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Santi Vicenzo E Caterina De' Ricci, Prato
The Minor Basilica of Santi Vicenzo e Caterina de' Ricci is a Catholic Church, Catholic church, built in the 16th to 18th centuries, and located in the town of Prato, in Tuscany, Italy. Adjacent to the church is a 16th-century monastery. Construction The original church of San Vicenzo had been built in the 16th century, but refurbished over the following centuries. The church is now also dedicated to Catherine of Ricci, Caterina de' Ricci (1522-1590), who had been a nun associated with the adjacent convent of St Vincent Ferrer, San Vicenzo Ferrer. About 150 years after her death, Catherine was beatified (1732) and subsequently canonized (1742). After her beatification, this church underwent major refurbishment (1732-1735) under Giovanni Battista Bettini (il Cignaroli) and Girolamo Ticciati. Saint Catherine's remains are displayed under the main altar. The reconstruction and canonization led to making the church a minor basilica. Both the interior and exterior are baroque in style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prato
Prato ( , ) is a city and ''comune'' in Tuscany, Italy, the capital of the Province of Prato. The city lies in the north east of Tuscany, at the foot of Monte Retaia, elevation , the last peak in the Calvana chain. With more than 200,000 inhabitants, Prato is Tuscany's second largest city (after Florence) and the third largest in Central Italy (after Rome and Florence). Historically, Prato's economy has been based on the textile industry and its district is the largest in Europe. The textile district of Prato is made up of about 7000 fashion companies, obtaining around 2 billion euros from exports. The renowned Datini archives are a significant collection of late medieval documents concerning economic and trade history, produced between 1363 and 1410. The city boasts important historical and artistic attractions, with a cultural span that started with the Etruscans and then expanded in the Middle Ages and reached its peak with the Renaissance, when artists such as Donatell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Foggini
Giovanni Battista (Giambattista) Foggini (25 April 1652 – 12 April 1725) was an Italian sculptor active in Florence, renowned mainly for small bronze statuary. Biography Born in Florence, the young Foggini was sent to Rome by the Medici Grand Duke of Tuscany to join the so-called ''Accademia Fiorentina'', and apprentice in the Roman sculptural studio of Ercole Ferrata, a pupil of Algardi. He was also tutored in drawing by the Accademia's first director (1673–86), Ciro Ferri, who was a pupil of Cortona. Returning to Florence in 1676, he became the court sculptor for Cosimo III. After the son of Pietro Tacca, Fernando, died in 1686, the mantle of the premier local sculptor fell to Foggini, who would become the Medici's ''Architetto Primario e Primo scultore della Casa Serenissima'' as well as ''Soprintendente dei Lavori'' (1687–1725). In 1687, Foggini acquired the foundry in Borgo Pinti that had once belonged to the sculptor Giambologna. This allowed him to special ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture In Tuscany
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Roman Catholic Church Buildings In Italy
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Churches In Prato
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμαá ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michele Tosini
Michele Tosini, also called ''Michele di Ridolfo'', (1503–1577) was an Italian painter of the Renaissance and Mannerist period, who worked in Florence. Biography He apprenticed initially with Lorenzo di Credi and Antonio del Ceraiolo, but then moved into the studio of Ridolfo Ghirlandaio, from whom he acquired the name ''Michele di Ridolfo'' or ''Michele (di Ridolfo) del Ghirlandaio''. Some sources claim Tosini was the son of Ridolfo, Freedberg, Sydney J. ''Painting in Italy, 1500–1600'', 3rd edn., page 620, 1993, Yale, but he was just a student of him. Tosini began painting in the early 16th-century Florentine style of Fra Bartolommeo and Andrea del Sarto (e.g. the ''Virgin of the Sacred Girdle'', c. 1525; Florence, San Marco). His acceptance of Mannerism was slow, but by the 1540s the influence of Salviati and Bronzino was visible in his work. After 1556, Tosini served as an assistant to Giorgio Vasari in the decoration of the ''Salone dei Cinquecento'' in the Palazzo Vec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Naldini
Giovanni Battista Naldini (1535–1591) was an Italian painter in a late-Mannerist style, active in Florence and Rome. Biography His first apprenticeship (1549–1557) was in the studio of Jacopo Pontormo. He went from Rome for a number of months following 1560, and was recruited to work for Giorgio Vasari in 1562. He painted two crowded, mannerist canvases for the Studiolo of Francesco I in the Palazzo Vecchio: the ''Allegory of Dreams'' and the ''Gathering of Ambergris''. He supplied altarpieces to Santa Maria Novella and Santa Croce. He painted an altarpiece of ''Calling of Saint Matthew'' for the Salviati Chapel in San Marco, where he worked alongside Francesco Morandini. Ultimately, he is described by Freedberg as displaying work distantly derivative from the style of Andrea del Sarto, as expressed by Naldini's two mentors and Sarto's two pupils: Pontormo and Vasari. Among his pupils were the Cavalieri Francesco Curradi, Cosimo Gamberucci. and Cosimo Duti. Naldini p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Lippi
Lorenzo Lippi (3 May 1606 – 15 April 1665) was an Italian painter and poet. Biography Born in Florence, he studied painting under Matteo Rosselli. Both Baldassare Franceschini and Francesco Furini were also apprenticed with Rosselli, the influence of whose style, and more especially of that of Santi di Tito, is to be traced in Lippi's works, which are marked by taste, delicacy and a strong turn for portrait-like naturalism. His maxim was to poetize as he spoke, and to paint as he saw. His biography was recounted by Filippo Baldinucci. After painting for some time in Florence, and having married at the age of forty the daughter of the rich sculptor named Giovanni Francesco Susini, Lippi went as court painter to Innsbruck, where he has left many excellent portraits. In Innsbruck, he wrote his humorous poem named ''Malmantile Racquistato'', which was published under the anagrammatic pseudonym of Perlone Zipoli. The ''Malmantile Racquistato'' is a mock-heroic romance, mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Pignoni
Simone Pignoni (April 17, 1611 – December 16, 1698) was an Italian painter of the Baroque period. He apprenticed with Fabrizio Boschi, then with the more academic and puritanical Domenico Passignano, and finally with Francesco Furini. He is best known for painting in a style reminiscent of the morbidly sensual Furini. Reflective of this obsession is his self-portrait, c. 1650, in which he depicts himself building up a plump naked female from a skeleton. The biographer Filippo Baldinucci, Baldinucci, in what little he notes of the painter, recalls him as the scandalous "imitator of (Furini's) licentious inventions". A more complete biography was recorded by his pupil Giovanni Camillo Sagrestani. Described as endowed with a "bizarre and amenable intelligence", Pignoni apparently had a late-life conversion to more pious painting. There is one episode recalled that during a serious illness "because in his life he had focused on studying about female forms, and (now) having resig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Of The League Of Cambrai
The War of the League of Cambrai, sometimes known as the War of the Holy League and several other names, was fought from February 1508 to December 1516 as part of the Italian Wars of 1494–1559. The main participants of the war, who fought for its entire duration, were France, the Papal States, and the Republic of Venice; they were joined at various times by nearly every significant power in Western Europe, including Spain, the Holy Roman Empire, England, the Duchy of Milan, the Republic of Florence, the Duchy of Ferrara, and the Swiss. The war started with the ''Italienzug'' of Maximilian I, King of the Romans, crossing into Venetian territory in February 1508 with his army on the way to be crowned Holy Roman Emperor by the Pope in Rome. Meanwhile, Pope Julius II, intending to curb Venetian influence in northern Italy, brought together the League of Cambrai — an anti-Venetian alliance consisting of him, Maximilian I, Louis XII of France, and Ferdinand II of Aragon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Julius II
Pope Julius II ( la, Iulius II; it, Giulio II; born Giuliano della Rovere; 5 December 144321 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death in February 1513. Nicknamed the Warrior Pope or the Fearsome Pope, he chose his papal name not in honour of Pope Julius I but in emulation of Julius Caesar. One of the most powerful and influential popes, Julius II was a central figure of the High Renaissance and left a significant cultural and political legacy. As a result of his policies during the Italian Wars, the Papal States increased its power and centralization, and the office of the papacy continued to be crucial, diplomatically and politically, during the entirety of the 16th century in Italy and Europe. In 1506, Julius II established the Vatican Museums and initiated the rebuilding of the St. Peter's Basilica. The same year he organized the famous Swiss Guards for his personal protection and commanded a successful campa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
