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Santa Maria Annunziata Dei Gonfalone
The Oratorio del Gonfalone or ''Oratory of the Banner'' is a building in Central Rome which once housed a Catholic fraternity. Since about 1960 it has served as a concert venue for the Roman Polyphonic Choir. History The Confraternity of the Gonfalone was a group of white penitents (due to the colour of their robe). The association was first established in 1264 the church of Santa Maria in Aracoeli, under the name of the ''Accomandati di Madonna Santa Maria''. It came to called the Gonfalone Confraternity because of the banner carried in processions. Over the centuries the group dedicated itself to various activities, including the participation in religious processions as banner carriers (wearing white gowns with peaked blue hoods), and also of putting on a yearly passion play. They also were involved in charity towards the poor and needy, and during 1581–1765, of freeing Italians enslaved in Muslim and Slavic lands. Pope Martin V assigned to the confraternity, the old Chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gonfalone
The gonfalon, gonfanon, gonfalone (from the early Italian ''confalone'') is a type of heraldic flag or banner, often pointed, swallow-tailed, or with several streamers, and suspended from a crossbar in an identical manner to the ancient Roman vexillum. It was first adopted by Italian medieval communes, and later, by local guilds, corporations and districts. The difference between a gonfalon with long tails and a standard is that a gonfalon displays the device on the non-tailed area, and the standard displays badges down the whole length of the flag. Background A gonfalon can include a badge or coat of arms, or decoration. Today, every Italian comune (municipality) has a gonfalon sporting its coat of arms. The gonfalon has long been used for ecclesiastical ceremonies and processions. The papal "ombrellino", a symbol of the pope, is often mistakenly called "gonfalone" by the Italians because the pope's ceremonial umbrella was often depicted on the banner. ''Gonfalone'' was origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Zuccari
Federico Zuccaro, also known as Federico Zuccari (c. 1540/1541August 6, 1609), was an Italian Mannerist painter and architect, active both in Italy and abroad. Biography Zuccaro was born at Sant'Angelo in Vado, near Urbino (Marche). His documented career as a painter began in 1550, when he moved to Rome to work under Taddeo, his elder brother. He went on to complete decorations for Pius IV, and help complete the fresco decorations at the Villa Farnese at Caprarola. Between 1563 and 1565, he was active in Venice with the Grimani family of Santa Maria Formosa. During his Venetian period, he traveled alongside Palladio in Friuli. He was involved in the following fresco projects: * Decoration of the Casina Pio IV, Rome * Grimani Chapel, San Francesco della Vigna, Venice *Monumental staircase, Palazzo Grimani, Venice * Pucci Chapel in the church of Trinità dei Monti, Rome * San Marcello al Corso, Rome * Cathedral of Orvieto (1570) * Oratorio del Gonfalone, Rome (1573) * ''The La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerist Architecture In Italy
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tourist Attractions In Rome
Tourism is travel for pleasure or business; also the theory and practice of touring, the business of attracting, accommodating, and entertaining tourists, and the business of operating tours. The World Tourism Organization defines tourism more generally, in terms which go "beyond the common perception of tourism as being limited to holiday activity only", as people "travelling to and staying in places outside their usual environment for not more than one consecutive year for leisure and not less than 24 hours, business and other purposes". Tourism can be domestic (within the traveller's own country) or international, and international tourism has both incoming and outgoing implications on a country's balance of payments. Tourism numbers declined as a result of a strong economic slowdown (the late-2000s recession) between the second half of 2008 and the end of 2009, and in consequence of the outbreak of the 2009 H1N1 influenza virus, but slowly recovered until the COVID-19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicenza
Vicenza ( , ; ) is a city in northeastern Italy. It is in the Veneto region at the northern base of the ''Monte Berico'', where it straddles the Bacchiglione River. Vicenza is approximately west of Venice and east of Milan. Vicenza is a thriving and cosmopolitan city, with a rich history and culture, and many museums, art galleries, piazzas, villas, churches and elegant Renaissance '' palazzi''. With the Palladian Villas of the Veneto in the surrounding area, and his renowned ''Teatro Olimpico'' (Olympic Theater), the "city of Palladio" has been listed as a UNESCO World Heritage Site since 1994. In December 2008, Vicenza had an estimated population of 115,927 and a metropolitan area of 270,000. Vicenza is the third-largest Italian industrial centre as measured by the value of its exports, and is one of the country's wealthiest cities, in large part due to its textile and steel industries, which employ tens of thousands. Additionally, about one fifth of the country's gold a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabriano
Fabriano is a town and ''comune'' of Province of Ancona, Ancona province in the Italy, Italian region of the Marche, at Above mean sea level, above sea level. It lies in the Esino valley upstream and southwest of Jesi; and east-northeast of Fossato di Vico and east of Gubbio (both in Umbria). Its location on the main highway and rail line from Umbria to the Adriatic make it a mid-sized regional center in the Apennine Mountains, Apennines. Fabriano is the headquarters of the giant appliance maker Indesit (partly owned by Whirlpool Corporation, Whirlpool). Fabriano, with Roma, Parma, Torino and Carrara, is an Italian Creative Cities Network, creative city (UNESCO). The town is in the category ''Folk Arts'' (for the Fabriano's handmade paper production). History Fabriano appears to have been founded in the early Middle Ages by the inhabitants of a small Roman town south at Attiggio (Latin ''Attidium''), of which some slight remains and inscriptions are extant. Fabriano itself wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odoardo Farnese (cardinal)
Odoardo Farnese (6 December 1573 – 21 February 1626) was an Italian nobleman, the second son of Alessandro Farnese, Duke of Parma and Maria of Portugal, known for his patronage of the arts. He became a Cardinal of the Roman Catholic Church in 1591, and briefly acted as regent of the Duchy of Parma and Piacenza for his nephew Odoardo from 1622 to 1626. Cardinal Odoardo is probably best known today for commissioning the Bolognese artist Annibale Carracci to fresco the Camerino in the Palazzo Farnese in Rome. Carracci undertook this from 1595 to 1597, just prior to starting his decoration of the more famous and elaborate Farnese Gallery in the same palace. The Camerino The Camerino was Farnese's private study. The subject of the central scene in the ceiling is '' The Choice of Hercules''. The scene is surrounded by a painted frame, an example of ''quadro riportato'', which gives the illusion of a framed oil painting hung on the ceiling when in reality both the scene and its fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Farnese (cardinal)
Alessandro Farnese (5 October 1520 – 2 March 1589), an Italian Cardinal (Catholicism), cardinal and diplomat and a great collector and Patronage#Arts, patron of the arts, was the grandson of Pope Paul III (who also bore the name ''Alessandro Farnese''), and the son of Pier Luigi Farnese, Duke of Parma, Pier Luigi Farnese, Duke of Parma, who was murdered in 1547. He should not be confused with his nephew, Alexander Farnese, Duke of Parma, Alessandro Farnese, Governor of the Spanish Netherlands, grandson of Emperor Charles V and great-grandson of Pope Paul III. Early life Farnese was born at the family castle at Valentano in Tuscany on 7 October 1520 (current province of Viterbo), the son of Pierluigi Farnese, who was the son of Cardinal Alessandro Farnese (Pope Paul III); and Girolama Orsini, daughter of Ludovico Orsini, seventh Conte di Pitigliano, and Giulia Conti. They were married in Rome on 6 August 1519. Young Alessandro studied at Bologna along with his cousin, Guido Asca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadratura
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Nebbia
Cesare Nebbia (c.1536–c.1614) was an Italian painter from Orvieto who painted in a Mannerism, Mannerist style. Biography Nebbia was born in Orvieto. He trained with Girolamo Muziano, and under this master, he helped complete a flurry of decoration that was added to the Cathedral of Orvieto in the 1560s. Almost all the remaining work in Orvieto is now in the Museo del Duomo. Nebbia and Muziano became active in many of the premier projects in late 16th-century Rome. Along with Muziano's other assistant, Giovanni Guerra, they decorated the ''Gregorian Chapel'' in the St Peter's Basilica during the pontificate of Gregory XIII (1572–1585). Other Mannerist painters that were involved in this enterprise were Taddeo Zuccari, Taddeo and Federico Zuccari, Niccolò Circignani, and Hendrick van den Broeck (known as ''Arrigo Fiammingo''). The fresco decorations in ''Palazzo Simonelli'' in Torre San Severo (near Orvieto) have been attributed to Nebbia. In 1576, he painted a ''Resurrec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffaellino Motta Da Reggio
Raffaele Motta (1550 – 1578), known as Raffaellino da Reggio, was an Italian Mannerist style painter from Reggio Emilia, who mainly worked in Rome. He assimilated the style of Taddeo Zuccari and also developed more personal traits. In the last three years of his short life, he worked alongside Lorenzo Sabbatini in works for the Vatican commissioned by Gregory XIII. The Late Mannerist painter and historian Giovanni Baglione considered Raffaellino's early death a significant loss to art. Biography He was born at Codemondo near Reggio Emilia in 1550. According to his earliest biographer, Bonifacio Fantini, he was a builder's son who initially trained under Lelio Orsi in his studio in nearby Novellara, as well as with a medallist, Alfonso Ruspagiari. Fantini says he painted facades in Reggio Emilia and in Guastalla, where he worked for Cesare Gonzaga. By December 1570, he was in Rome, performing a commission for the cardinal Ippolito d’Este. In 1575, he worked with Giovanni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Pino
Marco Pino or Marco da Siena (1521–1583) was an Italian painter of the Renaissance and Mannerist period. Born in Costalpino and first trained in Siena, he later worked in Rome and in Naples, where he died. He was putatively a pupil of the painters Beccafumi and Daniele da Volterra Daniele Ricciarelli (; 15094 April 1566), better known as Daniele da Volterra (, ), was a Mannerist Italian painter and sculptor. He is best remembered for his association with the late Michelangelo. Several of Daniele's most important wo .... The biographer Filippo Baldinucci also says he worked for Baldassare Peruzzi. Among his pupils in Messina was his son-in-law, Antonio Spanò. by Francesco Pugliese, page 12. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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