Sandley's Suite
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Sandley's Suite
''Sandley's Suite'' is a 17th-century four-movement suite credited as the first to be associated with a named composer. Consisting of an air, courante, sarabande and jig The jig ( ga, port, gd, port-cruinn) is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It is most associated with Irish music and dance. It first gained popularity in 16th-century Ireland and parts of ..., it is included in the first edition of Musick's Hand-Maid (1663). Although only the final part is specifically credited—to "Mr. Ben: Sandley"—the entire suite is believed to have been composed by and is named for 17th-century English composer Benjamin Sandley. Notes References * * * {{Classical-composition-stub Suites (music) 17th-century songs ...
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Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/ concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ...
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Air (music)
An air ( it, aria; also ''ayr'', ''ayre'' in French) is a song-like vocal or instrumental composition. The term can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria. English lute ayres Lute airs were first produced in the royal court of England toward the end of the 16th century and enjoyed considerable popularity until the 1620s. Probably based on Italian monody and French ''air de cour'', they were solo songs, occasionally with more (usually three) parts, accompanied on a lute.G. J. Buelow, ''History of Baroque Music: Music in the 17th and First Half of the 18th Centuries'', Indiana University Press, 2004 (p. 306). Their popularity began with the publication of John Dowland's (1563–1626) ''First Booke of Songs or Ayres'' (1597). His most famous airs include " Come again", "Flow, my tears", " I saw my Lady weepe", and " In darkness let me dwell". The gen ...
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Courante
The ''courante'', ''corrente'', ''coranto'' and ''corant'' are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era. In a Baroque dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second movement of the suite or the third if there is a prelude. Types ''Courante'' literally means "running", and in the later Renaissance the courante was danced with fast running and jumping steps, as described by Thoinot Arbeau. But the courante commonly used in the baroque period was described by Johann Mattheson in ''Der vollkommene Capellmeister'' (Hamburg, 1739) as "chiefly characterized by the passion or mood of sweet expectation. For there is something heartfelt, something longing and also gratifying, in this melody: clearly music on which hopes are built."Quoted in Alfred Dürr, preface to Johann Sebastian Bach, ''Französische Suiten: die verzierte Fassung / The French Suites: Embel ...
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Sarabande
The sarabande (from es, zarabanda) is a dance in triple metre, or the music written for such a dance. History The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance called ''zarabanda'' is first mentioned in 1539 in Central America in the poem ''Vida y tiempo de Maricastaña'', written in Panama by Fernando de Guzmán Mejía. In 1596, Alonso López, "el Pinciano", traces its origins even to the Dionysian cult. The dance seems to have been especially popular in the 16th and 17th centuries, initially in Spain and in the Spanish colonies. The Jesuit priest Juan de Mariana thought it indecent, describing it in his ''Tratato contra los juegos públicos'' (Treatise Against Public Amusements, 1609) as "a dance and song so loose in its words and so ugly in its motions that it is enough to excite bad emotions in even very decent people".Jane Bellingham, "Sarabande", ''The Oxford Companion to Music'', edited by A ...
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Suites (music)
Suite may refer to: Arts and entertainment *Suite (music), a set of musical pieces considered as one composition ** Suite (Bach), a list of suites composed by J. S. Bach ** Suite (Cassadó), a mid-1920s composition by Gaspar Cassadó ** ''Suite'' (Penderecki), a 1994 composition by Krzysztof Penderecki ** :Suites (music) *Suite, a set of related illustrations considered to be part of one art composition (e.g., the Vollard Suite by Picasso) *'' Suite!'', a 2019 album by Roberto Magris *"Suite", a poem by Patti Smith from her book ''Babel'' *'' Suite PreCure'', a series of the Pretty Cure anime franchise Architecture and design *Suite (address), a kind of address or location in an office building, shopping mall, etc. *Suite (hotel), a type of hotel room *Secondary suite, an additional separate dwelling unit on a property that would normally accommodate only one dwelling unit Other uses * Suite (geology), a lithodemic unit *Software suite, a collection of related software *Retinu ...
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