Sant'Antonio Taumaturgo, Trieste
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Sant'Antonio Taumaturgo, Trieste
The Church of Sant'Antonio Taumaturgo (commonly known as the Church of Sant'Antonio Nuovo), is the main religious building in the Borgo Teresiano in the centre of Trieste as well as the city's largest Catholic church. It stands on a square also known as Sant’Antonio Nuovo, at the end of the Grand Canal. The building project dates back to 1808, but work only began in 1825. The church has a facade of ionic columns with six statues sculpted by Francesco Bosa in 1842, representing Saint Justus, Saints Sergius and Bacchus, Saint Servulus, Saint Maurus, Saint Euphemia and Saint Tecla. History Until the middle of the eighteenth century, a private chapel dedicated to the Annunciation stood on the site of the present church. After Antonio Rossetti granted permission for the chapel to be opened to the public, the great number of worshippers soon made the space inadequate. As a result, it was decided to build a new church in the baroque style dedicated to Saint Anthony. The structure ...
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Odorico Politi
Odorico Politi (Udine, 27 January 1785 - Venice, 18 October 1846) was an Italian painter. Life and career Odorico Politi was born in Udine, and studied in Venice at the Accademia di Belle Arti with Teodoro Matteini. In 1812 he returned to Udine and began a career as a painter of neoclassical frescoes, specializing in historical and mythological subjects. Some of these frescoes can now be seen at the Palazzo Antonini and at Napoleon's Royal Palace in Venice. In 1831 he received an appointment as professor at the Accademia of Venice, where he had studied. Notable students include Pompeo Marino Molmenti, Antonio Dugoni, Fausto Antonioli and Cesare Dell'Acqua. Works Politi's frescoes with religious subjects are found in the churches of Attimis, Clauzetto, Felettano, Pavia di Udine, Tarcento, Trieste, Udine, Venice and Vito d'Asio Vito d'Asio ( fur, Vît) is a ''comune'' (municipality) in the Province of Pordenone in the Italian region Friuli-Venezia Giulia, located about nor ...
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Churches Completed In 1842
Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota Arts, entertainment, and media * '' Church magazine'', a pastoral theology magazine published by the National Pastoral Life Center Fictional entities * Church (''Red vs. Blue''), a fictional character in the video web series ''Red vs. Blue ...
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Buildings And Structures Completed In 1842
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Buildings And Structures In Trieste
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Italian Neoclassical Architecture
Italian Neoclassical architecture refers to architecture in Italy during the Neoclassical period (1750s–1850s). History and influences In the 1750s and 1760s, the rich and frivolous Rococo was going out of fashion, and there was a growing desire to return to the simple, yet elegant classicism of architecture in Ancient Greece, Ancient Rome and to a lesser extent Renaissance architecture. In its purest form it is this new style principally derived from the architecture of Classical Greece and the architecture of Pompeii and Herculaneum. Since it was widely based on Classicism, the movement was named ''Neo''-Classicism. Neoclassical did not particularly evolve in any particular nation, but the founders were France, England, Italy, Germany and Spain. Everything from villas, palaces, gardens, interiors and art began to be based on Roman and Greek themes. Buildings and edifices Before the discoveries of the lost cities of Pompeii and Herculaneum, buildings were themed on Ancient ...
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James Joyce
James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist, poet, and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of the 20th century. Joyce's novel '' Ulysses'' (1922) is a landmark in which the episodes of Homer's ''Odyssey'' are paralleled in a variety of literary styles, particularly stream of consciousness. Other well-known works are the short-story collection '' Dubliners'' (1914), and the novels '' A Portrait of the Artist as a Young Man'' (1916) and '' Finnegans Wake'' (1939). His other writings include three books of poetry, a play, letters, and occasional journalism. Joyce was born in Dublin into a middle-class family. He attended the Jesuit Clongowes Wood College in County Kildare, then, briefly, the Christian Brothers-run O'Connell School. Despite the chaotic family life imposed by his father's unpredictable finances, he excelled at the Jes ...
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Organ Stop
An organ stop is a component of a pipe organ that admits pressurized air (known as ''wind'') to a set of organ pipes. Its name comes from the fact that stops can be used selectively by the organist; each can be "on" (admitting the passage of air to certain pipes), or "off" (''stopping'' the passage of air to certain pipes). The term can also refer to the control that operates this mechanism, commonly called a stop tab, stop knob, or drawknob. On electric or electronic organs that imitate a pipe organ, the same terms are often used, with the exception of the Hammond organ and clonewheel organs, which use the term " drawbar". The term is also sometimes used as a synonym for register, referring to rank(s) of pipes controlled by a single stop. Registration is the art of combining stops to produce a certain sound. The phrase " pull out all the stops,” while once only meant to engaging all voices on the organ, has entered general usage, for deploying all available means to purs ...
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Tracker Action
Tracker action is a term used in reference to pipe organs and steam calliopes to indicate a mechanical linkage between keys or pedals pressed by the organist and the valve that allows air to flow into pipe(s) of the corresponding note. This is in contrast to " direct electric action" and "electro-pneumatic action", which connect the key to the valve through an electrical link or an electrically assisted pneumatic system respectively, or "tubular-pneumatic action" which utilizes a change of pressure within lead tubing which connects the key to the valve pneumatic. History Ancient history Organs trace their history as far back as at least the 3rd century BC with an organlike device known as the hydraulis. Also known as a "water organ" or "Roman organ", the hydraulis was an instrument in which water was used as a source of power to push wind through organ pipes. (It is not to be confused with the hydraulic action of a hydraulophone, an instrument that actually uses water to pr ...
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Ludovico Lipparini
Lodovico Lipparini (February 17, 1800 – March 19, 1856) was an Italian painter. Biography He was born at Bologna, and was instructed in that city, where he brought himself into notice at the age of fifteen. In 1820 he was in Rome and Naples, and during 1822 and 1825, in Venice, where he became professor at the Accademia di Belle Arti in 1838, and Professor of Painting in 1848. He died in Venice. He was facile both in history and portrait paintings. Among his first works was a ''Marius besieged by the Cimbri''. In 1822, he painted the ''Oath of the Horatii''. In 1835, he painted the doomed ''Doge Marino Faliero''. In 1836, ''Cain'', ''Madonna Lia'', and ''Torquato Tasso a Sant'Anna''. In 1840 he painted ''The Martyrdom of the Saints of Aquileia'' ( Sant'Antonio Taumaturgo, Trieste) and in 1841, the ''Death of Marco Botzaris''. He was prolific as a portrait painter; among his subjects were Prince Bacciocchi and his wife Elisa; Professor Giuseppe Barbieri, Count Kraglianov ...
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Alessandro Longhi
Alessandro Longhi (12 June 1733 – November 1813) was a Venetian portrait painter and printmaker in etching (mostly reproductions of paintings). He is known best for his oil portraits of Venetian nobles of state. His father was the famed genre painter Pietro Longhi. He trained under his father and Giuseppe Nogari (1699–1763). Like Sebastiano Bombelli in the prior century, Alessandro Longhi is noted for his zealous full-length depictions of robes and emblems of office. His "tumultuous and unusual (etching) technique shows first-hand knowledge of Rembrandt's etchings", according to Olimpia Theodoli.Jane Martineau and Andrew Robison (eds), ''The Glory of Venice, Art in the Eighteenth Century'' (exhib Cat RA London/NGA Washington) Yale UP, 1994 Works *''Luigi and Alvise III Pisani and family'' *''Portrait of Carlo Goldoni'' () *''Portrait of a Composer'', erroneously to be the ''Portrait of Domenico Cimarosa'' *''Portrait of a Lady'' () *''Portrait of a Gentleman'' () *' ...
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