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Santa Feria
Santaferia is a musical group from Chile. They play an eclectic style of new Chilean cumbia that they call ''cumbia casera'' ("house cumbia"), combining elements of Argentinian cumbia villera ("ghetto cumbia"), ska, reggae, and other Latin music traditions. The group was formed in 2008, and includes ten members, playing guitar, bass, keyboards, brass instruments, and several types of percussion, in addition to vocals. They have released two albums, ''Le traigo cumbia'' ("I bring you cumbia") in 2011, and ''Lo que va a pasar'' ("What is going to happen") in 2013. Several of their songs have become hits in Chile, most notably ''Sakate Uno''. Members *Alonso "Pollo" González: lead vocals *Nicolas "Schala" Schlein: timbau *Ricardo "Richi" Fuentes: güiro and percussion *Rodrigo "Cogollo" González: bass and chorus *Mauricio Lira: guitar and chorus *Ariel Carrasco: keyboards, charango, and chorus *Francisco Vílchez: trombone *Diego Muñoz: baritone sax *Ignacio Rossello: trumpet *G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cumbia
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, enslaved Africans during colonial times, and Europeans. Examples include: * Colombian cumbia, is a musical rhythm and traditional folk dance from Colombia. It has elements of three different cultures, American Indigenous, African, and Spanish, being the result of the long and intense meeting of these cultures during the Conquest and the Colony. * Panamanian cumbia, Panamanian folk dance and musical genre, developed by enslaved people of African descent during colonial times and later syncretized with American Indigenous and European cultural elements. Regional adaptations of Colombian cumbia Argentina * Argentine cumbia * Cumbia villera, a subgenre of Argentine cumbia born in the slums * Fantasma, a 2001 group formed by Martín Roisi and Pablo Antico * Cumbia santafesina, a musical genre emerged in Santa Fe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Chilean Cumbia
The New Chilean Cumbia also known as New Chilean Cumbia Rock (Spanish: ''Nueva cumbia chilena'', ''Nueva cumbia rock chilena'') is a subgenre of cumbia music that originated in Chile in the early 2000s and that largely surfaced in mainstream media in 2009 and 2010. In contrast to older cumbias the lyrics of New Chilean Cumbia deals more with urban life and combines aspects of rock, hip hop and a wide variety of Latin American genres like Andean music, salsa, the son, reggae, boleros, ska, Latin-African music, diablada and even folklore from the Balkans, like the Klezmer, and Gipsy music. While the movement has various influences its roots lie in the Chilean cumbia tradition established by Orquesta Huambaly, Giolito y su Combo, Orquesta Cubanacán, La Sonora Palacios and Sonora de Tommy Rey, but in contrast to these bands the New Chilean Cumbia is aimed towards a younger public. The New Chilean Cumbia public comes often from the middle classes. The movement has been cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cumbia Villera
Cumbia villera ( or ) (roughly translated as " slum cumbia", "ghetto cumbia", or " shantytown cumbia") is a subgenre of cumbia music originating in Argentina in the late 1990s and popularized all over Latin America and Latin communities abroad. Lyrically, cumbia villera uses the vocabulary of the marginal and lower classes, like the Argentine ''lunfardo'' and ''lenguaje tumbero'' ("gangster language" or "thug language"), and deals with themes such as the everyday life in the '' villas miseria'' (slums), poverty and misery, the use of hard drugs, promiscuity and/or prostitution, nights out at ''boliches'' (discos and clubs) that play cumbia and other tropical music genres (such as the emblematic ''Tropitango'' venue in Pacheco), the football culture of the barra bravas, delinquency and clashes with the police and other forms of authority, antipathy towards politicians, and authenticity in being true ''villeros'' (inhabitants of the ''villas''). Musically, cumbia villera bases it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbau
The timbau or Brazilian timbal is a membranophone instrument derived from the caxambu drum, usually played with both hands. Slightly conical and of varying sizes, it is usually light in weight and made of lacquered wood or metal (usually aluminum) with a tunable nylon head. It is in the shape of an ice cream cone with the top and the point cut off. The drum is most often found in Bahia, originating in Salvador, Bahia, and is used mainly to play Afro-Brazilian rhythms, such as axé and samba-reggae. It is played in a similar manner to the atabaque, a hand drum of which one version was brought to Brazil in slavery and is used in Candomblé Candomblé () is an African diasporic religion that developed in Brazil during the 19th century. It arose through a process of syncretism between several of the traditional religions of West Africa, especially that of the Yoruba, and the Roman ... rituals. In the 1980s, a musical/social movement was organized to bring the timbal to popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güiro
The güiro () is a Puerto Rican percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Puerto Rican, Cuban and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of Latin America and sprea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charango
The charango is a small Andean stringed instrument of the lute family, from the Quechua and Aymara populations in the territory of the Altiplano in post-Colonial times, after European stringed instruments were introduced by the Spanish during colonialization. The instrument is widespread throughout the Andean regions of Bolivia, Peru, Ecuador, northern Chile and northwestern Argentina, where it is a popular musical instrument that exists in many variant forms. About long, the charango was traditionally made with the shell from the back of an armadillo (called ''quirquincho'' or ''mulita'' in South American Spanish), but it can also be made of wood, which some believe to be a better resonator. Wood is more commonly used in modern instruments. Charangos for children may also be made from calabash. Many contemporary charangos are now made with different types of wood. It typically has ten strings in five courses of two strings each, but many other variations exist. The charan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buin, Chile
Buin is a city and commune of Chile, in the Maipo Province, Metropolitan Region of Santiago, which forms part of Greater Santiago. It is a city composed of the towns of Maipo, Viluco, Linderos, Valdivia de Paine, Alto Jahuel, Los Guindos and El Recurso. Buin is located about south of Santiago in the Maipo Valley wine region. Demographics According to the 2002 census of the National Statistics Institute, Buin spans an area of and has 63,419 inhabitants (31,440 men and 31,979 women). Of these, 53,506 (84.4%) lived in urban areas and 9,913 (15.6%) in rural areas. The population grew by 20.1% (10,627 persons) between the 1992 and 2002 censuses. Administration As a commune, Buin is a third-level administrative division of Chile administered by a municipal council, headed by an alcalde who is directly elected every four years. The 2012-2016 alcalde is Ángel Bozán Ramos (IND). The communal council has the following members: * Patricio Silva Gonzalez ( PPD) * Hernán Henriquez Parrao ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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