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Sankt-Bach-Passion
''Sankt-Bach-Passion'' (Saint Bach Passion) is an oratorio composed by Mauricio Kagel in 1985 for the tricentenary of the birth of Johann Sebastian Bach. It follows the model of Bach's Passions, but the topic is not biblical, rather refers to Bach's biography. The text includes documents such as Bach's letters to patrons, and excerpts from contemporary biographies. The work is an extended oratorio for soloists, choir, and orchestra. It was premiered in Berlin in 1985, conducted by the composer, and recorded shortly afterwards by the same performers. History Mauricio Kagel received the commission for ''Sankt-Bach-Passion'' in 1981. He conceived a work which follows the model of Bach's Passions, but referring to Bach's biography, which is told in contemporary texts, such as his letters to patrons, and excerpts from biographies. Kagel set the text as an oratorio for soloists (mezzosoprano, tenor, and baritone), a narrator, children's choir and choir, organ and orchestra, taking asp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limburger Domsingknaben
Limburger Domsingknaben (; "Limburg Cathedral singing boys") is the name of the boys' choir at the Limburg Cathedral in Limburg, Hesse, Germany. The choir was founded in 1967 by the then bishop of Limburg, Wilhelm Kempf. Its conductors were Hans Bernhard, Mathias Breitschaft, Klaus Knubben and, since 2014, Andreas Bollendorf. The choir's main task is singing in services at the Limburg Cathedral. The choir also performs in other services and performs concerts internationally. The repertoire is from all eras of classical music. They took part in recordings of Mahler symphonies, conducted by Eliahu Inbal and Paavo Järvi, and in the premiere of Kagel's ''Sankt-Bach-Passion''. In their home Musisches Internat, which served as a boarding school until 2007, the boys receive thorough training, four vocal rehearsals per week, individual voice coaching, and instrumental instructions. They study not only choral but also solo parts of the works they perform. Many tours took them to Europea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mauricio Kagel
Mauricio Raúl Kagel (; 24 December 1931 – 18 September 2008) was an Argentine-German composer. Biography Kagel was born in Buenos Aires, Argentina, into an Ashkenazi Jewish family that had fled from Russia in the 1920s . He studied music, history of literature, and philosophy in Buenos Aires . In 1957 he moved as a scholar to Cologne, Germany, where he lived until his death. As teacher From 1960–66 and 1972–76 he taught at the International Summer School at Darmstadt . He also taught from 1964–65 at the State University of New York at Buffalo as Slee Professor of music theory. At the Berlin Film and Television Academy he was a visiting lecturer. He served as director of courses for new music in Gothenburg and Cologne . He was professor for new music theatre at the Cologne Conservatory from 1974–97. Among his students were Maria de Alvear, Carola Bauckholt, Branimir Krstić, David Sawer, , Juan Maria Solare, Norma Tyer, Gerald Barry, and Chao-Ming Tung. As com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ein Feste Burg Ist Unser Gott
"A Mighty Fortress Is Our God" (originally written in the German language with the title ) is one of the best known hymns by the Protestant Reformers, Protestant Reformer Martin Luther, a prolific hymnwriter. Luther wrote the words and composed the hymn tune between 1527 and 1529.John D. Julian, Julian, John, ed., ''A Dictionary of Hymnology: Setting forth the Origin and History of Christian Hymns of All Ages and Nations'', Second revised edition, 2 vols., n.p., 1907, reprint, New York: Dover Publications, Inc., 1957, 1:322–25 It has been translated into English at least seventy times and also into many other languages. The words are mostly original, although the first line paraphrases that of Psalm 46.Marilyn Kay Stulken, ''Hymnal Companion to the Lutheran Book of Worship'' (Philadelphia: Fortress Press, 1981), 307–08, nos. 228–229. History "A Mighty Fortress" is one of the best known hymns of the Lutheran tradition, and among Protestantism, Protestants more generally. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herzliebster Jesu, Was Hast Du Verbrochen
"Herzliebster Jesu" (often translated into English as "Ah, Holy Jesus", sometimes as "O Dearest Jesus") is a Lutheran Passion hymn in German, written in 1630 by Johann Heermann, in 15 stanzas of 4 lines, first published in ''Devoti Musica Cordis'' in Breslau. As the original headline reveals, it is based on Augustine of Hippo; this means the seventh chapter of the so-called "Meditationes Divi Augustini", presently ascribed to John of Fécamp. Melody and musical settings The tune, Zahn No. 983, was written ten years later by Johann Crüger and first appeared in Crüger's ''Neues vollkömmliches Gesangbuch Augsburgischer Confession''. The tune has been used many times, including settings by J.S. Bach: one of the Neumeister Chorales for organ, BWV 1093, two movements of the St John Passion, and three of the ''St Matthew Passion''. BWV2a (1998), p. 475 Johannes Brahms used it for one of his Eleven Chorale Preludes for organ, Op. 122: No. 2.). Max Reger's ''Passi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christus, Der Uns Selig Macht
"" (literally: Christ who makes us blessed) is a German Lutheran Passion hymn in eight stanzas in German by Michael Weiße Michael Weiße or Weisse ( – 19 March 1534) was a German theologian, Protestant reformer and hymn writer. First a Franciscan, he joined the Bohemian Brethren. He published the most extensive early Protestant hymnal in 1531, supplying most hymn ..., written in 1531 as a translation of the Latin hymn "Patris Sapientia" to an older melody of the Bohemian Brethren. The hymn inspired musical settings, both vocal and for organ, notably Bach's ''St John Passion structure, St John Passion'', where the first and last stanzas comment on biblical scenes in two different settings. The hymn is part of the Protestant hymnal as EG 77. It was translated to "Christ, by whose all-saving Light" and other versions. History Weiße wrote the text as a translation of the Latin hymn "Patris Sapientia", attributed to Aegidius of Collonna, from the Liturgy of the Hours for Good ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wie Schön Leuchtet Der Morgenstern
"" (; How lovely shines the morning star) is a Lutheran hymn by Philipp Nicolai written in 1597 and first published in 1599. It inspired musical settings through centuries, notably Bach's chorale cantata , but also vocal and instrumental works by Baroque composers, Peter Cornelius, Felix Mendelssohn, Max Reger, Hugo Distler, Ernst Pepping, Mauricio Kagel and Naji Hakim. History Nicolai wrote the text in response to a pestilence in 1597. The hymn, in seven stanzas, is based on Psalm 45, a mystical wedding song. Jesus is identified with the morning star, according to , and with the bridegroom of the psalm. Nicolai published the hymn first in 1599 in his collection ("Mirror of Joy of the Life Everlasting") in Frankfurt, together with "". He introduced it: "" (A spiritual bridal song of the believing soul / concerning Jesus Christ, her heavenly bridegroom, founded on the 45th Psalm of the prophet David). Tune The hymn tune of "", Zahn No. 8359, was codified then as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ach Wie Flüchtig, Ach Wie Nichtig
"" (Ah how fleeting, ah how insubstantial) is a German Lutheran hymn with lyrics by Michael Franck, who published it with his own melody and a four-part setting in 1652. Johann Crüger's reworked version of the hymn tune was published in 1661. Several Baroque composers used the hymn, including Johann Sebastian Bach, who wrote a chorale cantata. It is part of the current Protestant hymnal ''Evangelisches Gesangbuch'', and has also been used by 20th-century composers such as Ernst Pepping and Mauricio Kagel. History The lyrics of the hymn were written by Michael Franck after the Thirty Years' War. Franck, who initially worked as a baker, before turning to teaching, poetry, and music, based it on the biblical "Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity." (). His models were vanity poems by Andreas Gryphius, namely "" ("The Splendour of the Earth / Will end in smoke and ashes"). He published it in Coburg in 1652, with his melody and a four-part setting. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Sofie Von Otter
Anne Sofie von Otter (born 9 May 1955) is a Swedish mezzo-soprano. Her repertoire encompasses lieder, operas, oratorios and also rock and pop songs. Early life Von Otter was born in Stockholm, Sweden. Her father was Göran von Otter, a Swedish diplomat in Berlin during World War II. She grew up in Bonn, London and Stockholm. She studied in Stockholm and at the Guildhall School of Music and Drama in London, where her teachers included Vera Rózsa. In 1982, she won second prize in the ARD International Music Competition. From 1983 to 1985, she was an ensemble member of the Basel Opera, where she made her professional operatic début as Alcina in Haydn's ''Orlando paladino''. She made her Royal Opera House, Covent Garden, début in 1985 and her La Scala debut in 1987. Her Metropolitan Opera début was in December 1988 as Cherubino in '' The Marriage of Figaro''. Career Her recording of Grieg songs won the 1993 '' Gramophone'' Record of the Year, the first time in the awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NDR Chor
The NDR Chor (North German Radio Choir) is the choir of the German broadcaster Norddeutscher Rundfunk (NDR), based in Hamburg. It was founded in 1946, with Max Thurn as the first director of then 55 singers. The group has participated in premieres of contemporary music, such as the posthumous concert premiere of Schoenberg's opera ''Moses und Aron''. It is also known for a capella music, introduced by Helmut Franz such as a recording of all such works by Johannes Brahms. The current artistic director is Philipp Ahmann, who has held the position from 2008. NDR Chor, now a group of 28 singers, is one of the leading professional chamber choirs in Germany. History The NDR Chor was founded in Hamburg on 1 May 1946, then as choir of the Nordwestdeutscher Rundfunk (NWDR) and took its present name in 1956 when the broadcaster was split in NDR and WDR. Its first director was Max Thurn who accepted 55 singers from more than 2,000 applications by professional singers. During the first years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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