Salvatore Rosa
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Salvatore Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, ...
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Detroit Institute Of Art
The Detroit Institute of Arts (DIA), located in Midtown Detroit, Michigan, has one of the largest and most significant art collections in the United States. With over 100 galleries, it covers with a major renovation and expansion project completed in 2007 that added . The DIA collection is regarded as among the top six museums in the United States with an encyclopedic collection which spans the globe from ancient Egyptian and European works to contemporary art. Its art collection is valued in billions of dollars, up to $8.1 billion USD according to a 2014 appraisal. The DIA campus is located in Detroit's Cultural Center Historic District, about north of the downtown area, across from the Detroit Public Library near Wayne State University. The museum building is highly regarded by architects. The original building, designed by Paul Philippe Cret, is flanked by north and south wings with the white marble as the main exterior material for the entire structure. The campus is par ...
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ...
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Inquisition
The Inquisition was a group of institutions within the Catholic Church whose aim was to combat heresy, conducting trials of suspected heretics. Studies of the records have found that the overwhelming majority of sentences consisted of penances, but convictions of unrepentant heresy were handed over to the secular courts, which generally resulted in execution or life imprisonment. The Inquisition had its start in the 12th-century Kingdom of France, with the aim of combating religious deviation (e.g. apostasy or heresy), particularly among the Cathars and the Waldensians. The inquisitorial courts from this time until the mid-15th century are together known as the Medieval Inquisition. Other groups investigated during the Medieval Inquisition, which primarily took place in France and Italy, include the Spiritual Franciscans, the Hussites, and the Beguines. Beginning in the 1250s, inquisitors were generally chosen from members of the Dominican Order, replacing the earlier practice ...
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Volterra
Volterra (; Latin: ''Volaterrae'') is a walled mountaintop town in the Tuscany region of Italy. Its history dates from before the 8th century BC and it has substantial structures from the Etruscan, Roman, and Medieval periods. History Volterra, known to the ancient Etruscans as ''Velathri'' or ''Vlathri'' and to the Romans as ''Volaterrae'', is a town and ''comune'' in the Tuscany region of Italy. The town was a Bronze Age settlement of the Proto-Villanovan culture, and an important Etruscan center (''Velàthre'', ''Velathri'' or ''Felathri'' in Etruscan, ''Volaterrae'' in Latin language), one of the "twelve cities" of the Etruscan League. The site is believed to have been continuously inhabited as a city since at least the end of the 8th century BC. It became a municipium allied to Rome at the end of the 3rd century BC. The city was a bishop's residence in the 5th century, and its episcopal power was affirmed during the 12th century. With the decline of the episcopate and th ...
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Salvator Rosa - Portrait Of The Artist's Wife Lucrezia - WGA20054
Salvator, original spelling of Salvador, may refer to: * Paulaner Salvator, the original doppelbock brand * ''Salvator'' (lizard), a genus of lizards * Salvator (horse) (1886–1909), an American thoroughbred racehorse * Salvator of Horta (1520–1567), a Spanish saint People with the given name * Salvator Cicurel (1893–1975), Egyptian fencer and Jewish community leader * Salvator Cupcea (1908–1958), Romanian physician * Salvator Fabris (1544–1618), Italian fencing master from Padua * Salvator Kacaj (born 1967), Albanian footballer * Salvator Rosa (1615–1673), Italian Baroque painter, poet and printmaker * Salvator Tongiorgi (1820–1865), Italian Jesuit philosopher and theologian See also * Salvador (other) * Salvator Mundi, a subject in iconography depicting Christ with his right hand raised in blessing * Salvatore (other) Salvatore may refer to: * Salvatore (name), a given name and surname, including a list of people with the name * Salvatore (son ...
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Self-portrait Of Salvator Rosa Mg 0154
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Bishop Of Viterbo
The Diocese of Viterbo ( la, Dioecesis Viterbiensis) is a Latin Church ecclesiastical territory or diocese of the Catholic Church in central Italy. From the 12th century, the official name of the diocese was the Diocese of Viterbo e Tuscania. In 1986, several dioceses were combined, and the title was changed to "Diocese of Viterbo, Acquapendente, Bagnoregio, Montefiascone, Tuscania and San Martino al Monte Cimino"; in 1991 the name was shortened to "Diocese of Viterbo"."Diocese of Viterbo"
''''. David M. Cheney. Retrieved January 2, 2017.

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Francesco Maria Brancaccio
Francesco Maria Brancaccio (15 April 1592, in Canneto, near Bari – 9 January 1675) was an Italian Catholic cardinal."Francesco Maria Cardinal Brancaccio"
''''. David M. Cheney. Retrieved 26 August 2016


Naples

Brancaccio was born on 15 April 1592, the son of Baron Muzio II Brancaccio, governor of Apulia and in the Kingdom of Naple ...
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Picturesque
Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in ''Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770'', a practical book which instructed England's leisured travellers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century. The term "picturesque" needs to be understood in relationship to two other aesthetic ideals: the ''beautiful'' and the '' sublime''. By the last third of the 18th century, Enlightenment and rationalist ideas about aesthetics were being challenged by looking at the experiences of beauty and sublimity as non-rational. Aesthetic experience was not just a rational decision – one did not look at a pleasing curved form and decide it was beauti ...
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Giovanni Lanfranco
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian painter of the Baroque period. Biography Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.Williamson, George. "Giovanni Lanfranco." The Catholic Encyclopedia
Vol. 8. New York: Robert Appleton Co ...
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Domenico Gargiulo
Domenico Gargiulo called Micco Spadaro ( – ) was an Italian painter of the Baroque period, mainly active in Naples and known for his landscapes, genre scenes, and history paintings. Life Domenico Gargiulo was the son of a sword maker. This earned Domenico the nickname 'Micco Spadaro' ('spadaro' means 'sword maker'). He was trained in the workshop of the battle-painter Aniello Falcone, where he was a contemporary of Andrea di Leone and Salvator Rosa. He also worked with Viviano Codazzi, to whose architectural paintings he added the figures.Oreste Ferrari. "Spadaro, Micco." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 April 2016 His early works were influenced by Paul Bril whose works he must have known from Bril's 1602 landscape frescoes in the atrium of S Maria Regina Coeli in Naples. He was also influenced by Filippo Napoletano. Among his pupils were Pietro Pesce and Ignazio Oliva. He was patronized by collectors such as Gaspar Roomer. He ...
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Aniello Falcone
Aniello Falcone (15 November 16001656) was an Italian Baroque painter, active in Naples and noted for his painted depictions of battle scenes. Some sources refer to him as ''Ancillo Falcone''. Biography Born in Naples the son of a tradesman, he showed his artistic tendency at an early age. He first received some instruction from a relative, before becoming one of the most prominent pupils of José de Ribera. He is best known for his battle scenes, their subjects taken from both biblical and secular history, and was nicknamed ''L'Oracolo delle Battaglie''. He gained an international reputation; his works attracted the attention of the Flemish dealer and collector Gaspar Roomer, who sold his work across Europe, and he was one of the artists commissioned by Philip IV of Spain to paint a series of scenes from ancient Roman history for the Buen Retiro palace. He also painted various religious subjects such as the signed and dated ''Rest on the Flight to Egypt'' of 1641 (Naples Cathe ...
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