , parent_organization = Catholic Church , website = The Trinitarians, formally known as the Order of the Most Holy Trinity and of the Captives ( la, Ordo Sanctissimae Trin ...
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Baroque Architecture In Rome
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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National Churches In Rome
Charitable institutions attached to churches in Rome were founded right through the medieval period and included hospitals, hostels, and others providing assistance to pilgrims to Rome from a certain "nation", which thus became these nations' national church (Roman Catholicism), national churches in Rome (). These institutions were generally organized as confraternity, confraternities and funded through charity and legacies from rich benefactors belonging to that "nation". Often, they were also connected to national (ancestors of Rome's seminary, seminaries), where the clergymen of that nation were trained. The churches and their riches were a sign of the importance of their nation and of the prelates that supported them. Up to 1870 and Italian unification, these national churches also included churches of the Italian city states (now called "regional churches"). Many of these organizations, lacking a purpose by the 19th century, were expropriated through the 1873 legislati ...
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Mariano Armellini
Mariano Armellini (7 February 1852 – 24 February 1896) was an Italian archaeologist and historian. Born in Rome, he was one of the founders of the Pontifical Academy of Martyrs. He is the author of ''Gli antichi cimiteri cristiani di Roma e d'Italia'' (''The Ancient Christian Cemeteries of Rome and Italy'') and ''Le catacombe romane'' (''The Roman Catacombs''), but became famous chiefly for ''Le chiese di Roma dal secolo IV al XIX'' (''The Churches of Rome from the 4th to the 19th Centuries''), a major work in which he recorded many of the city's churches, including those no longer extant. External linksLe chiese di Roma dal secolo IV al XIX(on LacusCurtius LacusCurtius is a website specializing in ancient Rome, currently hosted on a server at the University of Chicago. It went online on August 26, 1997; in July 2021 it had "3707 webpages, 765 photos, 772 drawings & engravings, 120 plans, 139 maps." T ...) 1852 births 1896 deaths Archaeologists from Rome Pontifical Aca ...
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Andrea Casali
Andrea Casali (17 November 1705 – 7 September 1784) was an Italian painter of the Rococo period. He was also an art dealer in England. ''Angelica e Medoro'', Bemberg Fondation Toulouse He was born in Civitavecchia in the Papal States and studied under Sebastiano Conca and Francesco Trevisani. Until 1738 he was a decorative painter of Roman churches and in 1729 was made a Knight of the Golden Spur; for this in England he would be called "the Chevalier Casali". He travelled to England in 1741 and stayed there for twenty-five years. He was a teacher to James Durno. Some sources erroneously claim a birthdate of 1720 (e.g., Bryan and Hobbes). Among his English patrons were Thomas Coke, earl of Leicester (1697–1759), and Alderman William Beckford. He left England in 1766, after which he lived for some years at Rome, where he died in 1784. Works (partial list): *''The Virgin and Child, after Raphael'', etching, Fine Arts Museums of San Francisco *''St. Edward the Martyr'', ...
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Gregorio Guglielmi
Gregorio Guglielmi (13 December 1714, Rome - 2 February 1773, Saint Petersburg) was an Italian-born fresco painter who worked primarily in Germany. Biography His artistic education concluded with lessons from Francesco Trevisani, but he was already turning toward the Academic style of Sebastiano Conca, with whom he may also have studied.''Le Muse'', Ed. by De Agostini, Novara, 1964, Vol.V There are some indications that he studied in Paris during the 1740s and became acquainted with Claude Joseph Vernet. Early on, he obtained the patronage of Cardinal Alessandro Albani and may have also been supported by Cardinal Neri Maria Corsini. In 1752, he was invited to Naples by the architect, Ferdinando Fuga, but court intrigues prevented him from obtaining any major commissions. However, Queen Maria Amalia introduced him to her father, Elector Frederick Augustus II, who arranged for him to work in Dresden.Biography from the '' Dizionario Biografico degli Italiani'' @ Treccani ...
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Antonio González Velázquez
Antonio González Velázquez (1723–1793) was a Spanish late-Baroque painter. Biography Velázquez was born in Madrid into a family of artists; his father Pablo González Velázquez and brothers Alejandro and Luis were all painters. He received a scholarship to travel to Rome in 1747 from the Real Academia de Bellas Artes de San Fernando where he was studying under Corrado Giaquinto. The following year he made the frescoes in the church of Santa Trinita degli Spagnoli. In 1752 he returned to Spain and a year later helped to paint the walls of the church of the Monastery of the Incarnation of Madrid and the cupola of the chapel of the Basilica del Pilar de Zaragoza. His reputation grew to the point of being appointed court painter in 1757, in which he participated in the decoration of the Royal Palace of Madrid with allegorical painting on the ceiling of the antechamber of the Queen. Not long after, in 1765, Velázquez was promoted to the position of director of the Academy of Sa ...
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Corrado Giaquinto
Corrado Giaquinto (8 February 1703 – 18 April 1766) was an Italian Rococo painter. Early training and move to Rome He was born in Molfetta. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667–1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with his contemporaries Francesco de Mura (1696–1784) and Giuseppe Bonito (1707–1789), he trained from 1719 to 1723 in the prolific Neapolitan studio of Francesco Solimena, either with Solimena or his pupil, Nicola Maria Rossi. Giaquinto followed a peripatetic career, with long sojourns in Naples, Rome (between 1723 and 1753), Turin (1733 and 1735–39), and Madrid (1753–1761). In 1723, he moved to Rome to work in the studio of Sebastiano Conca. He painted in San Lorenzo in Damaso, San Giovanni Calibita, and the ceiling at Santa Croce in Gerusalemme. In March 1727, with Giuseppe Rossi as an assistant, Giaquinto opened an independent stud ...
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Philip V Of Spain
Philip V ( es, Felipe; 19 December 1683 – 9 July 1746) was King of Spain from 1 November 1700 to 14 January 1724, and again from 6 September 1724 to his death in 1746. His total reign of 45 years is the longest in the history of the Spanish monarchy. Philip instigated many important reforms in Spain, most especially the centralization of power of the monarchy and the suppression of regional privileges, via the Nueva Planta decrees, and restructuring of the administration of the Spanish Empire on the Iberian peninsula and its overseas regions. Philip was born into the French royal family (as Philippe, Duke of Anjou) during the reign of his grandfather, King Louis XIV. He was the second son of Louis, Grand Dauphin, and was third in line to the French throne after his father and his elder brother, Louis, Duke of Burgundy. Philip was not expected to become a monarch, but his great-uncle Charles II of Spain was childless. Philip's father had a strong claim to the Spanish throne, bu ...
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Felix Of Valois
Felix of Valois (french: Félix de Valois; April 16, 1127 – November 4, 1212) was a Cistercian hermit and a co-founder (with John of Matha) of the Trinitarian Order. Life Butler says that Felix was born in 1127. He was surnamed Valois because he was a native of the province of Valois. Tradition holds that he renounced his possessions and retired to a dense forest in the Diocese of Meaux, where he gave himself to prayer and contemplation. Much later sources sometimes identify him with Hugh (II), supposed son of Ralph I, Count of Vermandois by Eleanor of Champagne. John of Matha, a young nobleman, a native of Provence, and doctor of divinity, who was lately ordained priest, having heard of the holy hermit of Cerfroid, sought him out, and put himself under his direction. John proposed to him the project of founding an order for the redemption of captives. Felix, though seventy years of age, readily agreed. The Trinitarians Felix, in company with John, set out for Rome in the dep ...
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