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Salon Music
Salon music was a popular music genre in Europe during the 19th century. It was usually written for solo piano in the romantic style, and often performed by the composer at events known as "Salons". Salon compositions are usually fairly short and often focus on virtuoso pianistic display or emotional expression of a sentimental character. Common subgenres of salon music are the operatic paraphrase or fantasia, in which multiple themes from a popular opera are the basis of the composition, and the musical character-piece, which portrays in music a particular situation or narrative. Salon composers Many popular composers wrote at least a few pieces which fall into the category of salon music. Some pianists composed only salon music, but many of these specialists have become highly obscure. The following is a list of nineteenth- and early twentieth-century composers in whose work salon music was predominant. * Franz Behr * Carl Bohm * Mélanie Bonis * Georges Boulanger (violinist) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from '' musical form'' and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in varying ways, such as popular music and art music, or religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. Definitions In 1965, Douglass M. Green distinguishes between genre and form in his book ''Form in Tonal Music''. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of ''genre'', Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are violin concertos that have different form. However, Mozart's Rondo for Piano, K. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Herz
Henri Herz (6 January 1803 – 5 January 1888) was a virtuoso pianist, composer and piano manufacturer, Austrian by birth and French by nationality and domicile. He was a professor in the Paris Conservatoire for more than thirty years. Among his major works are eight piano concertos, a piano sonata, rondos, nocturnes, waltzes, marches, fantasias, and numerous sets of variations. Biography Herz was born Heinrich Herz in Vienna. He was Jewish by birth, but he asked the musical journalist François-Joseph Fétis not to mention this in the latter's musical encyclopaedia, perhaps a reflection of endemic antisemitism in nineteenth-century French cultural circles. As a child he studied with his father, and in Koblenz with the organist Daniel Hünten, father of the composer Franz Hünten. In 1816 Herz entered the Conservatoire de Paris, where he studied piano with Louis-Barthélémy Pradher, harmony with Victor Dourlen and composition with Anton Reicha. He won first prize in pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Pilati
Auguste Pilati (actual name "Auguste Pilate") (29 September 1810 – 1 August 1877) was a prolific French composer, opera conductor and occasional singer. He employed several pseudonyms including "Auguste Pilati Juliano", "A. P. Juliano", "Ate. P. Juliano", "A. Ruytler", "P. Ruytler", and "Wolfart". He wrote about 40 works for the stage, including operas, operettas, and ballets besides a very large number of popular songs and piano works. Career Born in Bouchain, a small town between Cambrai and Valenciennes in the French département Nord, Pilati studied at the Paris Conservatory where he won a first prize in solfège as early as 1823, but from which he was dismissed. Arthur Pougin (1880) described him as an "extremely fertile composer, whose name is virtually unknown to the public, although he was not without talent" (''"extrêmement fécond, dont le nom est pourtant à peu près inconnu du public, quoiqu'il ne fût point sans talent"''). He seems to have been able to live mainl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Pfeiffer
Georges Jean Pfeiffer (12 December 1835 – 14 February 1908) was a French composer, pianist, and music critic. He was a much sought-after chamber music partner in the second half of the nineteenth century in Paris. Life Pfeiffer was born in Versailles. Both his grandfather and his father Émile were piano makers. His mother Clara had been a pupil of Frédéric Kalkbrenner and Henri Bertini; at his parents' home in Paris, the Pfeiffers were regular hosts to musical salon events. Pfeiffer received his piano tuition from his mother, and he studied composition privately with Pierre Maleden and Berthold Damcke. In a self-organised concert in 1862, his operetta ''Le Capitaine Roche'' and the Piano Trio, Op. 14 were performed. At the London International Exhibition in the same year, Pfeiffer performed the piano part in his own Second Piano Concerto. Like his Franco-Irish friend Joseph O'Kelly, Pfeiffer was a partner in the piano and harp making firm Pleyel, Wolff, Lyon & Cie. Pfei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph O'Kelly
Joseph O'Kelly (29 January 1828 – 9 January 1885), composer, pianist and choral conductor, was the most prominent member of a family of Irish musicians in 19th- and early 20th-century France. He wrote nine operas, four cantatas, numerous piano pieces and songs as well as a limited amount of chamber music. Life O'Kelly, the first child of the Dublin-born piano teacher Joseph Kelly (1804–1856) and his wife Marie Duval (1803–1889), was born as Joseph Toussaint Kelly on 29 January 1828 in Boulogne-sur-Mer. Of his four brothers, two also became notable musicians: the music publisher Auguste O'Kelly (1829–1900) and the composer and pianist George O'Kelly (1831–1914). Around 1835 the family moved to Paris, where they lived at various addresses in the Faubourg Poissonnière area of the 9th arrondissement. Joseph received his early musical training from his father. As a foreign national he was not allowed to attend the Paris Conservatoire, instead he continued his education on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Oberthür (composer)
Charles Oberthür (born as Carl Oberthür) (4 March 1819 – 8 November 1895) was a German harpist and composer active in Germany, Switzerland and England. Biography The son of a violin maker, Oberthür was born in Munich and studied the harp there with Elisa Brauchle and composition with Georg Valentin Röder (1776–1848), music director at the Bavarian court. He was successively employed at theatres in Zürich (1837), Wiesbaden (1839), and Mannheim (1842), before he settled in London in 1844, initially as harpist at the Royal Italian Opera House. In 1861, he became the first Professor of Harp at the Royal Academy of Music, London. He died in London in 1895. Oberthür was the composer of over 450 works, most for or including the harp. He also published a useful harp method, his opus 36. His large-scale works have not been performed for many years and included the opera ''Floris de Namur'' (performed at Wiesbaden) and the cantatas ''The Pilgrim Queen'', ''The Red Cross Knight'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moritz Moszkowski
Moritz Moszkowski (23 August 18544 March 1925) was a German composer, pianist, and teacher of Polish-Jewish descent.Encyclopædia Britannica states that he was "German" born while other sources call him Jewish, for instance, Lewis Stevens in ''Composers of classical music of Jewish descent.'' His brother Alexander Moszkowski was a famous writer and satirist in Berlin. Ignacy Paderewski said: "After Chopin, Moszkowski best understands how to write for the piano, and his writing embraces the whole gamut of piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano at the Conservatory. Life Early life and career Moscheles was born 1794 in Prague, Bohemia, the son of Klara Popper (Lieben) and Joachim Moises Moscheles. He was from an affluent German-speaking Jewish merchant family. His first name was originally Isaac. His father played the guitar and was keen for one of his children to become a musician. Initially his hopes fixed on Ignaz's sister, but when she demurred, her piano lessons were transferred to her brother. Ignaz developed an early passion for the (then revolutionary) piano music of Beethoven, which the Mozartean Bedřich Diviš Weber, his teacher at the Prague Conservatory, attempted to curb, urging him to focus on Bach, Mozart and Muzio Clementi. After his father's early death, Moscheles set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanny Mendelssohn
Fanny Mendelssohn (14 November 1805 – 14 May 1847) was a German composer and pianist of the early Romantic era who was also known as Fanny (Cäcilie) Mendelssohn Bartholdy and, after her marriage, Fanny Hensel (as well as Fanny Mendelssohn Hensel). Her compositions include a piano trio, a piano quartet, an orchestral overture, four cantatas, more than 125 pieces for the piano, and over 250 lieder, most of which went unpublished in her lifetime. Although praised for her piano technique, she rarely gave public performances outside her family circle. She grew up in Berlin and received a thorough musical education from teachers including her mother, as well as the composers Ludwig Berger and Carl Friedrich Zelter. Her younger brother Felix Mendelssohn, also a composer and pianist, shared the same education and the two developed a close relationship. Due to her family's reservations, and to social conventions of the time about the roles of women, six of her songs were published u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and '' Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Désiré Magnus
Désiré Magnus (né Magnus Deutz; 13 June 1828 – 17 December 1883) was a Belgian concert pianist, teacher and composer of salon music who published under the pseudonym D. Magnus. Biography Magnus was born in Brussels and studied piano with Georg Jacob Vollweiler (1770–1847) in Heidelberg and also at the Brussels Conservatory, receiving the First Prize in 1843.''A Biographical Dictionary of Musicians'', second edition (New York: Schirmer), 1905, p. 371.John Denison Champlin Jr.: ''Cyclopedia of Music and Musicians'', vol. 2 (New York: Charles Scribner's Sons, 1899), p. 504. After several successful concert tours in England, Germany, Russia, Spain and other countries, he settled in Paris, and quickly gained a reputation as pianist, teacher, composer, and music critic. Magnus' performance on the Steinway concert-grand piano at the Exhibition Universelle of 1867 inspired a lithograph by Amédée de Noé. He died in Paris. Selected works ;Opera * ''La Tolédane'' (Paris: S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Lange
Gustav Lange (13 August 1830 – 20 July 1889) was a German composer known mainly for his melodious salon music for the piano. Life Lange was born in Schwerstedt, near Erfurt, Prussian Saxony, in 1830. He received initial musical training from his father on the piano and organ, followed by conservatory studies in piano, organ, thorough bass, and composition – probably at the Royal Institute for Church Music in Berlin. His teachers included August Wilhelm Bach, Eduard Grell, and Albert Löschhorn. He lived for many years in Berlin and died at Wernigerode Wernigerode () is a town in the district of Harz, Saxony-Anhalt, Germany. Until 2007, it was the capital of the district of Wernigerode. Its population was 35,041 in 2012. Wernigerode is located southwest of Halberstadt, and is picturesquely s ... in 1889. Music Encouraged by the success of some 1860s compositions, Lange produced a large number of works, most of which were light and popular piano pieces of which h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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