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Salomé (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marjorie Lawrence
Marjorie Florence Lawrence CBE (17 February 190713 January 1979) was an Australian soprano, particularly noted as an interpreter of Richard Wagner's operas. She was the first Metropolitan Opera soprano to perform the immolation scene in ''Götterdämmerung'' by riding her horse into the flames as Wagner had intended. She was afflicted by polio from 1941. Lawrence later served on the faculty of the School of Music at Southern Illinois University Carbondale. Her life story was told in the 1955 film ''Interrupted Melody'', in which she was portrayed by Eleanor Parker, who was nominated for the Academy Award for Best Actress for her performance as Lawrence. Early life Lawrence was born at Deans Marsh, south west of Melbourne. She was the fifth of six children of William Lawrence, the local butcher, and Elizabeth (née Smith) Lawrence, church organist. Her mother died when Lawrence was two and she was raised by her father's mother. Lawrence attended local schools, joined the choi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aino Ackté
Aino Ackté (originally Achte; 24 April 18768 August 1944) was a Finnish soprano. She was the first international star of the Finnish opera scene after Alma Fohström, and a groundbreaker for the domestic field. Biography Ackté was born in Helsinki. Her parents were mezzo-soprano Emmy Achté (née Strömer) and the conductor-composer Lorenz Nikolai Achté. The young Ackté studied singing under her mother's tutelage until 1894 when she entered the Paris Conservatory, studying under Edmond Duvernoy and Alfred Girodet. Her debut at the Paris Opera was in 1897 in ''Faust'' and she was signed on for six years as a result. Ackté's coterie included among others Albert Edelfelt, who painted a famous full portrait of her in 1901. Aino Ackté married a lawyer, Heikki Renvall, in 1901 and gave birth to a daughter, Glory, the same year. She officially adopted the surname Ackté-Renvall. Their son, Mies Reenkola, was born in 1908. In 1904 Ackté was engaged by the New York Metrop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Wittich
Marie Wittich (27 May 1868 – 4 August 1931) was a German operatic soprano. She was a Kammersängerin of the Dresden Royal Opera where she sang for 25 years and was known for the power, vibrancy and dramatic quality of her voice. She created the leading female roles in the world premieres of several operas, most famously, the title role in ''Salome'' by Richard Strauss. The novelist E. M. Forster, who saw her 1905 Dresden performance as Brünnhilde in ''Der Ring des Nibelungen'', wrote: "She towered. She soared. Force, weight, majesty! She seemed to make history." Biography Marie Wittich was born in Giessen and studied singing in Würzburg with Frau Ober-Ubrich, a sister of the prominent soprano Asminde Ubrich. She made her stage debut in 1882 in Magdeburg as Azucena in ''Il trovatore'' and went on to sing in Basle, Düsseldorf, Dresden, and Schwerin, where in 1886 she sang the title role of Gluck's ''Iphigénie en Aulide'' for the inauguration of the Mecklenburgisches Staat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
