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Sandinista!
''Sandinista!'' is the fourth studio album by the English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. It crosses various genres including funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap.Related news articles: * * * For the first time, the band's traditional songwriting credits of Strummer and Jones were replaced by a generic credit to the Clash. The band agreed to a decrease in album royalties in order to release the 3-LP at a low price.Related news articles: * The title refers to the Sandinistas in Nicaragua, and its catalogue number, 'FSLN1', refers to the abbreviation of the party's Spanish name, ''Frente Sandinista de Liberación Nacional''.Jaffee, Larry. "The Politics of Rock". ''Popular Music and Society'', Winter 1987, pp. 19–30. ''Sandinista!'' was mostly well received, however, there was criticism towards the large size of the triple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, ''The Clash'' (1977) and their second album, ''Give 'Em Enough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, ''The Clash'' (1977) and their second album, ''Give 'Em Enough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Combat Rock
''Combat Rock'' is the fifth studio album by the English rock band the Clash. It was released on 14 May 1982 through CBS Records. In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in the United States, spending 61 weeks on the chart. The album was propelled by Topper Headon's "Rock the Casbah" which became a staple in the newly launched MTV. ''Combat Rock'' continued the influence of funk and reggae like the previous albums, but also featured a more radio friendly sound which alienated some Clash fans. The recording and producing process of the album was tiring and full of infighting between Mick Jones and Joe Strummer. Headon's heroin addiction grew worse and he slowly became distant from the band. The band had disagreed on the creative process of the album and called in Glyn Johns to produce the more radio friendly sound of ''Combat Rock.'' ''Combat Rock'' is the group's best-selling album, being certified double p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Call Up
"The Call Up" is a song by English punk rock group the Clash. It was released as the first single from the band's fourth album, ''Sandinista!''. The single was released in November 1980, in advance of the release of ''Sandinista!'', with "Stop the World" as its B-side. Re-releases The single was reissued in 1981 in the U.S. by Epic Records (catalog number 02036) in 7" vinyl format and with a different cover. On the B-side of the US release was "The Cool Out", a dub of "The Call Up". In addition to its inclusion on ''Sandinista!'', "The Call Up" has been included on both '' The Clash on Broadway'' and '' The Singles''. It is absent from ''The Essential Clash'', although "Stop The World", its B-side that was not included on ''Sandinista'', is included. "Stop The World" is also included on ''The Clash on Broadway'' and the B-side compilation ''Super Black Market Clash''. The single was reissued on CD as Disc 12 of Singles Box, complete with a re-creation of the original sleeve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magnificent Seven (song)
"The Magnificent Seven" is a song by the English punk rock band the Clash. Released in 1981, it was the third single from the Clash's fourth album, ''Sandinista!''. It reached number 34 on the UK Singles Chart. Composition The song was inspired by old school hip hop acts from New York City, like the Sugarhill Gang and Grandmaster Flash & the Furious Five. Rap was still a new and emerging music genre at the time, and the band, especially Mick Jones, was very impressed with it, so much so that Jones took to carrying a boombox around and got the nickname "Whack Attack". "The Magnificent Seven" was recorded in April 1980 at Electric Lady Studios in New York City, built around a funky bass loop played by Norman Watt-Roy of the Blockheads. Joe Strummer wrote the words on the spot, a technique that was also used to create ''Sandinista!s other rap track, "Lightning Strikes (Not Once But Twice)". This white rap single is earlier than Blondie's "Rapture" by six months. Strummer said o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Simonon
Paul Gustave Simonon (; born 15 December 1955) is an English musician and artist best known as the bassist for the Clash. More recent work includes his involvement in the supergroup the Good, the Bad & the Queen and playing on the Gorillaz album ''Plastic Beach'' in 2010, which saw Simonon reunite with The Clash guitarist Mick Jones and Blur frontman Damon Albarn – and which also led to Simonon becoming the live band's touring bassist for Gorillaz's Escape to Plastic Beach Tour. Simonon is also an established visual artist. Early life Simonon was born in Thornton Heath, Croydon, Surrey. His father, Gustave, was an amateur artist and his mother, Elaine, was a librarian. Simonon's paternal grandfather was a Belgian who moved to England during the First World War. He grew up in both the South London area of Brixton and Ladbroke Grove in West London, spending around a year in Siena and Rome, Italy with his mother and stepfather. Before joining the Clash, he had planned to bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topper Headon
Nicholas Bowen "Topper" Headon (born 30 May 1955) is an English drummer, best known as the drummer of punk rock band the Clash. Known for his instrumental contributions to the drumming world, Headon was inducted in the Rock and Roll Hall of Fame with the rest of The Clash in 2003. He joined the Clash in 1977 and became famed for his drumming skills. He received his nickname owing to his resemblance to Mickey the Monkey from the '' Topper'' comic. Early life Headon spent his early childhood in Crockenhill, northwest Kent, before attending Dover Grammar School for Boys. He started playing drums at an early age and was a jazz fan, citing Billy Cobham as a strong influence. In 1973, he joined the cult progressive rock outfit Mirkwood. He appeared with them for a year and a half, and they supported major acts such as Supertramp. He later played with a band which opened for American R&B legends the Temptations and admits to falsely claiming that he played with the Temptations. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hitsville UK
"Hitsville U.K." is a song by the English punk rock band the Clash from their 1980 album '' Sandinista!''. A duet between lead guitarist Mick Jones and his then-girlfriend Ellen Foley, it is the second single released from the album. Composition The song's title is a nod to Motown Records, which used the moniker " Hitsville U.S.A." in its advertising and to refer to the label's first headquarters in Detroit. The lyrics refer to the emerging indie scene in British music in the late 1970s and early 1980s, which is held in contrast to the "mutants, creeps and musclemen" of the major labels with their "expense accounts" and "lunch discounts", making " AOR" and using "chart-hyping" to sell their records. References are made to a number of UK independent labels (Lightning, Small Wonder, Rough Trade, Fast Product and Factory). Release The original UK single release included "Radio One" by Mikey Dread as the B-side. A second issue, released later in 1981 in the U.S., replaced "Rad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triple Album
A double album (or double record) is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions such as John Lennon's ''Some Time in New York City'' (which consisted of one studio record and one live album packaged together) and OutKast's ''Speakerboxxx/The Love Below'' (effectively two solo albums, one by each member of the duo). Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Calling
''London Calling'' is the third studio album by English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records. The Clash recorded the album with producer Guy Stevens at Wessex Sound Studios in London during August, September and November 1979, following a change in management and a period of writer's block for songwriters Joe Strummer and Mick Jones. Bridging a traditional punk rock sound and a new wave aesthetic, ''London Calling'' reflects the band's growing interest in styles beyond their punk roots, including reggae, rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock. Themes include social displacement, unemployment, racial conflict, drug use, and the responsibilities of adulthood. The album was a top ten chart success in the UK, and its lead single "London Calling" was a top 20 single. The album has sold over five million copie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony Music Entertainment
Sony Music Entertainment (SME), also known as simply Sony Music, is an American multinational music company. Being owned by the parent conglomerate Sony Group Corporation, it is part of the Sony Music Group, which is owned by Sony Entertainment and managed by the American umbrella division of Sony. It was originally founded in 1929 as American Record Corporation and renamed as Columbia Recording Corporation in 1938, following its acquisition by the Columbia Broadcasting System. In 1966, the company was reorganized to become CBS Records, and Sony Corporation bought the company in 1988, renaming it under its current name in 1991. In 2004, Sony and Bertelsmann established a 50-50 joint venture known as Sony BMG, which transferred the businesses of Sony Music and Bertelsmann Music Group into one entity. However, in 2008, Sony acquired Bertelsmann's stake, and the company reverted to the Sony Music name shortly after; the buyout allowed Sony to acquire all of BMG's labels, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
