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San Nicola Da Tolentino, Rome
:''Not be confused with the church of San Nicolò da Tolentino in Venice, the Basilica di San Nicola in the town of Tolentino in the province of Macerata, or the Oratorio di San Nicola da Tolentino in Vicenza.'' San Nicola da Tolentino agli Orti Sallustiani (Italian: Saint Nicholas of Tolentino in the Gardens of Sallust) is a church in Rome. It is referred to in both Melchiori's and Venuti's guides as ''San Niccolò di Tolentino'', and in the latter it adds the suffix ''a Capo le Case''. It is one of the two Roman national churches of Armenia. The church was built for the Discalced Augustinians in 1599, and originally dedicated to the 13th century Augustinian monk, Saint Nicholas of Tolentino (also called ''San Niccolò'' or ''Nicolò da Tolentino''). History The interior was refurbished during 1614–1620 by Carlo Buti and Martino Longhi, supported by patronage by the Pamphilj family. The Milanese architect Francesco Buzio was also involved in the redesign. Starting in 165 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trevi (rione Of Rome)
Trevi is the 2nd ''Rioni of Rome, rione'' of Rome, identified by the initials R. II, located in Municipio I. The origin of its name is not clear, but the most accepted theory is that it comes from the Latin ''trivium'' (meaning "three streets"), because there were three streets all leading to the current Piazza dei Crociferi, a square next to the modern Trevi Fountain, Trevi square. Its coat of arms is made of three swords on a red background. History This rione, during the Roman republic belonged to the third region, while during the Roman empire was split up into two 14 regions of the Augustan Rome, regions: the VI, called ''Alta Semita'' and the VII, called ''via Lata''. During the ancient Roman period, in rione Trevi there were large groups of private houses with some monumental buildings. Since that time the area was actually split up into two parts: a lower one, level and next to the river Tiber, and a higher one on the hills. The first one was one of the center of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardens Of Sallust
The Gardens of Sallust ( la, Horti Sallustiani) was an ancient Roman estate including a landscaped pleasure garden developed by the historian Sallust in the 1st century BC. It occupied a large area in the northeastern sector of Rome, in what would become Region VI, between the Pincian and Quirinal hills, near the Via Salaria and later Porta Salaria. The modern rione is now known as Sallustiano. History The horti in ancient Rome Lucullus started the fashion of building luxurious garden-palaces in the 1st century BC with the construction of his gardens (''horti'') on the Pincian Hill. The ''horti'' were a place of pleasure, almost a small palace, and offered the rich owner and his court the possibility of living in isolation, away from the hectic life of the city but close to it. The most important part of the ''horti'' was undoubtedly the planting, very often as topiary in geometric or animal shapes. Among the greenery there were often pavilions, arcades for walking away from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini was bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Paolo Baldini
Pietro Paolo Baldini (1614?-1684?) was an Italian painter of the Baroque period. Biography Lived around the middle of the century XVII, the place of both birth and death are not known. Baldini was never taken into consideration by critics: only Lanzi (1789) pronounced a judgment on the basis of the works seen in the churches of Rome and in particular in St. Eustachio. He was active in mid 17th century in Rome, emerging as a pupil and one of the most faithful followers of Pietro da Cortona's style. He was nicknamed ''il Cortona'', and sometimes called Pietro Paolo Ubaldini. He painted frescoes (1643) for the Lante Chapel of the church of San Nicola da Tolentino, Rome :''Not be confused with the church of San Nicolò da Tolentino in Venice, the Basilica di San Nicola in the town of Tolentino in the province of Macerata, or the Oratorio di San Nicola da Tolentino in Vicenza.'' San Nicola da Tolentino agli Orti .... However, Baldini's works were not limited by Cortonesca culture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazzaro Baldi
Lazzaro Baldi ( – 30 March 1703) was an Italian painter and engraver of the Baroque period active mainly in Rome.The idea of artist's death and his burial in the Italian seventeenth century in "Rivista d'arte", V ser., 2016 - a.51, n. 6 (2018), pp. 185-212 Biography Study Baldi was born in Pistoia around 1624. He is initially believed to have been a pupil of a little known Francesco Leoncini in his native city. Attracted by the fame of his fellow Tuscan |
Giovanni Ventura Borghesi
Giovanni Ventura Borghesi (October 29, 1640 – April 13, 1708) was an Italian painter of the Baroque period, active mainly in Rome. Biography Born in Città di Castello, he was initially a pupil of the painter Giovanni Battista Pacetti (called Lo Sguazzino), but by 1665 had moved to Rome to worku under Pietro da Cortona. He lived in the parish of San Lorenzo in Lucina. After his master's death, he completed some of Cortona's unfinished work at the church of the Sapienza. He painted an ''Annunciation'' and ''Coronation of the Virgin'' for the chapel of the Santissima Annunziata in the church of San Nicola da Tolentino Nicholas of Tolentino ( la, S. Nicolaus de Tolentino, (c. 1246September 10, 1305), known as the ''Patron of Holy Souls'', was an Italian saint and mystic. He is particularly invoked as an advocate for the souls in Purgatory, especially during ... in Rome. He also painted in Germany. In Citta di Castello, he painted a ''St Francesco Solano'' for the church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole Ferrata
Ercole Ferrata ( 1610 – 10 July 1686) was an Italian sculptor of the Roman Baroque. Biography A native of Pellio Inferiore, near Como, Ferrata initially apprenticed with Alessandro Algardi, and became one of his prime assistants. When his mentor died, Ferrata and another pupil, Domenico Guidi, completed Algardi's unfinished ''Vision of Saint Nicholas'' at San Nicola da Tolentino; ultimately, the innovative arrangement of two independent but interactive groups derives from the original design by Algardi. While Ferrata's initial work still owes much to Algardi, Ferrata distanced himself from the classical serenity found in the work of his mentor and Francois Duquesnoy, and moved towards the expressive emotionalism of Gian Lorenzo Bernini. He is best known for two works in Sant'Agnese in Agone in Rome, the Bernini-inspired ''The Death of St. Agnes'' (1660–64) as well as the marble relief ''Stoning of St Emerenziana'' (1660). The latter has a restraint influenced by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Guidi
Domenico Guidi (1625 – 28 March 1701) was a prominent Italian Baroque sculptor. Born in Carrara, Guidi followed his uncle, Giuliano Finelli, a prominent sculptor noted for his feud with Bernini, to Naples. When he fled Naples in 1647 during Masaniello's revolt, in Rome he joined the studio of Bernini's main competitor Alessandro Algardi with whom he remained until his master's death. While in Algardi's studio, he worked on projects with another pupil, Ercole Ferrata. For example, both helped complete their master's unfinished ''Vision of Saint Nicholas'' (completed 1655) at the church of '' San Nicola da Tolentino''. Guidi gained independence with Algardi's passing in 1654. He also worked closely with the French sculptor in Rome, Pierre-Etienne Monnot. Relative to sculptors of other major studios, he was prolific. His works include the ''Monument to Natale Rondinini'' in Santa Maria del Popolo (1657) and the relief over the altar of ''Capella di Monte di Pieta'' showin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baciccio
Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for ''Giovanni Battista''), was an Italian artist working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome, Italy. His work was influenced by Gian Lorenzo Bernini. Biography Gaulli was born in Genoa, where his parents died from the plague of 1654. He initially apprenticed with Luciano Borzone. In the mid-17th century, Gaulli's Genoa was a cosmopolitan Italian artistic center open to both commercial and artistic enterprises from north European countries, including countries with non-Catholic populations such as England and the Dutch provinces. Painters such as Peter Paul Rubens and Anthony van Dyck stayed in Genoa for a few years. Gaulli's earliest influences would have come from an eclectic mix of these foreign painters and other local artists including Valerio Castello, Giovanni B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Leo XIII
Pope Leo XIII ( it, Leone XIII; born Vincenzo Gioacchino Raffaele Luigi Pecci; 2 March 1810 – 20 July 1903) was the head of the Catholic Church from 20 February 1878 to his death in July 1903. Living until the age of 93, he was the second-oldest-serving pope, and the third-longest-lived pope in history, before Pope Benedict XVI as Pope emeritus, and had the List of popes by length of reign, fourth-longest reign of any, behind those of Saint Peter, St. Peter, Pius IX (his immediate predecessor) and John Paul II. He is well known for his intellectualism and his attempts to define the position of the Catholic Church with regard to modern thinking. In his famous 1891 Papal encyclical, encyclical ''Rerum novarum'', Pope Leo outlined the rights of workers to a fair wage, safe working conditions, and the formation of trade unions, while affirming the rights of property and free enterprise, opposing both socialism and laissez-faire capitalism. With that encyclical, he became popularly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pontifical Armenian College
The Roman Colleges, also referred to as the Pontifical Colleges in Rome, are institutions established and maintained in Rome for the education of future ecclesiastics of the Catholic Church. Traditionally many were for students of a particular nationality. The colleges are halls of residence in which the students follow the usual seminary exercises of piety, study in private, and review the subjects treated in class. In some colleges there are special courses of instruction (languages, music, archaeology, etc.) but the regular courses in philosophy and theology are given in a few large central institutions, such as Pontifical Urbaniana University, the Pontifical Gregorian University, the Pontifical Lateran University, and the Pontifical University of Saint Thomas Aquinas, ''Angelicum''. Purpose The Roman colleges, in addition to the obvious advantages for study which Rome offers, allows the students to have a different experience of university life from the one of the irrespe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pamphilj
The House of Pamphili (often with the final ''long i'' orthography, Pamphilj) was one of the papal families deeply entrenched in Catholic Church, Roman and Italian politics of the 16th and 17th centuries. Later, the Pamphili family line merged with the Doria and Landi family lines to form the Doria-Pamphili-Landi family line. History The Pamphili surname originated in Gubbio and went to Rome under the pontificate of Pope Innocent VIII (1484–1492). The peak of Pamphili power came with the election of Giovanni Battista Pamphili as Pope Innocent X, who reigned from 1644–1655. Like the reign of his predecessor Pope Urban VIII (of the equally papal Barberini family), Innocent X's rule was littered with examples of nepotism. Members of the Pamphili family did exceptionally well from the Innocent X papacy. The following family members were created cardinals: * Camillo Francesco Maria Pamphili (1644), the Pope's nephew and son of Olimpia Maidalchini, the Pope's sister-in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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