San Carlo Borromeo, Turin
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San Carlo Borromeo, Turin
San Carlo Borromeo or San Carlo is a Baroque style, Roman Catholic church located in Turin, region of Piedmont, Italy. It mirrors the adjacent church of Santa Cristina and faces the Piazza San Carlo. The arrangement recalls the twin churches (''chiese gemelle'') of Santa Maria dei Miracoli (1681) and Santa Maria in Montesanto (1679) facing the Piazza del Popolo in Rome. History The church was commissioned in 1619 by Charles Emmanuel I, Duke of Savoy, who had met the archbishop, and later saint, after which the church is named. The main designer is uncertain; the work has been attributed to both Baron Maurizio Valperga, and the engineer Galleani di Ventimiglia. The first facade was designed in 1830 to designs of Grassi. The facade bas-relief depicting ''San Carlo granting communion to Duke Emanuele Filiberto'' was sculpted by Stefano Butti. The main altar dates from 1653. Above the marble main altar is a painting depicting ''St Charles genuflects before the Sindone of Turin'' ...
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Roman Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is th ...
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Piazza Del Popolo
Piazza del Popolo is a large urban square in Rome. The name in modern Italian literally means "People's Square", but historically it derives from the poplars (''populus'' in Latin, ''pioppo'' in Italian) after which the church of Santa Maria del Popolo, in the northeast corner of the piazza, takes its name. The piazza lies inside the northern gate in the Aurelian Walls, once the Porta Flaminia of ancient Rome, and now called the Porta del Popolo. This was the starting point of the Via Flaminia, the road to ''Ariminum'' (modern-day Rimini) and the most important route to the north. At the same time, before the age of railroads, it was the traveller's first view of Rome upon arrival. For centuries, the Piazza del Popolo was a place for public executions, the last of which took place in 1826. Valadier's design The layout of the piazza today was designed in neoclassical style between 1811 and 1822 by the architect Giuseppe Valadier, He removed a modest fountain by Giacomo Dell ...
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Roman Catholic Churches In Turin
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμα ...
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Baroque Architecture In Turin
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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Vittorio Alfieri
Count Vittorio Alfieri (, also , ; 16 January 17498 October 1803) was an Italian dramatist and poet, considered the "founder of Italian tragedy." He wrote nineteen tragedies, sonnets, satires, and a notable autobiography. Early life Alfieri was born at Asti, Kingdom of Sardinia, now in Piedmont. His father died when he was very young, and he was brought up by his mother, who married a second time, until, at the age of ten, he was placed in the academy of Turin. After a year at the academy, he went on a short visit to a relative at Coni (mod. Cuneo). During his stay there he composed a sonnet chiefly borrowed from lines in Ariosto and Metastasio, the only poets he had at that time read. At thirteen, Alfieri began the study of civil and canon law, but this only made him more interested in literature, particularly French romances. The death of his uncle, who had taken charge of his education and conduct, left him free, at the age of fourteen, to enjoy his paternal inheritance, augme ...
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Rodolfo Morgari
Rodolfo Morgari (Turin, 1827 – Turin 1909) was an Italian painter, primarily of genre and historical scenes. Biography Rodolfo was born to a family of painters. Rodolfo's son was Pietro Morgari (1852-1885). His brother was Paolo Emilio Morgari (1815-1882). Rodolfo's father was Giuseppe Morgari (1788-1847). Paolo Emilio had three children: Luigi (1857-1935) and Beatrice (1858-1936), both painters, and Oddino (1865-1944), a journalist and politician. He studied at the Accademia Albertina at Turin, and was associated with the institution most of his life. He fought in the First War of Italian Independence in 1848. He was a professor of Ornamentation at the Accademia, and part of the Turin Circolo degli Artisti. Among his works: ''Consolatrix afflictorum'' ; ''The Guardian Angel'' and ''Death of Raphael''. In 1884 at Turin, he exhibited ''Episode after 1883 earthquake at Casamicciola'' and ''The Aurora of July 29, 1883''. In 1887 at Venice, he displayed: ''Tre sorelle' ...
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Pier Francesco Mazzucchelli
Pier Francesco Mazzucchelli (commonly known as il Morazzone; 1573–1626) was an Italian painter and draughtsman who was active in Milan. He is mainly known for his altarpieces, but his outstanding achievements are large decorative frescoes for the Sacro Monte di Varese and the Sacro Monte di Varallo. Life He was born in Morazzone, near Varese, Lombardy, the son of a mason, who soon after his birth moved to Rome. There he was influenced by Ventura Salimbeni and Cavalier D'Arpino and began to work in a Mannerist style. In Rome, he painted some canvases and also his first frescoes (''Adoration by the Magi'' and a ''Visitation'') in San Silvestro in Capite (1596). His style also shows exposure to another pupil of D'Arpino, Caravaggio. His depictions of martyrdom and ecstasy are imbued with the morbid religiosity characteristic of Lombardy in his age. He relocated to Milan in 1597. In Lombardy, he painted frescoes for the Cappella del Rosario in ''San Vittore'' in Varese (1599 ...
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Sindone Of Turin
The Shroud of Turin ( it, Sindone di Torino), also known as the Holy Shroud ( it, Sacra Sindone, links=no or ), is a length of linen cloth bearing the negative image of a man. Some describe the image as depicting Jesus of Nazareth and believe the fabric is the burial shroud in which he was wrapped after crucifixion. First mentioned in 1354, the shroud was denounced in 1389 by the local bishop of Troyes as a fake. Currently the Catholic Church neither formally endorses nor rejects the shroud, and in 2013 Pope Francis referred to it as an "icon of a man scourged and crucified". The shroud has been kept in the royal chapel of the Cathedral of Turin, in northern Italy, since 1578. In 1988, radiocarbon dating established that the shroud was from the Middle Ages, between the years 1260 and 1390. All hypotheses put forward to challenge the radiocarbon dating have been scientifically refuted, including the medieval repair hypothesis, the bio-contamination hypothesis and the carbo ...
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Stefano Butti
Stefano is the Italian form of the masculine given name Στέφανος (Stefanos, Stephen). The name is of Greek origin, Στέφανος, meaning a person who made a significant achievement and has been crowned. In Orthodox Christianity the achievement is in the realm of virtues, αρετές, therefore the name signifies a person who had triumphed over passions and gained the relevant virtues. In Italian, the stress falls usually on the first syllable, (an exception is the Apulian surname ''Stefano'', ); in English it is often mistakenly placed on the second, . People with the given name Stefano * Stefano (wrestler), ring name of Daniel Garcia Soto, professional wrestler * Stefano Borgia (1731–1804), Italian Cardinal, theologian, antiquarian, and historian * Stefano Bertacco (1962–2020), Italian politician * Stefano Cagol (born 1969), Italian artist * Stefano Casiraghi (1960–1990), Italian socialite * Stefano Cavazzoni (1881–1951), Italian politician * Stefano Er ...
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Maurizio Valperga
Maurizio is an Italian masculine given name, derived from the Roman name Mauritius. Mauritius is a derivative of Maurus, meaning ''dark-skinned, Moorish''. List of people with the given name Maurizio Art and music * Maurizio Arcieri (born 1945), singer * Maurizio Bianchi (born 1955), pioneer of noise music * Maurizio Cattelan (born 1960), artist * Maurizio Cazzati (1616–1678), composer * Maurizio Colasanti (born 1966), conductor * Maurizio De Jorio, italo disco and Eurobeat musician * Maurizio Lobina (born 1973), keyboardist * Maurizio Pollini (born 1942), classical pianist * Maurizio, minimal techno production duo * Maurizio Iacono (born 1975), singer for Death Metal band Kataklysm Film, television, and media * Maurizio Costanzo (born 1938), television personality * Maurizio De Santis, film producer * Maurizio Giuliano (born 1975), writer and journalist * Maurizio Merli (1940–1989), film actor * Maurizio Nichetti (born 1948), film screenwriter, actor and director * Maur ...
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Charles Emmanuel I, Duke Of Savoy
Charles Emmanuel I ( it, Carlo Emanuele di Savoia; 12 January 1562 – 26 July 1630), known as the Great, was the Duke of Savoy from 1580 to 1630. He was nicknamed (, in context "the Hot-Headed") for his rashness and military aggression. Being ambitious and confident, Charles pursued a policy of expansion for his duchy, seeking to expand it into a kingdom. Biography Charles was born in the Castle of Rivoli in Piedmont, the only child of Emmanuel Philibert, Duke of Savoy and Margaret of France, Duchess of Berry. He succeeded his father as duke on 30 August 1580. Well-educated and intelligent, Charles spoke Italian, French, Spanish, as well as Latin. He proved an able warrior although short and hunchbacked. In the autumn of 1588, taking advantage of the civil war weakening France, he occupied the Marquisate of Saluzzo, which was under French protection. The new king, Henry IV, demanded the restitution of that land, but Charles Emmanuel refused, and war ensued. In 1590 he s ...
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Santa Maria In Montesanto
Santa Maria dei Miracoli and Santa Maria di Montesanto are two churches of Rome, churches in Rome. They are located on the Piazza del Popolo, facing the northern gate of the Aurelian Walls, at the entrance of Via del Corso on the square. The churches are often cited as "twin", due to their similar external appearance: they have indeed some differences, in both plan and exterior details. Looking from the square, the two churches define the so-called "trident" of streets departing from Piazza del Popolo: starting from the left, Via del Babuino, Via del Corso and Via di Ripetta. The first two are separated by Santa Maria in Montesanto, the latter by Santa Maria dei Miracoli. The origin of the two churches traces back to the 17th-century restoration of what was the main entrance to the Middle Ages and Renaissance Rome, from the Via Flaminia (known as ''Via Lata'' and ''Via del Corso'' in its urban trait). Pope Alexander VII commissioned the monumental design of the entrance of Via d ...
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