San Francesco, Ascoli Piceno
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San Francesco, Ascoli Piceno
The Basilica di San Francesco is a Gothic-style, Roman Catholic church located on the Piazza del Popolo in the town of Ascoli Piceno in the region of Marche, Italy. History Construction of the structure began in 1258, and the church was consecrated in 1371. The church has a Latin cross layout with three naves, divided by hexagonal pilasters. The tall hexagonal bell-tower near the apse was completed in the 15th century, and the copper-sheathed cupola (1548) and ribbed ceilings were not completed until the 16th century. The main facade is in a narrow alley, and has three portals, each with a peaked tympanum and thin elaborate pilasters. The central portal is decorated with highly sculpted travertine marble with a detached column with lions atop capitals, showing persisting Romanesque influences. The top of the tympanum has a sculpture of a lamb, a symbol of the guild of wool merchants, who patronized construction. The east flank of the church encompasses the five arches of the ...
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Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the ÃŽle-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ...
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Ghibelline
The Guelphs and Ghibellines (, , ; it, guelfi e ghibellini ) were factions supporting the Pope and the Holy Roman Emperor, respectively, in the Italian city-states of Central Italy and Northern Italy. During the 12th and 13th centuries, rivalry between these two parties formed a particularly important aspect of the internal politics of medieval Italy. The struggle for power between the Papacy and the Holy Roman Empire arose with the Investiture Controversy, which began in 1075, and ended with the Concordat of Worms in 1122. History Origins The Guelph vs Ghibelline conflict initially arose from the division caused by the Investiture Controversy, about whether secular rulers or the pope had the authority to appoint bishops and abbots. Upon the death of Emperor Henry V, of the Salian dynasty, the dukes elected an opponent of his dynasty, Lothair III, as the new emperor. This displeased the Hohenstaufen, who were allied with and related to the old dynasty. Out of fear of the H ...
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13th-century Roman Catholic Church Buildings In Italy
The 13th century was the century which lasted from January 1, 1201 ( MCCI) through December 31, 1300 ( MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258), the destruction of the House of Wisdom and the weakening of the Mamluks and Rums which, according to historians, caused the decline of the Islamic Golden Age. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The Southern Song dynasty would begin the century as a prosperous kingdom but would eventually be invaded and annexed into the Yuan dynasty of the Mongols. The Kamakura Shogunate of Japan would be invaded by the Mongols. Goryeo resis ...
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Basilica Churches In The Marche
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences an ...
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Roman Catholic Churches In Ascoli Piceno
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *ῬωμΠ...
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Gothic Architecture In Le Marche
Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken by the Crimean Goths, also extinct **Gothic alphabet, one of the alphabets used to write the Gothic language **Gothic (Unicode block), a collection of Unicode characters of the Gothic alphabet Art and architecture *Gothic art, a Medieval art movement *Gothic architecture *Gothic Revival architecture (Neo-Gothic) **Carpenter Gothic **Collegiate Gothic **High Victorian Gothic Romanticism *Gothic fiction or Gothic Romanticism, a literary genre Entertainment * ''Gothic'' (film), a 1986 film by Ken Russell * ''Gothic'' (series), a video game series originally developed by Piranha Bytes Game Studios ** ''Gothic'' (video game), a 2001 video game developed by Piranha Bytes Game Studios Modern culture and lifestyle *Goth subculture, a music-cultu ...
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Nicola Monti
Nicola Monti (21 November 1920 – 1 March 1993) was an Italian opera singer, one of the leading tenori di grazia of the 1950s. Born in Milan, Italy, Monti studied voice from an early age, and made his debut in concert in Florence in 1941, and that same year sang his first major role, the Duke of Mantua, in Cagliari. His career was interrupted by the war, but he resumed his studies in 1950 by entering the "Scuola di Canta" of the Teatro alla Scala. In 1951, he made his official operatic debut at the Teatro San Carlo in Naples as Elvino in ''La sonnambula'', a role he will remain closely associated with throughout his career. He sang widely in Italy, appearing in ''Le comte Ory'' at the Maggio Musicale Fiorentino in Florence in 1952. In 1954, he appeared in an Italian television production of ''Il barbiere di Siviglia'', opposite Rolando Panerai and Antonietta Pastori. His career quickly took an international turn. He appeared as Elvino at the Wexford Festival in 1952, return ...
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Biagio Miniera
Biagio Miniera (1697 - August 28, 1755) was an Italian painter, active in a Rococo style. Biography Miniera was born in Ascoli Piceno. He first trained locally under Carlo Palucci, then traveled to Rome to study under Pietro Subleyras and in the French Academy in Rome. He was influenced by Giulio Solimena, brother of the more famous Francesco Francesco, the Italian (and original) version of the personal name " Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), sev .... He is said to have painted colorful capricci in tempera. Returning to Ascoli, he painted the sipario for the new theater in the Palazzo Anzianale. He opened a studio-school with various apprentices. He was buried in Ascoli in the Church of Santa Maria delle Grazie. Niccola Monti was one of his pupils.Orsini, page 253. References 1697 births 1755 deaths People from the Province ...
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Cola Dell'Amatrice
Nicola Filotesio (9 September 1480 iffering sources give 1489€”31 August 1547 ources also give 1559 was an Italian painter, architect and sculptor of the Renaissance period, active primarily in or near the town of Ascoli Piceno (modern capital of Ascoli Piceno Province in the Marche region). A native of the town of Amatrice in the Bourbon region of Abruzzo (at present day part of the Province of Rieti in the Lazio region), Nicola Filotesio also appears in contemporary records as Cola dell'Amatrice or Cola Amatricius. The son of Mariano Filotesio, he trained with Dionisio Cappelli, painted frescoes at Città di Castello and completed, between 1514 and 1535, works of art in Ascoli Piceno. He designed the façade of the basilica of San Bernardino in L'Aquila L'Aquila ( , ) is a city and ''comune'' in central Italy. It is the capital city of both the Abruzzo region and of the Province of L'Aquila. , it has a population of 70,967 inhabitants. Laid out within medieval walls on ...
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Antonio Giosafatti
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António ( Portuguese orthography) or Antônio ( Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Gali ...
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Lazzaro Morelli
Lazzaro Morelli (1619 – 1690) was an Italian sculptor of the Baroque period. Born in Ascoli Piceno, the son of the Florentine sculptor Fulgenzio Morelli, who also trained Lazzaro's cousin, the artist Giuseppe Giosafatti. Lazzaro initially came to Rome to work under ''Francesco Fiammingho'' (François Duquesnoy), but left that studio to work under Bernini. He participated in Bernini's Funereal Monument for Pope Alexander VII Chigi, found in St. Peter's Basilica. He also was responsible for the ''Angel with the scourge'', based on a sketch by Bernini; this is one of the angels on the Ponte Sant'Angelo in Rome. He is said to have sculpted the horse and the lion for Bernini's ''Fountain of the Four Rivers'' in Piazza Navona. Lazzaro also sculpted the statue of ''Benignity'' for the tomb monument of Clement X in St. Peter's. The tomb was designed by Mattia de' Rossi (1684) and the other sculptors who worked on this project were Ercole Ferrata (who sculpted the pope) and Giuseppe ...
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