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Samagana
Sāma is composition of words in Rigvedic hymns from notes. The hymns of Rigveda form the base of ''Sāmagāna''. Sāmagāna is not merely a name given to singing hymns of Veda but represents the philosophy and science of uniting thought, sound and music. Sāmagāna is purpose of creation of Samaveda. Sāma Veda Sāma is singing of hymns from Rigveda alone and not from other Veda-s. "richi adhyoodham sama" ऋचि अध्यूढ्रम साम (Chhandog Upnishad 1.6.1). Hence Sāma is composition of words in Rigvedic hymns into notes. The richā-s or hymns of Rigveda are called yoni or ādhāra as they form the base of Sāmagān. In musicological parlance Sāma Veda has taken mātu (words) from Rigveda and provided dhātu (notes) to these words. (Bharatiya Sangeet Ka Itihaas. Dr. Thakur Jaidev Singh. Calcutta: Sangeet Research Academy, 1994, pp. 35 – 72) Parts of Sāma Veda Ārchika.आर्चिक् Only a few hymns in Sāma Veda Samhita were not based upon r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samaveda
The Samaveda (, from ' "song" and ' "knowledge"), is the Veda of melodies and chants. It is an ancient Vedic Sanskrit text, and part of the scriptures of Hinduism. One of the four Vedas, it is a liturgical text which consists of 1,875 verses. All but 75 verses have been taken from the Rigveda. Three recensions of the Samaveda have survived, and variant manuscripts of the Veda have been found in various parts of India. While its earliest parts are believed to date from as early as the Rigvedic period, the existing compilation dates from the post-Rigvedic Mantra period of Vedic Sanskrit, between c. 1200 and 1000 BCE or "slightly rather later," roughly contemporary with the Atharvaveda and the Yajurveda. Embedded inside the Samaveda is the widely studied Chandogya Upanishad and Kena Upanishad, considered as primary Upanishads and as influential on the six schools of Hindu philosophy, particularly the Vedanta school. The Samaveda set important foundations for the subsequent India ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigveda
The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. The sounds and texts of the ''Rigveda'' have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the ''Rigveda'' Samhita was composed in the northwestern region of the Indian subcontinent (see) Rigvedic rivers), most likely between 1500 and 1000 BCE, although a wider approximation of 19001200 BCE has also been given. The text is layered, consisting of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sri Aurobindo
Sri Aurobindo (born Aurobindo Ghose; 15 August 1872 – 5 December 1950) was an Indian philosopher, yogi, maharishi, poet, and Indian nationalist. He was also a journalist, editing newspapers such as ''Vande Mataram''. He joined the Indian movement for independence from British colonial rule, until 1910 was one of its influential leaders, and then became a spiritual reformer, introducing his visions on human progress and spiritual evolution. Aurobindo studied for the Indian Civil Service at King's College, Cambridge, England. After returning to India he took up various civil service works under the Maharaja of the Princely state of Baroda and became increasingly involved in nationalist politics in the Indian National Congress and the nascent revolutionary movement in Bengal with the Anushilan Samiti. He was arrested in the aftermath of a number of bombings linked to his organization in a public trial where he faced charges of treason for Alipore Conspiracy. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or ''saptaka''. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch. Most of the time a ''svara'' is identified as both musical note and tone, but a tone is a precise substitute for sur, related to tunefulness. Traditionally, Indians have just seven ''svara''s/notes with short names, e.g. saa, re/ri, ga, ma, pa, dha, ni which Indian musicians collectively designate as ''saptak'' or ''saptaka''. It is one of the reasons why ''svara'' is considered a symbolic expression for the number seven. Origins and history Etymology The word ''swara'' or ''svara'' (Sanskrit: स्वर) is derived from the root ''svr'' which means "to sound". To be precise, the ''svara'' is defined in the Sanskrit ''nirukt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lalmani Misra
Lalmani Misra (11 August 1924 – 17 July 1979) was an Indian classical musician. Initiation into music Lalmani learnt ''Dhruvapada (Dhrupad) Dhamar'' in the tradition of Shankar Bhatt and Munshi Bhrigunath Lal. He learnt ''Khayal'' singing with Ustad Mehndi Hussain Khan, a disciple of Ustad Vazir Khan of Rampur Seni Gharana. He received training in Dhruvpad, Bhajan and Tabla from Swami Pramodanand; in sitar from Shri Shukdev Roy. Under the tutelage of Ustad Amir Ali Khan, he perfected several other musical instruments. Lalmani was appointed on the post of assistant music director in Shehanshahi Recording Company, Calcutta at the age of twelve. He worked in several films for the next two years. His interaction with these two kindled an interest for orchestration in Lalmani. Making music work He returned to Kanpur in 1940 after his father's death. A musical prodigy himself, he experimented with ways of imparting musical training to children, at a time and place where learning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Indian Culture
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Mythology
Hindu mythology is the body of myths and literature attributed to, and espoused by, the adherents of the Hindu religion, found in Hindu texts such as the Vedic literature, epics like ''Mahabharata'' and ''Ramayana'', the Puranas, and regional literature like the Tamil ''Periya Puranam'' and ''Divya Prabandham'', and the '' Mangal Kavya'' of Bengal. Hindu myths are also found in widely translated popular texts such as the fables of the '' Panchatantra'' and the ''Hitopadesha'', as well as in Southeast Asian texts. Primary sources * Vedas ** Rig ** Sama ** Yajur ** Atharva * Itihasa ** Ramayana ** Mahabharata * Maha-Puranas **Agni Purana **Brahma Purana ** Brahmanda Purana **Bhagavata Purana **Devi-Bhagavata Purana **Garuda Purana **Kurma Purana **Shiva Purana **Skanda Purana **Markandeya Purana **Matsya Purana ** Narada Purana **Linga Purana **Padma Purana **Varaha Purana **Vayu Purana **Vishnu Purana *Bengali literature **Mangal-Kāvya *Tamil literature ** Divya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Texts
Hindu texts are manuscripts and voluminous historical literature which are related to any of the diverse traditions within Hinduism. A few of these texts are shared across these traditions and they are broadly considered Hindu scriptures. These include the Puranas, Itihasa and Vedas. Scholars hesitate in defining the term "Hindu scriptures" given the diverse nature of Hinduism,Dominic Goodall (1996), Hindu Scriptures, University of California Press, , page ix-xliii but many list the Bhagavad Gita and the Agamas as Hindu scriptures,Klaus Klostermaier (2007), A Survey of Hinduism: Third Edition, State University of New York Press, , pages 46–52, 76–77 and Dominic Goodall includes Bhagavata Purana and Yajnavalkya Smriti in the list of Hindu scriptures as well. History There are two historic classifications of Hindu texts: ''Śruti'' – that which is heard, and ''Smriti'' – that which is remembered. The ''Shruti'' refers to the body of most authoritative, ancient religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Texts
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a collec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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