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Salon Carré
The Salon Carré is an iconic room of the Louvre Palace, created in its current dimensions during a reconstruction of that part of the palace following a fire in February 1661. It gave its name to the longstanding tradition of exhibitions of contemporary art in Paris which had its heyday there between 1725 and 1848. Since 1849, it has been permanently used by the Louvre Museum, which currently uses it to display Italian Renaissance painting. History When the Grande Galerie was built in the late 16th and early 17th centuries, a separate room was created at its eastern end above the lavishly decorated on the ground floor. That upper room was known at the time as or . This room was destroyed together with the nearby by the fire of 6 February 1661. Louis Le Vau rebuilt it on an expanded footprint, including further space to the north that gave it more width and its current name, even though its plan is rectangular and not square. In the 18th century the room was used for the , w ...
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Salon Carré D201805 1
Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (Paris), a prestigious annual juried art exhibition in Paris begun under Louis XIV * ''The Salon'' (TV series), a British reality television show * ''The Salon'' (film), a 2005 American dramatic comedy movie * ''The Salon'' (comics), a graphic novel written and illustrated by Nick Bertozzi Places * Salon, Aube, France, a commune * Salon, Dordogne, France, a commune * Salon, India, a town and nagar panchayat * Salon (Assembly constituency), India, a constituency for the Uttar Pradesh Legislative Assembly Other uses * Salon.com, an online magazine * Champagne Salon, a producer of sparkling wine * Salon Basnet (born 1991), Nepali actor and model See also * * Salon-de-Provence, France, a commune * Salon-la-Tour, France, a commune * Salo ...
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Pavillon Du Roi
The Pavillon du Roi was a tower-like structure built in the mid-16th century at the southern end of the Lescot Wing of the Louvre Palace. On its main floor (''piano nobile'') was the primary apartment of the King of France. The pavilion served as a major emblem of the French monarchy for more than a century, and its design had seminal influence. From the 17th century, however, it gradually lost its visual and symbolic prominence. In the early 1640s, it was eclipsed by the slightly larger and more ornate Pavillon de l'Horloge; in the late 1660s, its main southern façade was hidden behind new structures; and in the early 19th century, its upper level was demolished and its interior arrangements were entirely remodeled. History Pierre Lescot designed the Pavillon du Roi in the context of the partial rebuilding of the Louvre initiated by Francis I in the mid-1540s and continued by Francis's successor Henry II. Its construction was started in 1553 and completed in 1556. The tall b ...
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Alexandre Jean-Baptiste Brun
Alexandre Jean-Baptiste Brun (Marseille, 3 November 1853, Marseille; 5 November 1941) was a French painter, a pupil of Alexandre Cabanel, Carolus-Duran and Félix Bracquemond. He is especially known for his many marine paintings and a collection of watercolors on dark wash representing orchids. Biography Alexandre Jean-Baptiste Brun was born in Marseille on 3 November 1853. He studied painting at the Ecole des Beaux-Arts in Paris, with masters such as Alexandre Cabanel, Carolus-Duran and Félix Bracquemond. He painted with Adolphe Monticelli, Louis Tinayre and Henri Pinta. After a first marriage that left him widowed, on 4 May 1886, in the 14th arrondissement of Paris, he married Lucile Dutheil, with whom he had three daughters and a son. A marine painter, he made numerous illustrations for encyclopedias and books published by Sea of Larousse editions. An accomplished yachtsman, he accompanied Prince Albert 1st of Monaco on some of his oceanographic expeditions. The princ ...
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Giuseppe Castiglione (1829–1908)
Giuseppe Castiglione (1829–1908) was an Italian artist known for genre paintings and portraits. Castiglione was born in Naples, Italy. He moved to Paris early in his career and is thought to have studied painting there. He started exhibiting his paintings in Paris and Turin."Giuseppe Castiglione, (1829–1908)"
Lawrence J. Cantor & Company. Retrieved 27 February 2008.
He was a member of the Sociétaire des Artistes and was awarded honorable mention at the 1861 exhibition. He was awarded a medal at the Salon exhibition of 1869. ...
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The Raft Of The Medusa
''The Raft of the Medusa'' (french: Le Radeau de la Méduse ) – originally titled ''Scène de Naufrage'' (''Shipwreck Scene'') – is an oil painting of 1818–19 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). Completed when the artist was 27, the work has become an icon of French Romanticism. At , it is an over-life-size painting that depicts a moment from the aftermath of the wreck of the French naval frigate ''Méduse'', which ran aground off the coast of today's Mauritania on 2 July 1816. On 5 July 1816, at least 147 people were set adrift on a hurriedly constructed raft; all but 15 died in the 13 days before their rescue, and those who survived endured starvation and dehydration and practiced cannibalism (the custom of the sea). The event became an international scandal, in part because its cause was widely attributed to the incompetence of the French captain. Géricault chose to depict this event in order to launch his career ...
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Théodore Géricault
Jean-Louis André Théodore Géricault (; 26 September 1791 – 26 January 1824) was a French painter and lithographer, whose best-known painting is ''The Raft of the Medusa''. Although he died young, he was one of the pioneers of the Romantic movement. Early life Born in Rouen, France, Géricault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guérin, a rigorous classicist who disapproved of his student's impulsive temperament while recognizing his talent. Géricault soon left the classroom, choosing to study at the Louvre, where from 1810 to 1815 he copied paintings by Rubens, Titian, Velázquez and Rembrandt. During this period at the Louvre he discovered a vitality he found lacking in the prevailing school of Neoclassicism.See , p. 1. Much of his time was spent in Versailles, where he found the stables of the palace open to him, and where he gained his knowledge of the anatomy and action of horses. ...
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François Joseph Heim
François Joseph Heim (16 December 1787 - 29 September 1865) was a French painter. Biography He was born at Belfort. He early distinguished himself at the École Centrale of Strassburg, and in 1803 entered the studio of Vincent at Paris. He was a fellow student of Horace Vernet. He won the second place in the 1806 Prix de Rome. In 1807 he obtained the first prize, and in 1812 his picture of "The Arrival of Jacob in Mesapotomia" (Bordeaux Musée des Beaux-Arts) won for him a gold medal of the first class, which he again obtained in 1817, when he exhibited, together with other works, a St John — bought by Vivant Denon. And Jacob appeared again as he submitted ''Joseph's Coat Brought Back to Jacob'' to the Salon of 1817. In 1819 the "Resurrection of Lazarus" (Cathedral Autun), the "Martyrdom of St Cyr" (St Gervais), and two scenes from the life of Vespasian (ordered by the king) attracted attention. In 1823 the "Re-erection of the Royal Tombs at St Denis," the "Martyrdom of St La ...
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Charles X
Charles X (born Charles Philippe, Count of Artois; 9 October 1757 – 6 November 1836) was King of France from 16 September 1824 until 2 August 1830. An uncle of the uncrowned Louis XVII and younger brother to reigning kings Louis XVI and Louis XVIII, he supported the latter in exile. After the Bourbon Restoration in 1814, Charles (as heir-presumptive) became the leader of the ultra-royalists, a radical monarchist faction within the French court that affirmed rule by divine right and opposed the concessions towards liberals and guarantees of civil liberties granted by the Charter of 1814. Charles gained influence within the French court after the assassination of his son Charles Ferdinand, Duke of Berry, in 1820 and succeeded his brother Louis XVIII in 1824.Munro Price, ''The Perilous Crown: France between Revolutions'', Macmillan, pp. 185–187. His reign of almost six years proved to be deeply unpopular amongst the liberals in France from the moment of his coronation in 18 ...
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Versailles Palace
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. Some 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a simple hunting lodge on the site of the Palace of Versailles in 1623 and replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace in several phases from 1661 to 1715. It was a favorite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de facto'' capital of France. This state of affairs was continued by Kings Louis XV an ...
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Georges Rouget
Georges Rouget (26 August 1783 – 9 April 1869) was a neoclassical French painter. Life After studying in the École des Beaux-Arts, Rouget entered David's studio in 1797 and rapidly became his favorite student. Rouget began his professional career as his master's main assistant until David's exile to Brussels, collaborating with him on the canvases '' Bonaparte at the Grand-Saint-Bernard'', ''The Coronation of Napoleon'' (of which he made a copy signed by David), ''Leonidas at Thermopylae'' and on one of the three copies of the '' Portrait of Pope Pius VII''. Though he won the second prize in the Prix de Rome contest in 1803, he failed three times to win the first prize. He produced many canvases for the First French Empire and the Bonapartes, such as ''The Marriage of Napoleon and Marie Louise'' in 1811. His career spanned several regimes, and he produced numerous paintings of great moments in French history, often at the behest of the government. Many of his paintings adorn ...
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Pietro Antonio Martini
Pietro Antonio Martini (9 July 1738 – 2 April 1797) was an Italian painter and engraver, active in a late Baroque style. Biography He was born at Trecasali, within the duchy of Parma, a relative of the painter Biagio Martini. Pietro's father wished him to study law, but he arranged to have some training locally under Giuseppe Baldrighi in design, and then Benigno Bossi. In 1761, he won a prize at the Academy of Fine Arts of Parma. In 1769, with the patronage of the minister of the Duchy du Tillot and perhaps under the encouragement of the court architect Petitot, Pietro went to Paris to learn engraving working with Jacques-Philippe Le Bas. With the dismissal of du Tillot in 1771, his subsidy stopped, but he demurred in returning to Parma to settle, since he was no longer assured a post as professor of engraving in the Parmesan Academy of Fin Arts. He set forth on traveling through Italy, then up to Netherlands, and finally London. In 1787, he had a prominent exhibition of his ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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