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Salvatore Fighera
Salvatore Fighera (1771? – 5 May 1837) was an Italian composer of both sacred and secular music. Born in Gravina in Puglia, he completed his musical studies at the Conservatorio di Sant'Onofrio a Capuana in Naples and spent several years in Milan after leaving the conservatory in 1783. On his return to Naples he served as the ''maestro di cappella'' of several churches, most notably the Santuario di San Sebastiano Martire, a post he held until his death. Life and works Fighera was born in Gravina in Puglia, a town near Bari in southern Italy, but the year of his birth remains uncertain. No documents have been found in the town's archives recording his date of birth. The main 19th-century encyclopedia entries for Fighera, e.g. those by Francesco Florimo, François-Joseph Fétis and Giovanni Masutto, give his birth year as 1771. However, in his history of Naples published in 1857, Francesco Ceva Grimaldi states that Fighera died on 5 May 1837 "at the age of 85", making Fighera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gravina In Puglia
Gravina in Puglia (; nap, label= Barese, Gravéine ; la, Silvium; grc, Σιλούϊον, Siloúïon) is a town and ''comune'' of the Metropolitan City of Bari, Apulia, southern Italy. The word ''gravina'' comes from the Latin ''grava'' or from the messapic ''graba'', with the meaning of ''rock'', ''shaft'' and ''erosion of bank river''. Other words that share the same root are ''grava'', ''gravaglione'' and ''gravinelle''. Alternatively, when the emperor Frederick II went to Gravina, because of the large extension of the lands and for the presence of wheat, he decided to give to it the motto ''Grana dat et vina.'', that is to say ''It offers wheat and wine.''. Gravina is the home of the Alta Murgia National Park. History Thanks to its strategic position, Gravina has a very ancient history. Its territory has been inhabited since the Paleolithic, due to the high presence of water and woods. The largest remains date back to the Neolithic. The oldest settlements have been identifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Carolina Of Austria
Maria Carolina Louise Josepha Johanna Antonia (13 August 1752 – 8 September 1814) was List of consorts of Naples, Queen of Naples and List of Sicilian consorts, Sicily as the wife of King Ferdinand I of the Two Sicilies. As ''de facto'' ruler of her husband's kingdoms, Maria Carolina oversaw the promulgation of many reforms, including the revocation of the ban on Freemasonry, the enlargement of the navy under her favorite, Sir John Acton, 6th Baronet, Sir John Acton and the expulsion of Spanish influence. She was a proponent of enlightened absolutism until the advent of the French Revolution, when, in order to prevent its ideas gaining currency, she made Naples a police state. Born an archduchess of Austria, the thirteenth child of Empress Maria Theresa and Francis I, Holy Roman Emperor, Emperor Francis I, Maria Carolina married Ferdinand as part of an Austrian alliance with Spain, of which Charles III of Spain, Ferdinand's father was king. Following the birth of a male heir in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan Conservatory
The Milan Conservatory (''Conservatorio di Milano'') is a college of music in Milan, Italy. History The conservatory was established by a royal decree of 1807 in Milan, capital of the Napoleonic Kingdom of Italy. It opened the following year with premises in the cloisters of the Baroque church of Santa Maria della Passione. There were initially eighteen boarders, including students of both sexes. Today it is the largest institute of musical education in Italy. (In the ''Conservatorio'' drop down menu) Alumni and faculty In its 200-year history, the conservatory has educated some of Italy's most prominent musicians and conductors, including Fausto Romitelli, Oscar Bianchi, Luca Francesconi, Stefano Gervasoni, Marco Stroppa, Giacomo Puccini, Alfredo Piatti, Amilcare Ponchielli, Arrigo Boito, Giovanni Bottesini, Alfredo Catalani, Riccardo Chailly, Amelita Galli-Curci, Vittorio Giannini, Scipione Guidi, Bruno Maderna, Pietro Mascagni, Gian Carlo Menotti, Francisco Mignon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included composers Matteo Capranica and Joseph Haydn. Biography Porpora was born in Naples. He graduated from the music conservatory Poveri di Gesù Cristo of his native city, where the civic opera scene was dominated by Alessandro Scarlatti. Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet make a viable career. However, his enduring fame rests chiefly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavatina
Cavatina is a musical term, originally meaning a short song of simple character, without a second strain or any repetition of the air. It is now frequently applied to any simple, melodious air, as distinguished from brilliant arias or recitatives, many of which are part of a larger movement or scena in oratorio or opera. One famous piece that bears the name, although without words, is the 5th movement of Beethoven's String Quartet in B-flat major, Opus 130. "Ecco, ridente in cielo" from Gioachino Rossini's opera ''The Barber of Seville'', "Porgi amor" and "Se vuol ballare" from Mozart's ''The Marriage of Figaro'' are also well-known cavatinas. Ralph Vaughan Williams gave the title of "Cavatina" to the 3rd movement of his Symphony no. 8. In opera, the term has been described as: a musical form appearing in operas and occasionally in cantatas and instrumental music....In opera the cavatina is an aria, generally of brilliant character, sung in one or two sections without repeats ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canzonetta
In music, a canzonetta (; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especially as it moved outside of Italy, the term came to mean a song for voice and accompaniment, usually in a light secular style. Origins in Italy In its earliest form, the canzonetta was closely related to a popular Neapolitan form, the villanella. The songs were always secular, and generally involved pastoral, irreverent, or erotic subjects. The rhyme and stanza schemes of the poems varied but always included a final "punch line." Typically the early canzonetta was for three unaccompanied voices, moved quickly, and shunned contrapuntal complexity, though it often involved animated cross-rhythms. It was fun to sing, hugely popular, and quickly caught on throughout Italy, paralleling the madrigal, with which it later began to interact. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Antonio Zingarelli
Niccolò Antonio Zingarelli (; 4 April 1752 – 5 May 1837) was an Italian composer, chiefly of opera. Life Early career Zingarelli was born in Naples, where he studied (from the age of 7) at the Santa Maria di Loreto Conservatory under Fenaroli and Speranza. In 1789–1790 Zingarelli went to Paris to compose ''Antigone''. He left France hurriedly at the time of the revolution and eventually returned to Italy. He was appointed maestro di cappella at Milan Cathedral in 1793, and remained there until 1794, when he took up the prestigious post of maestro di cappella at the Santa Casa, Loreto. Rome In 1804, Zingarelli was appointed choir master of the Sistine Chapel in Rome. Seven years later he publicly refused, as an Italian patriot, to conduct a ''Te Deum'' for Napoleon's new-born son, known as King of Rome, in St. Peter's Basilica. As a result of this refusal he was captured and taken to Paris. Nevertheless, the Emperor was a great admirer of Zingarelli's music and soon gav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Name Day
In Christianity, a name day is a tradition in many countries of Europe and the Americas, among other parts of Christendom. It consists of celebrating a day of the year that is associated with one's baptismal name, which is normatively that of a biblical character or other saint. Where they are popular, individuals celebrate both their name day and their birthday in a given year. The custom originated with the Christian calendar of saints: believers named after a saint would celebrate that saint's feast day. Within Christianity, name days have greater resonance in areas where the Christian denominations of Catholicism, Lutheranism and Orthodoxy predominate. In some countries, however, name-day celebrations do not have a connection to explicitly Christian traditions. History The celebration of name days has been a tradition in Catholic and Eastern Orthodox countries since the Middle Ages, and has also continued in some measure in countries, such as the Scandinavian countri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Murat
Joachim Murat ( , also , ; it, Gioacchino Murati; 25 March 1767 – 13 October 1815) was a French military commander and statesman who served during the French Revolutionary Wars and Napoleonic Wars. Under the French Empire he received the military titles of Marshal of the Empire and Admiral of France. He was the 1st Prince Murat, Grand Duke of Berg from 1806 to 1808 and King of Naples as Joachim-Napoleon ( it, Gioacchino Napoleone, links=no) from 1808 to 1815. He was the brother-in-law of Napoleon Bonaparte. Early life Murat was born on 25 March 1767 in La Bastide-Fortunière (later renamed Labastide-Murat after him), in Guyenne (the present-day French department of Lot). His father was Pierre Murat-Jordy (d. 27 July 1799), an affluent yeoman, innkeeper, postmaster and Roman Catholic churchwarden. His mother was Jeanne Loubières (1722 – 11 March 1806), the daughter of Pierre Loubières and his wife Jeanne Viellescazes. Murat's father, Pierre Murat-Jordy, was the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Week
Holy Week ( la, Hebdomada Sancta or , ; grc, Ἁγία καὶ Μεγάλη Ἑβδομάς, translit=Hagia kai Megale Hebdomas, lit=Holy and Great Week) is the most sacred week in the liturgical year in Christianity. In Eastern Churches, which includes Eastern Orthodox, Eastern Catholic and Eastern Lutheran traditions, Holy Week occurs the week after Lazarus Saturday and starts on the evening of Palm Sunday. In the denominations of the Western Christianity, which includes the Roman Catholicism, Lutheranism, Moravianism, Anglicanism, Methodism and Reformed Christianity, it begins with Palm Sunday and concludes on Easter Sunday. For all Christian traditions it is a moveable observance. In Eastern Rite Churches, Holy Week starts after 40 days of Lent and two transitional days, namely Saturday of Lazarus (Lazarus Saturday) and Palm Sunday. In the Western Christian Churches, Holy Week falls on the last week of Lent or Sixth Lent Week. Holy Week begins with the commemoratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 51
Psalm 51, one of the penitential psalms, is the 51st psalm of the Book of Psalms, beginning in English in the King James Version: "Have mercy upon me, O God". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 50. In Latin, it is known as Miserere, ( grc, ἐλέησόν με ὁ θεός, eléēsón me ho theós) in grc, Ἥ Ἐλεήμων, Hḗ Eleḗmōn), especially in musical settings. The introduction in the text says that it was composed by David as a confession to God after he sinned with Bathsheba. The psalm forms a regular part of Jewish, Catholic, Eastern Orthodox and Protestant liturgies. Background and themes Psalm 51 is based on the incident recorded in 2 Samuel, chapters 11–12. David's confession is regarded as a model for repentance in both Judaism and Christianity. The Midrash Tehillim states that one who acknowledges that he has sinned and is fearful and prays to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Lady Of Sorrows
Our Lady of Sorrows ( la, Beata Maria Virgo Perdolens), Our Lady of Dolours, the Sorrowful Mother or Mother of Sorrows ( la, Mater Dolorosa, link=no), and Our Lady of Piety, Our Lady of the Seven Sorrows or Our Lady of the Seven Dolours are names by which Mary, mother of Jesus, is referred to in relation to sorrows in life. As ', it is also a key subject for Marian art in the Catholic Church. The Seven Sorrows of Mary are a popular religious theme and a Catholic devotion. In Christian imagery, the Virgin Mary is portrayed sorrowful and in tears, with one or seven swords piercing her heart, iconography based on the prophecy of Simeon in Luke 2:34–35. Pious practices in reference to this title include the Chaplet of the Seven Sorrows, the Seven Principal Dolors of the Blessed Virgin, the Novena in Honor of the Seven Sorrows of Mary, and the ''Via Matris''. The feast of Our Lady of Sorrows is liturgically celebrated every 15 September, while a feast, the Friday of Sorrows is obs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
