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San Filippo Neri, Cingoli
San Filippo is a Baroque-style, Roman Catholic church located on via San Filippo in the town of Cingoli, Macerata, Marche, Italy. History A parish church likely dedicated to the Virgin was present at the site before it was elevated to the dignity of a collegiate church in 1530. It was assigned to the Oratory of St Phillip in 1664. This medieval church was razed and led to the construction of this Baroque edifice in 1671 under the direction of Giovanni Battista Contini, who had trained in Rome. The façade dates to the earlier building. The interior has an elliptical layout, recalling some of Borromini's projects in Rome. The sacristy also has a centralized octagonal plan. Instead of chapels, there are two side altars. The ceiling is frescoed with two medallions depicting scenes from the life of the titular saint: a ''St Philip in Adoration of the Virgin'' and a ''Glory of St Philip''. The nave also has allegorical depictions of the Theological Virtues, and depictions of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Contini
Giovanni Battista Contini (1641–1723) was an Italian people, Italian architect of the Baroque architecture, Baroque period. He trained in Rome under Giovanni Lorenzo Bernini, but imbibed the influence of Francesco Borromini. He designed churches both in Lazio and the Marche. He designed two churches for the Oratory of Saint Philip Neri, Oratorian order in San Filippo Neri, Macerata, Macerata and San Filippo Neri, Cingoli, Cingoli. short biography. References {{DEFAULTSORT:Contini, Giovanni Batista 1641 births 1723 deaths 17th-century Italian architects 18th-century Italian architects Italian Baroque architects Architects from Rome People from Montalcino ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Roman Catholic Church Buildings In Italy
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture In Marche
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Cignani
Carlo Cignani (15 May 1628 – 8 September 1719) was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting. Life He was born to a family of noble ancestry, but limited resources, in Bologna. His father's first name was Pompeo, and his mother, Maddalena Quaini. In Bologna, he studied first under Battista Cairo and later under Francesco Albani, to whom he remained closely allied, and was his most famous disciple. His first noted commission was a ''St Paul exorcising demon'' for the church of the Gesu in Bologna. For a hall dedicated to the Farnese in the Palazzo Publico, he painted with Taruffi, depicting the ''Francis, king of France, curing Scrofula on his entry to Bologna'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Marini
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art * Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor * Paolo Antonio Barbieri (1603–1649), Italian painter * Paolo Buggiani (born 1933), Italian contemporary artist * Paolo Carosone (born 1941), Italian painter and sculptor * Paolo Moranda Cavazzola (1486–1522), Italian painter * Paolo Farinati (c. 1524–c. 1606), Italian painter * Paolo Fiammingo (c. 1540–1596), Flemish painter * Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter * Paolo Monaldi, Italian painter * Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor * Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medallion (architecture)
A medallion is a round or oval ornament See definition 2. (typically made of bronze but also made of stucco) that contains a sculptural or pictorial decoration on a façade, an interior, a monument, or a piece of furniture or equipment. In the United Kingdom in the 19th century, this was a popular form of decoration in neoclassical architecture. The frame and portrait were carved as one, in marble for interiors, and in stone for exterior walls. It is also the name of a scene that is inset into a larger stained glass window. Gallery Serie dei dodici dei in medaglioni, 300-310 dc ca. giove.jpg, Roman relief of Jupiter, part of a series of twelve gods in medallions, 300-310 AD Guadalupe (España) Real Monasterio Entrada 095.jpg, Gothic relief on the Monastery of Saint Mary of Guadalupe, Spain, unknown architect, unknown date Raisin-medaillon-3.jpg, Renaissance medallion on the Hôtel du Vieux-Raisin, Toulouse, France, unknown architect, 1515–1528 Niche with gilt sculpture in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Borromini
Francesco Borromini (, ), byname of Francesco Castelli (; 25 September 1599 – 2 August 1667), was an Italian architect born in the modern Swiss canton of Ticino"Francesco Borromini." ''.'' Web. 30 Oct. 2010. who, with his contemporaries Gian Lorenzo Bernini and , was a leading figure in the emergence of Roman |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demolition
Demolition (also known as razing, cartage, and wrecking) is the science and engineering in safely and efficiently tearing down of buildings and other artificial structures. Demolition contrasts with deconstruction, which involves taking a building apart while carefully preserving valuable elements for reuse purposes. For small buildings, such as houses, that are only two or three stories high, demolition is a rather simple process. The building is pulled down either manually or mechanically using large hydraulic equipment: elevated work platforms, cranes, excavators or bulldozers. Larger buildings may require the use of a wrecking ball, a heavy weight on a cable that is swung by a crane into the side of the buildings. Wrecking balls are especially effective against masonry, but are less easily controlled and often less efficient than other methods. Newer methods may use rotational hydraulic shears and silenced rock-breakers attached to excavators to cut or break throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratory Of St Phillip
The Confederation of Oratories of Saint Philip Neri ( la, Confoederatio Oratorii Sancti Philippi Nerii) abbreviated CO and commonly known as the Oratorians is a Catholic society of apostolic life of Pontifical Right for men ( priests and lay-brothers) who live together in a community bound together by no formal vows but only with the bond of charity. Founded in Rome in 1575 by Philip Neri, today it has spread around the world, with over 70 Oratories and some 500 priests. The post-nominal initials commonly used to identify members of the society are "CO" (''Congregatio Oratorii''). The abbreviation "Cong. Orat." is also used. Unlike a religious institute (the members of which take vows and are answerable to a central authority) or a monastery (the monks of which are likewise bound by vows in a community that may itself be autonomous and answerable directly to the Pope), the Oratorians are made up of members who commit themselves to membership in a particular, independent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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