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San Pietro Ad Aram, Naples
The Basilica of San Pietro ad Aram is a Baroque-style, Roman Catholic church in Naples, Italy. It is located about a block from the church of the Santissima Annunziata on Corso Umberto I. History The church is said to host the altar upon which St Peter preached while in Naples, and here he baptized the first Neapolitan converts to Christianity, Saint Candida and Saint Aspreno. In the 16th century, this church was granted by popes the status of celebrating ceremonial Jubilees for the remission of sins. The layout of the church is that of a Latin-Cross. The present structure, built between 1650 and 1690, owes its design to Pietro De Marino and Giovanni Mozzetta. The adjacent cloister was destroyed and fragments can be seen in the sacellum or shrine of Sant'Aspreno in piazza Borsa. The portal derives from the Conservatory ''dell'Arte della Lana'', in vico Miroballo. The vestibule has frescoes attributed to Girolamo da Salerno. It has a baldacchino by Giovan Battista Naucler ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Da Salerno
Girolamo is an Italian variant of the name Hieronymus. Its English equivalent is Jerome. It may refer to: * Girolamo Cardano (1501–1576), Italian Renaissance mathematician, physician, astrologer and gambler * Girolamo Cassar (c. 1520 – after 1592), Maltese architect and military engineer * Girolamo da Cremona ( fl. 1451–1483), Italian Renaissance painter * Girolamo della Volpaia, Italian clock maker * Girolamo Fracastoro (1478–1553), Italian physician, scholar, poet and atomist * Girolamo Frescobaldi (1583–1643), Italian musician * Girolamo Maiorica (c. 1591–1656), Italian Jesuit missionary to Vietnam * Girolamo Luxardo (1821–), Italian liqueur factory * Girolamo Masci (1227–1292), Pope Nicholas IV (1288–1292) * Girolamo Palermo, American mobster * Girolamo Porro (c. 1520 – after 1604), Italian engraver * Girolamo Riario (1443–1488), Lord of Imola and Forlì * Girolamo Romani (1485–1566), Italian High Renaissance painter * Girolamo Savonarola (1452–1498), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Vaccaro
Nicola Vaccaro (Naples, 13 March 1640 – Naples, 25 May 1709) was an Italian painter, theatre director and opera librettist in Naples. He was known for his religious and allegorical paintings who created easel paintings as frescos. He was a specialist figure painter who regularly collaborated with specialist still life painters on decorative Baroque still lifes and garland paintings. Vaccaro attempted to adapt the stylistic features of 17th-century Neapolitan tradition to the new Classicist and Baroque trends towards increasing Arcadian tendencies. He proposed his own specific form of Academism, aimed at revitalizing the figurative culture in Naples.Maria Claudia Izzo, ''Nicola Vaccaro, 1640-1709. Un artista a Napo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Fracanzano
Cesare Fracanzano (1605-1651), a Neapolitan painter who flourished in the 17th century, was a pupil of Spagnoletto. Born in Bisceglie, in Apulia by Alessandro, a nobleman originally from Verona and a mannerist painter. His pictorial style was based on Ribera, but also on Tintoretto, the Carracci brothers and Guido Reni. After long years of artistic preparation and work in Naples, in 1626 he returned to Apulia, to Barletta where he married Beatrice Covelli. He worked a lot in the Apulian town in churches and noble palaces. He moved from his hometown only to carry out work commitments in Naples, Rome and other places in Apulia. There is in the Museo del Prado (Madrid) a picture by him, representing ''Two Wrestlers''. His son, Michelangelo Fracanzano, who was also a painter, died in France about 1685. His brother Francesco was also a painter. Gallery File:Ignatius of Antiochie.jpg, ''Martyrdom of Ignatius of Antiochie'', Galleria Borghese, Rome File:Cesare fracanzano, s. g. ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacecco De Rosa
Pacecco De Rosa (byname of Giovanni Francesco De Rosa; 17 December 1607 - 1656) was an Italian painter, active in Naples. Biography He was a contemporary of Massimo Stanzione or, according to others, a pupil of him. De Rosa was influenced by his father-in-law, Filippo Vitale, also a painter: this is shown in his earlier works, such as a ''Deposition'' now in the Museum of the Certosa di San Martino. Also in the Certosa is a ''St. Nicholas of Bari and Basilius'' (1636), showing influences of both Stanzione and Domenichino, who was in Naples from 1631. Attributed to De Rosa is a series portraying the ''Madonna with Child'' (one in Museum of the Certosa di San Martino; one in the church of Santa Marta, Naples; and one in the National Gallery of Prague). Of the 1640s is a painting, in collaboration with Vitale, of the ''Madonna with St. Charles Borromeo'' in the church of San Domenico Maggiore. His other works include an ''Annunciation'' in San Gregorio Armeno, ''St. Thomas of Aqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarnelli
Sarnelli is a surname of Italian origin. Notable people with the surname include: * *Januarius Maria Sarnelli, Jesuit and an early companion of S. Alphonsus Liguori *Vincent Sarnelli (born 1962), French boxer *Vincenzo Maria Sarnelli Vincenzo Maria Sarnelli (5 April 1835 – 7 January 1898) was an Italian Catholic archbishop. He served as the Bishop of Castellammare di Stabia from 1879 to 1897 and then as the Metropolitan Archbishop of Naples from 1897 to 1898. Following hi ... (1835–1898), Italian Catholic bishop {{surname Surnames of Italian origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovan Domenico Vinaccia
Giovan (Gian) Domenico Vinaccia (13 March 1625, Massa Lubrense - July 1695, Naples) was an Italian architect, goldsmith, engineer and sculptor. Life He learned sculpture and architecture from Dionisio Lazzari. His first surviving independent work was the 1661 choir stalls in San Pietro ad Aram. Three years later he produced the high altar for the Royal Chapel of the Treasure of St. Januarius in Naples Cathedral, showing archbishop Alessandro Carafa who had brought St Januarius' relics to Naples. He also produced reliquaries for the Chiesa del Gesù Nuovo and designed another high altarpiece in Sant'Anna dei Lombardi, although the latter was actually carved by the Ghetti brothers. The architectural-sculptural scheme in Santa Maria dei Miracoli was also carved by him. He also designed the facade of the Chiesa del Gesù Vecchio, the pavement and interior of Santa Maria Donnaregina Nuova, the altar in San Giuseppe dei Ruffi and the marbles in Sant’Andrea delle Dame. He col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Gior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Vaccaro
Andrea Vaccaro (baptised on 8 May 1604 – 18 January 1670) was an Italian painter of the Baroque period. Vaccaro was in his time one of the most successful painters in Naples, a city then under Spanish rule. Very successful and valued in his lifetime, Vaccaro and his workshop produced many religious works for local patrons as well as for export to Spanish religious orders and noble patrons. He was initially influenced by Caravaggio, in particular in his chiaroscuro and the naturalistic rendering of his figures.Riccardo Lattuada. "Vaccaro, Andrea." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 31 May 2016 Life Very little is known for certain about Andrea Vaccaro's early life. Andrea Vaccaro was born in Naples as the son of Pietro Baccaro and Gioanna di Glauso. His father practiced a legal profession. Vaccaro first applied himself to the study of literature. He then turned to art. Where it was earlier believed that he apprenticed with the late-Mannerist pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massimo Stanzione
Massimo Stanzione (also called Stanzioni; 1585 – 1656) was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco (these usually for ceilings). His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena.Thomas Willette, ''Stanzione (Stanzioni), Massimo, Cavaliere, (b ?Orta di Atella, nr Caserta, ?1585; d ?Naples, ?1656)'' Oxford Art Online, publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacinto Diano
Giacinto Diano or Diana (28 March 1731 – 13 August 1803) was an Italian painter, active in Southern Italy in a style that mixes Rococo and Neoclassicism. Life Giacinto was born in Pozzuoli, and died in Naples. He trained in the studio of Francesco De Mura, whose work would influence his early compositions. He worked briefly in Rome with Anton Raphael Mengs, before settling in Naples in 1752. Naples was at the time experiencing a period of great artistic and cultural splendor due to the presence of the enlightened Charles III of Spain. Nicknamed ''o Puzzulaniello'' or referred to as ''il Pozzolano'', Giacinto succeeded in gaining within a short timespan a prominent place in the art scene of his time. Among his works were: *Frescoes for the Palazzo Francavilla (now Palazzo Cellammare) *Frescoes for the Hospital of Santa Maria della Pace *Frescoes for church of the Pellegrini *Two canvases for the church of Agostino della Zecca He became professor at Naples' Accademia del Diseg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wenzel Cobergher
Wenceslas Cobergher (1560 – 23 November 1634), sometimes called Wenzel Coebergher, was a Flemish Renaissance architect, engineer, painter, antiquarian, numismatist and economist. Faded somewhat into the background as a painter, he is chiefly remembered today as the man responsible for the draining of the Moëres on the Franco-Belgian border. He is also one of the fathers of the Flemish Baroque style of architecture in the Southern Netherlands. Life Born in Antwerp, probably in 1560 (1557, according to one source), he was a natural child of Wenceslas Coeberger and Catharina Raems, which was attested by deed in May 1579. His name is also written as Wenceslaus, Wensel or Wenzel; his surname is sometimes recorded as Coberger, Cobergher, Coebergher, and Koeberger. Painter Before being known as an engineer, Cobergher began his career as a painter and an architect. In 1573 he started his studies in Antwerp as an apprentice to the painter Marten de Vos. Following the example o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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