Santa Maria Degli Angeli E Dei Martiri
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Santa Maria Degli Angeli E Dei Martiri
The Basilica of St. Mary of the Angels and of the Martyrs ( la, Beatissimae Virginis et omnium Angelorum et Martyrum, it, Santa Maria degli Angeli e dei Martiri) is a basilica and titular church in Rome, Italy, built inside the ruined ''frigidarium'' of the Roman Baths of Diocletian in the Piazza della Repubblica, Rome, Piazza della Repubblica. It was constructed in the 16th century following an original design by Michelangelo Buonarroti. Other architects and artists added to the church over the following centuries. During the Kingdom of Italy, the church was used for religious state functions. Description The basilica is dedicated to the Christian martyrs, known and unknown. By a brief dated 27 July 1561, Pius IV ordered the church "built", to be dedicated to the ''Beatissimae Virgini et omnium Angelorum et Martyrum'' ("the Most Blessed Virgin of all the Angels and Martyrs"). Impetus for this dedication had been generated by the account of a purported vision of experience ...
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Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the on ...
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Antonio Del Duca
Antonio del Duca or Lo Duca (Cefalù 1491 – Rome 1564) was the Sicilian friar whose persistent campaign for an official veneration of the "Seven Angelic Princes" was partly answered in the dedication of Santa Maria degli Angeli e dei Martiri, constructed to the orders of Pope Pius IV within the ruins of the Baths of Diocletian. Life Antonio had been obsessed with the cult of the angels since the days when he was choirmaster in the cathedral of Palermo, 1513-15. At that time he discovered in the little Church of Sant'Angelo an ancient icon of the Seven Angelic Princes that emerged almost by a miracle after centuries of neglect. Fired with his faith, he traveled to Rome, harboring the intention of obtaining formal recognition of these ''Sette Principi angelici''. In Rome he obtained a post as chaplain to Antonio Maria Cardinal Ciocchi del Monte, uncle of the future Pope Julius III. For the cardinal he composed a liturgy for a Mass of the Seven Angels. After his patron's death in 1 ...
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Carlo Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the develop ...
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Salvator Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, ...
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Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as rose windows, in sto ...
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Greek Cross
The Christian cross, with or without a figure of Christ included, is the main religious symbol of Christianity. A cross with a figure of Christ affixed to it is termed a ''crucifix'' and the figure is often referred to as the ''corpus'' (Latin for "body"). The term ''Greek cross'' designates a cross with arms of equal length, as in a plus sign, while the Latin cross designates a cross with an elongated descending arm. Numerous other variants have been developed during the medieval period In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire a .... Christian crosses are used widely in churches, on top of church buildings, on bibles, in heraldry, in personal jewelry, on hilltops, and elsewhere as an attestation or other symbol of Christianity. Crosses are a prominent feature of Christi ...
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Entrance To The Santa Maria Degli Angeli E Dei Martiri
Entrance generally refers to the place of entering like a gate, door, or road or the permission to do so. Entrance may also refer to: * ''Entrance'' (album), a 1970 album by Edgar Winter * Entrance (display manager), a login manager for the X window manager * Entrance (liturgical), a kind of liturgical procession in the Eastern Orthodox tradition * Entrance (musician), born Guy Blakeslee * ''Entrance'' (film), a 2011 film * The Entrance, New South Wales, a suburb in Central Coast, New South Wales, Australia * "Entrance" (Dimmu Borgir song), from the 1997 album ''Enthrone Darkness Triumphant'' * Entry (cards), a card that wins a trick to which another player made the lead, as in the card game contract bridge * N-Trance, a British electronic music group formed in 1990 * University and college admissions * Entrance Hall * Entryway See also *Enter (other) *Entry (other) Entry may refer to: *Entry, West Virginia, an unincorporated community in the United States * ...
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Jacopo Del Duca
Giacomo Del Duca (c. 1520 – 1604) was an Italian sculptor and architect during the late-Renaissance or Mannerist period. He is most remembered for assisting Michelangelo in a number of projects in Rome, including the sculpture and construction of the tomb of Pope Julius II, completed in a highly truncated state relative to the original design, in San Pietro in Vincoli. He also modified Michelangelo's plans for buildings in the Capitoline Hill, one of the most famous and highest of the seven hills of Rome. Also known as ''Jacobo Siciliano'' or ''Jacopo Del Duca'', Giacomo del Duca was born in Cefalù, Palermo, Sicily, Italy. He also participated in the decoration of Porta Pia (1562) in Rome; the construction of the Palazzo Cornaro for the cardinal Alvise Cornaro; the construction of the Villa Mattei al Celio; and the completion of the nave substructure for the church of Santa Maria di Loreto (1573–1576). He helped design the church of Santa Maria in Trivio (1575). He also hel ...
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Viminal Hill
The Viminal Hill ( ; la, Collis Vīminālis ; it, Viminale ) is the smallest of the famous Seven Hills of Rome. A finger-shape cusp pointing toward central Rome between the Quirinal Hill to the northwest and the Esquiline Hill to the southeast, it is home to the Teatro dell'Opera and the Termini Railway Station. At the top of Viminal Hill is the Palace of Viminale that hosts the headquarters of the Ministry of the Interior; currently the term ''Il Viminale'' means the Ministry of the Interior. According to Livy, the hill first became part of the city of Rome, along with the Quirinal Hill, during the reign of Servius Tullius, Rome' sixth king, in the 6th century BC. The name of the hill derives from Latin ''viminalis'' (“pertaining to osiers”), from '' vimen'' (“a pliant twig A twig is a thin, often short, branch of a tree or bush. The buds on the twig are an important diagnostic characteristic, as are the abscission scars where the leaves have fallen away. The ...
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Thermae
In ancient Rome, (from Greek , "hot") and (from Greek ) were facilities for bathing. usually refers to the large Roman Empire, imperial public bath, bath complexes, while were smaller-scale facilities, public or private, that existed in great numbers throughout Rome. Most Roman cities had at least one – if not many – such buildings, which were centers not only for bathing, but socializing and reading as well. Bathhouses were also provided for wealthy private Roman villa, villas, domus, town houses, and castra, forts. They were supplied with water from an adjacent river or stream, or within cities by aqueduct (watercourse), aqueduct. The water would be heated by fire then channelled into the caldarium (hot bathing room). The design of baths is discussed by Vitruvius in ''De architectura'(V.10) Terminology '','' '','' '','' and may all be translated as 'bath' or 'baths', though Latin sources distinguish among these terms. or , derived from the Greek language, G ...
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