Samba Da Benção
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Samba Da Benção
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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Batucada
Batucada is a substyle of samba and refers to a percussive style, usually performed by an ensemble, known as a bateria. Batucada is characterized by its repetitive style and fast pace. As is Samba, the Batucada is a Brazilian musical expression with African roots. Overview/Instruments The wide variety of instruments used in a batucada include: *Repinique, a high-pitched tom-tom like drum played with a single stick (or two long sticks) and the hand. Traditionally the leader of the ensemble uses the repinique (also referred to as 'repique') to direct and solo. *Surdo, a large drum with an average size of 50 cm in diameter. It provides the downbeat, the bass downbeat of the rhythm. When only one surdo is playing, it accentuates the 2nd and 4th beat of every measure. When a second surdo is playing, it is tuned slightly higher and is played accentuating the first and third beats of the measure. A third surdo de terceira or Surdo-mor syncopates in between the beats. *Tamborim, a smal ...
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