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Samurai I
is a 1954 Japanese film directed and co-written by Hiroshi Inagaki and starring Toshiro Mifune. The film is the first film of Inagaki's ''Samurai Trilogy'' of historical adventures. The film is adapted from Eiji Yoshikawa's novel '' Musashi'', originally released as a serial in the Japanese newspaper ''Asahi Shimbun'', between 1935 and 1939. The novel is loosely based on the life of the famous Japanese swordsman Miyamoto Musashi. The film was followed by '' Samurai II: Duel at Ichijoji Temple'' (1955) and '' Samurai III: Duel at Ganryu Island'' (1956). The film won a Special/Honorary Award at the 1955 Academy Awards for outstanding foreign language film. Plot Following the battle of Sekigahara, Takezo (Toshiro Mifune) and his friend Matahachi (Rentarō Mikuni) find themselves on the losing side. Instead of the grand victory and glory Takezo had anticipated, he finds himself a hunted fugitive, having to assist a severely injured Matahachi. The pair seek shelter with a widow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshi Inagaki
was a Japanese filmmaker best remembered for the Academy Award-winning '' Samurai I: Musashi Miyamoto'', which was released in 1954. Career Born in Tokyo as the son of a shinpa actor, Inagaki appeared on stage in his childhood before joining the Nikkatsu studio as an actor in 1922. Wishing to become a director, he joined Chiezō Kataoka's Chiezō Productions and made his directorial debut with ''Tenka taiheiki'' (1928). Returning to Nikkatsu, he continued making jidaigeki and participated in the Naritaki Group of young filmmakers such as Sadao Yamanaka and Fuji Yahiro who collaboratively wrote screenplays under the made up name "Kinpachi Kajiwara". Like others in the group, Inagaki was known for his cheerful and intelligent samurai films. Inagaki later moved to Daiei and then Toho, where he made big budget color spectacles as well as delicate works depicting the feelings of children. He also produced many films and wrote the scripts for dozens of others. Recognition His film ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Sekigahara
The Battle of Sekigahara (Shinjitai: ; Kyūjitai: , Hepburn romanization: ''Sekigahara no Tatakai'') was a decisive battle on October 21, 1600 (Keichō 5, 15th day of the 9th month) in what is now Gifu prefecture, Japan, at the end of the Sengoku period. This battle was fought by the forces of Tokugawa Ieyasu against a coalition of Toyotomi loyalist clans under Ishida Mitsunari, several of which defected before or during the battle, leading to a Tokugawa victory. The Battle of Sekigahara was the largest battle of Japanese feudal history and is often regarded as the most important. Toyotomi's defeat led to the establishment of the Tokugawa shogunate. Tokugawa Ieyasu took three more years to consolidate his position of power over the Toyotomi clan and the various ''daimyō'', but the Battle of Sekigahara is widely considered to be the unofficial beginning of the Tokugawa shogunate, which ruled Japan for another two and a half centuries until 1868. Background Toyotomi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daisuke Katō
was a Japanese actor. He appeared in over 200 films, including Akira Kurosawa's ''Seven Samurai'', ''Rashomon'', ''Yojimbo'', and ''Ikiru''. He also worked repeatedly for noted directors such as Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi. Career Born as Tokunosuke Katō to a theatrical family, his older brother was the actor Kunitarō Sawamura and his older sister the actress Sadako Sawamura. He joined the Zenshinza Theatre Company in 1933 and appeared in a number of stage and film productions under the stage name Enji Ichikawa, including Sadao Yamanaka's '' Humanity and Paper Balloons'' and Kenji Mizoguchi's '' The 47 Ronin''. After spending the war in New Guinea, he returned to Japan and signed with the Daiei Film studio, appearing now under the name Daisuke Katō. In addition to appearing in traditional jidaigeki roles, notably as one of Kurosawa's ''Seven Samurai'', Katō became a popular everyman in contemporary shōshimin-eiga movies. His transfer to Toho in 1951 wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
