|
San Francesco, Siena
San Francesco is a basilica church in Siena, Tuscany, Italy. It was erected in c. 1228-1255 and later enlarged in the 14th-15th centuries, the original Romanesque edifice being turned into the current large Gothic one. Architecture The basilica is on the Egyptian Cross plan, with a nave covered by spans and a transept, according to type favoured by the Mendicant Orders, which needed spaces capable to house large crowds of faithful. The current interior looks rather sober after a fire in 1655 and the restoration of 1885–1892, when many of the Baroque altars were demolished (some of the paintings has been however returned in recent times). The neo-Gothic façade, flanked by the 1763 campanile, dates to the early 20th century. The medieval marble decoration and the 15th century portal were removed in that occasion. Interior The counterfaçade houses the remains of two 14th century sepulchres, as well as two large fragmentary frescoes from the city gates of Porta Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Sodoma
Il Sodoma (1477 – 14 February 1549) was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome. Biography Giovanni Bazzi was born in Vercelli, Piedmont, in 1477. His first master was the "archaic" Martino Spanzotti; he also appears to have been a student of the painter Giovenone. After acquiring the strong colouring and other distinctive stylistic features of the Lombard school and – though he is not known to have travelled to Milan – somehow absorbing the superficial mannerisms of Leonardo (Freedberg 1993:117), he travelled to Siena before 1503, perhaps at the behest of agents of the Spannocchi family, and began with fresco cycles for Olivetan monks and a series of small Ovidian ceiling panels and a frieze depicting t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franciscan Churches In Italy
, image = FrancescoCoA PioM.svg , image_size = 200px , caption = A cross, Christ's arm and Saint Francis's arm, a universal symbol of the Franciscans , abbreviation = OFM , predecessor = , merged = , formation = , founder = Francis of Assisi , founding_location = , extinction = , merger = , type = Mendicant Order of Pontifical Right for men , status = , purpose = , headquarters = Via S. Maria Mediatrice 25, 00165 Rome, Italy , location = , coords = , region = , services = , membership = 12,476 members (8,512 priests) as of 2020 , language = , sec_gen = , leader_title = Motto , leader_name = ''Pax et bonum'' ''Peace and llgood'' , leader_title2 = Minister General , leader_name2 = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture In Siena
Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken by the Crimean Goths, also extinct **Gothic alphabet, one of the alphabets used to write the Gothic language **Gothic (Unicode block), a collection of Unicode characters of the Gothic alphabet Art and architecture *Gothic art, a Medieval art movement *Gothic architecture *Gothic Revival architecture (Neo-Gothic) **Carpenter Gothic **Collegiate Gothic **High Victorian Gothic Romanticism *Gothic fiction or Gothic Romanticism, a literary genre Entertainment * ''Gothic'' (film), a 1986 film by Ken Russell * ''Gothic'' (series), a video game series originally developed by Piranha Bytes Game Studios ** ''Gothic'' (video game), a 2001 video game developed by Piranha Bytes Game Studios Modern culture and lifestyle *Goth subculture, a music-cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Churches In Siena
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Churches Completed In 1255
Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota Arts, entertainment, and media * ''Church magazine'', a pastoral theology magazine published by the National Pastoral Life Center Fictional entities * Church (''Red vs. Blue''), a fictional character in the video web series ''Red vs. Blue'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Di Mino Del Pellicciaio
Jacopo di Mino del Pellicciaio (14th century) was an Italian painter, active in Siena. He is also called Giacomo di Mino. He appears to be a follower of Simone Martini. He was the contemporary of Lippo Vanni and Luca Thome, being in 1373 appointed to value one of latter's pictures. His name appears in the Sienese records from 1362 to 1389. In 1367 he aided Bartolo di Maestro Fredi at the Siena cathedral. He is known to have painted book-covers for the Biccherna, and was several times a member of the Grand Council of Siena. He frescoed for the Basilica In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name ... of San Francesco. Milanesi mentions a Sienese painter Giacomo del Pellicciaio'' of the order of Friars Minor (Frate Minore). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini was bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Nicola Nasini
Giuseppe Nicola Nasini (January 25, 1657– July 3, 1736) was an Italian painter of the Baroque period, active in Rome and Tuscany. Biography Born in Castel del Piano, now in the Province of Grosseto, Giuseppe was the son of the painter Francesco Nasini and was one of the Tuscan pupils in the Medici-patronized Grand-Ducal Academy for the Arts located in Rome and directed from 1673–86, by Ciro Ferri. He was also sponsored in Rome by Agostino Chigi. From 1679 to 1680, Nasini completed over a dozen portraits of Chigi's family; some are copies of paintings by Jacob Ferdinand Voet and Alessandro Mattia da Farnese. On October 15, 1680, his paintings of the ''Judgement of Solomon'' and ''Elias meets a child and widow'' was awarded second prize for design in the first class of painting at the Accademia di San Luca contest. In July 1681, he completed a ''St Peter of Alcantara'' for the church in the Villa Medicea L'Ambrogiana, near Montelupo Fiorentino Nasini returned to Florence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrogio Lorenzetti
Ambrogio Lorenzetti (; – 9 June 1348) or Ambruogio Laurati was an Italian painter of the Sienese school. He was active from approximately 1317 to 1348. He painted '' The Allegory of Good and Bad Government'' in the Sala dei Nove (Salon of Nine or Council Room) in Siena's Palazzo Pubblico. His elder brother was the painter Pietro Lorenzetti. Biography Lorenzetti was highly influenced by both Byzantine art and classical art forms, and used these to create a unique and individualistic style of painting. His work was exceptionally original. Individuality at this time was unusual due to the influence of patronage on art. Because paintings were often commissioned, individualism in art was infrequently seen. It is known that Lorenzetti engaged in artistic pursuits that were thought to have their origins during the Renaissance, such as experimenting with perspective and physiognomy, and studying classical antiquity.Chiara Frugoni, ''Pietro and Ambrogio Lorenzetti'', (Florence: Scal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Lorenzetti
Pietro Lorenzetti (; – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance. Overview Little is known of Lorenzetti's life other than that he was (putatively) born in Siena in the late 13th century (c. 1280/90), died there (possibly) in 1348 a victim of the first Black Death pandemic then devastating Europe, and had a younger brother, Ambrogio, also an artist. That the men were brothers was unknown to Vasari because he misread Pietro's surname on a painting in Pistoia's church of San Francesco as "Laurati". Thus the kinship between the artists was missed. Pietro worked in Assisi, Florence, Pistoia, Cortona, and Siena, although the precise chronology is unknown. His work suggests the influence of Duccio (in whose studio he ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Zucchi
Jacopo Zucchi (c. 1541- c. 1590) was a Florentine painter of the Mannerist style, active in Florence and Rome. His training began in the studio of Giorgio Vasari, and he participated in decoration of the ''Studiolo'' and the ''Salone dei Cinquecento'' in the Palazzo Vecchio. Moving to Rome in the early 1570s, he worked for Cardinal Ferdinando de' Medici in his Palazzo Firenze (1574), for whom he also probably produced the oil on panel paintings ''The Golden Age Golden Age refers to a mythological period of primeval human existence perceived as an ideal state when human beings were pure and free from suffering. Golden Age may also refer to: * Golden age (metaphor), the classical term used as a metaphor ...'' and '' The Silver Age'' (both c.1576-1581, both now in the Uffizi). He also helped decorate, along with his brother Francesco, the apse and dome of Santo Spirito in Sassia with a fresco of the ''Pentecost''. He painted the grand salon of the former Rucellai (now R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_basilica_inferiore_di_assisi_(1310-1329).jpg "Click for more on -> Pietro Lorenzetti")
