Santa Croce Di Lucca, Naples
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Santa Croce Di Lucca, Naples
The church of the Croce di Lucca is a religious edifice in central Naples, Italy, on the Via dei Tribunali. In 1534, the husband and wife, Andrea Sbarra and Cremona Spinelli founded at this site a monastery of the Carmelites. It was devoted to the image of the crucifix, similar to one venerated in Lucca. Two years later, the widowed Spinelli became a nun. Later endowments came from the Prince of Altamura, who had five daughters join the order: Aurelia, Maria, Elena, Eleonora, and Elisabetta del Giudice. The church we see now was decorated in the 17th century, and remains despite the demolition of the once adjacent monastery. The monastery is now replaced with medical clinics of the University of Naples. The interior was decorated on designs by Francesco Antonio Picchiatti. The nave ceiling has 16th century paintings depicting the '' Madonna del Carmine and Saints'' attributed to Giovanni Battista Caracciolo. Other works made for the church include puttini a chiaroscuro over the ...
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Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Giovanni Battista Caracciolo
Giovanni Battista Caracciolo (also called Battistello) (1578–1635) was an Italian artist and important Neapolitan follower of Caravaggio. He was a member of the murderous Cabal of Naples, with Belisario Corenzio and Giambattista Caracciolo, who were rumoured to have poisoned and disappeared their competition for painting contracts. Early life The only substantial early source of biography is that of Bernardo de' Dominici's unreliable publication of 1742. De Dominici's statements are often contradicted by documented facts and others cannot be substantiated independently. Archival documents state Caracciolo was born in Naples and baptised on 7 December 1578, as the son of Cesare Caracciolo and his wife Elena. The family lived in the parish of San Giovanni Maggiore. On 3 August 1598, at the age of twenty, Caracciolo married Beatrice de Mario. They had ten children, of whom eight survived to adulthood. Caravaggesque phase His initial training was said to be with Francesco Impa ...
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16th-century Roman Catholic Church Buildings In Italy
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Former Churches In Naples
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ...
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Lionardo Olivieri
Leonardo Antonio Olivieri or Oliviero (February 23, 1689 – June 7, 1752) was an Italian painter of the late-Baroque. Biography He initially trained in his native town of Martina Franca in Puglia, under his uncle. He then moved to Naples to study with Francesco Solimena. By 1715, he was active in Naples, working alongside Gregorio Magli. He died in Naples. A ''St Peter Martyr in Glory'' is on display in the collections of the Pinacoteca Corrado Giaquinto in Bari. He painted a ''Baptism of Christ'' for the Nardò Cathedral. A ''Vision of St Francis of Assisi'' at the Museo Diocesano of Taranto is attributed to Olivieri. He also painted for the church of Santa Chiara in Nardò. he painted a ''Madonna dei Pellegrini'' (1725) for Santa Maria Mater Domini and in the monk's choir of San Gregorio Armeno of Naples. He painted a ''Madonna and Child with young St John,'' now in the Pinacoteca Provinciale of Salerno Salerno (, , ; nap, label= Salernitano, Saliernë, ) is an an ...
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Domenico Di Nardo
Domenico is an Italian given name for males and may refer to: People * Domenico Alfani, Italian painter * Domenico Allegri, Italian composer * Domenico Alvaro, Italian mobster * Domenico Ambrogi, Italian painter * Domenico Auria, Italian architect * Domenico del Barbieri, Florentine artist * Domenico di Bartolo, Italian painter * Domenico Bartolucci, Italian Roman Catholic cardinal * Domenico di Pace Beccafumi, Italian painter * Domenico Pignatelli di Belmonte, Italian Roman Catholic cardinal * Domenico Berardi, Italian footballer * Domenico Bernini, son of Gian Lorenzo Bernini * Domenico Bidognetti, Italian criminal * Domenico Bollani, Venetian diplomat and politician * Domenico Canale, Italian-American distributor * Domenico Caprioli, Italian painter * Domenico Caruso, Italian poet and writer * Domenico Cefalù, Italian-American mobster * Domenico Cimarosa, Italian composer * Domenico Cirillo, Italian physician and patriot * Domenico Colombo, father of Christopher Columb ...
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Ferdinando Sanfelice
Ferdinando Sanfelice (1675 – 1 April 1748) was an Italian late Baroque architect and painter. Sanfelice was born in Naples and died there. He was one of the principal architects in Naples in the first half of the 18th century. He was a student of Francesco Solimena. Sanfelice was known primarily for temporary displays and his secular architecture. The former involved displays such as those set up for royal visits and births as well as for religious celebrations; the latter included a large number of family dwellings in Naples, including his own Palazzo Sanfelice, built between 1723 and 1728, and the Palazzo Serra di Cassano, finished around 1730. Most notable in Sanfelice's architecture are the staircases; rather than being incidental features set off to the side of a courtyard, he gave them central and prominent positions so that they became important architectural features in their own right, often as double staircases. Sanfelice also worked on churches in Naples, inclu ...
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Lorenzo Vaccaro
Lorenzo Vaccaro (1655 – 10 August 1706) was an Italian late-Baroque sculptor. He worked in a formalized restrained style. He was born in Naples, the son of a lawyer. He apprenticed with Cosimo Fanzago and Dionisio Lazzari. He was a close friend of Francesco Solimena. He was murdered at Torre del Greco in August 1706. His son Domenico Antonio Vaccaro was also a sculptor. The ceramic sculptor Giuseppe Laguidara Giuseppe Laguidara (16971742) was an Italian sculptor of the Baroque period, active in his native Naples. He became a pupil of Lorenzo Vaccaro Lorenzo Vaccaro (1655 – 10 August 1706) was an Italian late- Baroque sculptor. He worked in a for ... was one of his pupils. . Sources * ''A Bozzetto by Lorenzo Vaccaro'' Revies by Andrew Ciechanowiecki, The Burlington Magazine (1979) p250-253 * {{DEFAULTSORT:Vaccaro, Lorenzo 1655 births 1706 deaths 17th-century Neapolitan people 17th-century Italian sculptors Italian male sculptors 18th-century Italian sculptor ...
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Nicola Malinconico
Nicola Malinconico (16631721) was a Neapolitan painter of the late-Baroque. He is described as a follower of Luca Giordano, and painted mostly religious canvases. He painted the chapel altarpieces for the church of St Michele Arcangelo in Anacapri. He also painted still life paintings recalling work by Pietro Paolo Bonzi and Paolo Porpora and influenced by the Flemish still life painter David de Coninck. Around 1700, he was commissioned by bishop Oronzo Filomarino to decorate the cathedral of Gallipoli The Gallipoli peninsula (; tr, Gelibolu Yarımadası; grc, Χερσόνησος της Καλλίπολης, ) is located in the southern part of East Thrace, the European part of Turkey, with the Aegean Sea to the west and the Dardanelles ... in the province of Lecce. He completed large canvases of ''Christ clearing the moneylenders from the temple'' in the counter-facade; ''Entry into Jerusalem'', ''Miracle of the lame'', ''Burial of Saint Agatha''. On the ceiling he p ...
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Marco Da Siena
Marco Pino or Marco da Siena (1521–1583) was an Italian painter of the Renaissance and Mannerist period. Born in Costalpino and first trained in Siena, he later worked in Rome and in Naples, where he died. He was putatively a pupil of the painters Beccafumi and Daniele da Volterra. The biographer Filippo Baldinucci also says he worked for Baldassare Peruzzi. Among his pupils in Messina was his son-in-law, Antonio Spanò.Cenni sulla pittura in Tropea e sull'opera di Giuseppe Grimaldi
by Francesco Pugliese, page 12.
Fabrizio Santafede Fabrizio Santafede or Fabrizio Santaféde (c. 1560–1623/28) was an Italian painter known for his altarp ...
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Francesco Curia
Francesco Curia (1538–1610) was an Italian painter of the Renaissance period, active mainly in his hometown of Naples. He was the son of the painter Michele Curia. He was a pupil of the painter Giovanni Filippo Criscuolo. Among his pupils were Fabrizio Santafede and Ippolito Borghese. He was one of several artists residing in Naples that were influenced by the style of Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculp .... References * * 1538 births 1610 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Naples Renaissance painters {{Italy-painter-16thC-stub ...
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Francesco Solimena
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of Avellino. He received early training from his father, Angelo Solimena, with whom he executed a ''Paradise'' for the cathedral of Nocera (a place where he spent a big part of his life) and a ''Vision of St. Cyril of Alexandria'' for the church of San Domenico at Solofra. He settled in Naples in 1674, where he worked in the studio of Francesco di Maria.Pavone, Mario Alberto (2003, January 1). "Solimena family". Grove Art Online. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his ...
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