Sant'Alvise
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Sant'Alvise
Sant'Alvise is a church in the sestiere of Cannaregio in Venice, northern Italy. The brick exterior and facade do not reflect the rich interior. History According to tradition, the church was built, along with the adjoining monastery, by Antonia Venier in 1338 and dedicated to St. Louis of Toulouse, known in Venice as Saint Alvise. The church was built on the plan of a basilica. The simple facade is marked by a large doorway made of Istria stone. Above the door is a statue of Saint Alvise from 1400. The original wooden structures were rebuilt in 1430 due in part to the generosity of Pope Martin V. The church was restored in the XVII century, the interior almost completely remodeled. The Gothic bell tower dates from the XIII Century. Interior It has a single nave, the current appearance dating from the 17th century restoration. On the interior facade above the entrance porch you can see a "barco". A special piece on the counter-facade. Protected by wrought iron gates, behind ...
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Pietro Damini
Saint Louis, sacred, bishop of Toulouse Sant'Alvise Pietro Damini (1592–1631) was an Italian painter of the late-Renaissance period. He was born in Castelfranco Veneto and active in Venice. He was the pupil of the painter Giovanni Battista Novelli. He painted ''Christ giving keys to Peter'' for San Clemente in Padua. He painted a ''Crucifixion'' for the Basilica of St Anthony in Padua The Pontifical Basilica of Saint Anthony of Padua ( it, Basilica Pontificia di Sant'Antonio di Padova) is a Catholic church and minor basilica in Padua, Veneto, Northern Italy, dedicated to St. Anthony of Padua. Although the basilica is vis .... He also painted an image of Saint Prosdocimus.Rosa Giorgi, ''Saints: A Year in Faith and Art'' (Harry N. Abrams, Inc., 2006). References * 1592 births 1631 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Padua Painters from Venice Italian Renaissance painters {{Italy-pa ...
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Giambattista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 â€“ March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family that ...
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Cannaregio
Cannaregio () is the northernmost of the six historic ''sestieri'' (districts) of Venice. It is the second largest ''sestiere'' by land area and the largest by population, with 13,169 people . Isola di San Michele, the historic cemetery island, is associated with the district. History The Cannaregio Canal, which was the main route into the city until the construction of a railway link to the mainland, gave the district its name (Canal Regio is Italian for Royal Canal). Development began in the eleventh century as the area was drained and parallel canals were dredged. Although elegant palazzos were built facing the Grand Canal, the area grew primarily with working class housing and manufacturing. Beginning in 1516, Jews were restricted to living in the Venetian Ghetto. It was enclosed by guarded gates and no one was allowed to leave from sunset to dawn. However, Jews held successful positions in the city such as merchants, physicians, money lenders, and other trades. Restricti ...
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Jacobello Del Fiore
Jacobello del Fiore (c. 1370 – 1439) was a Venetian painter in the late fourteenth century and early fifteenth century. His early work is in the Late Gothic style popularized by Altichiero da Verona and Jacopo Avanzi, two of his contemporaries, while his mature work displays a local Venetian style established by the school of Paolo Veneziano, an artist and workshop proprietor with notable Byzantine inspiration in his work. This stylistic return to his roots sets him apart from Niccolò di Pietro and Zanino di Pietro, Venetian contemporaries he is often associated with. During his lifetime, he received commissions primarily on the Adriatic coast and in Venice. Early life and works Birth and family Jacobello del Fiore is likely to have been born around 1375, since by the time of his marriage in 1394, he was still under the tutelage of his father, Francesco del Fiore. While it is known that Jacobello del Fiore was married in 1394, the identity of his spouse is unknown, as ...
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Roman Catholic Churches In Venice
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμαá ...
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14th-century Roman Catholic Church Buildings In Italy
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establish ...
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Churches Completed In 1338
Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota Arts, entertainment, and media * '' Church magazine'', a pastoral theology magazine published by the National Pastoral Life Center Fictional entities * Church (''Red vs. Blue''), a fictional character in the video web series ''Red vs. Blue'' * Chur ...
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Giovanni Maria Morlaiter
Giovanni Maria Morlaiter (15 February 1699 – 22 February 1781) was an Italian sculptor of the Rococo or late-Baroque, active mainly in his native Venice. Biography Almost all the sculpture in the church of the Gesuati, Venice is the work of Morlaiter, whom Hugh Honour describes as "one of the ablest sculptors in eighteenth century Venice" and Semenzato as "the most brilliant interpreter of the rococo in Venetian sculpture" adding that "His work shows great dynamism" and "an inexhaustible felicity of invention". There is more of his work in the church than anywhere else in Venice.Semenzato pp.62-3 His first work for the church was the ''Glory of Angels'' (1738) on the second altar on the right, and after this Massari engaged him for all the other principal works of sculpture, ending with the statue of Melchisedek (1755). Clockwise from the entrance, the statues in six niches and coupled bas reliefs above are: ''Abraham'' (1754) and ''Jesus and the Centurion'' (1754); ''Aaron'' ...
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Canossians
The Canossians are a family of two Catholic religious institutes and three affiliated lay associations that trace their origin to Magdalen of Canossa, a religious sister canonized by Pope John Paul II in 1988. Canossian family Canossian Daughters of Charity, Servants of the Poor (FDCC) The Canossian Daughters of Charity (''Canossian Sisters''), is a Catholic religious institute founded by Magdalen of Canossa in Verona, Italy, in 1808. On February 27, 1860, six Canossian Sisters from Venice and Padua began their journey to Hong Kong arriving there on April 12, 1860. From there the sisters went to Macau and then to Southeast Asia. Today they count eighteen provinces with approximately 2,700 Sisters in more than 336 communities and in 32 countries around the world. Their primary works of charity include education, catechesis, and care of the sick. The General House is in Rome. (FDCC is the Italian abbreviation of "Figlie Della Carità Canossiane"). ENCA or Enlace Canossiano America ...
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Angelo Trevisani
Angelo Trevisani (1669 – after 1753) was an Italian painter of the late- Baroque, active mainly in Venice. He was born in Venice (or possibly Capodistria), the younger brother of Francesco Trevisani who was born in Capodistria, and who painted mainly in Rome under the patronage of Cardinal Ottoboni. Angelo was a pupil of Andrea Celesti. He also painted for the Sanctuary of the Madonna del Pilastrello in Lendinara. He was influenced by Antonio Balestra. In Italian, it is Angelo Trevisanute. Among his pictures were ''Expulsion of Moneychangers from the Temple'' for SS. Cosmo e Damiano, Venice; ''Dream of S. Theresa'' for San Pietro in Oliveto, in Brescia; and ''Madonna'' for the Gallery in Madrid Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a Madrid metropolitan area, metropolitan area population of approximately 6.7 million. It is the Largest cities of the Europ ..., others included ''Putti Musicia ...
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Bonifacio De' Pitati
Bonifacio Veronese, birth name: Bonifacio de' PitatiAlso known as Bonifazio Veneziano (1487 – 19 October 1553) was an Italian Renaissance painter who was active in the Venetian Republic. His work had an important influence on the younger generation of painters in Venice, particularly Andrea Schiavone and Jacopo Tintoretto.Thomas Nichols. "Pitati, Bonifazio de’." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 28 Dec. 2016 Life The artist was born in Verona from which his family moved to Venice around 1505. Here, the young artist reputedly trained under Palma il Vecchio. He was initially a close follower of il Vecchio. He ran a large workshop in Venice, which could execute small devotional works as well as large painting projects. His early work also shows his knowledge of Giorgione and Titian
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Gianmaria Morlaiter
Giovanni Maria Morlaiter (15 February 1699 – 22 February 1781) was an Italian sculptor of the Rococo or late-Baroque, active mainly in his native Venice. Biography Almost all the sculpture in the church of the Gesuati, Venice is the work of Morlaiter, whom Hugh Honour describes as "one of the ablest sculptors in eighteenth century Venice" and Semenzato as "the most brilliant interpreter of the rococo in Venetian sculpture" adding that "His work shows great dynamism" and "an inexhaustible felicity of invention". There is more of his work in the church than anywhere else in Venice.Semenzato pp.62-3 His first work for the church was the ''Glory of Angels'' (1738) on the second altar on the right, and after this Massari engaged him for all the other principal works of sculpture, ending with the statue of Melchisedek (1755). Clockwise from the entrance, the statues in six niches and coupled bas reliefs above are: ''Abraham'' (1754) and ''Jesus and the Centurion'' (1754); ''Aaron'' ...
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