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Salamone Rossi
Salamone Rossi or Salomone Rossi ( he, סלומונה רוסי or שלמה מן האדומים) (Salamon, Schlomo; de' Rossi) (ca. 1570 – 1630) was an Italian Jewish violinist and composer. He was a transitional figure between the late Italian Renaissance period and early Baroque. Life As a young man, Rossi acquired a reputation as a talented violinist. He was then hired (in 1587) as a court musician in Mantua, where records of his activities as a violinist survive. Rossi served at the court of Mantua from 1587 to 1628 as concertmaster where he entertained the ducal family and their highly esteemed guests. The composers Rossi, Monteverdi, Gastoldi, Wert and Viadana provided fashionable music for banquets, wedding feasts, theatre productions and chapel services amongst others. Rossi was so well-thought of at this court that he was excused from wearing the yellow badge that was required of other Jews in Mantua. Rossi probably died either in the invasion of Austrian troops, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salamone Rossi Madrigaletti
Salamone is a surname. Notable people with the surname include: * Alexi Salamone (born 1987), ice sledge hockey player * Antonio Salamone (1918–1998), member of the Sicilian Mafia * Francisco Salamone (1897–1959), Argentine architect * Salamone Rossi Salamone Rossi or Salomone Rossi ( he, סלומונה רוסי or שלמה מן האדומים) (Salamon, Schlomo; de' Rossi) (ca. 1570 – 1630) was an Italian Jewish violinist and composer. He was a transitional figure between the late Ita ... (ca. 1570–1630), Italian Jewish violinist * Salvatore Salamone, scientist and researcher * Thomas C. Salamone (1927–2014), American politician See also * Salamon, surname {{surname Italian-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canzonetta
In music, a canzonetta (; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especially as it moved outside of Italy, the term came to mean a song for voice and accompaniment, usually in a light secular style. Origins in Italy In its earliest form, the canzonetta was closely related to a popular Neapolitan form, the villanella. The songs were always secular, and generally involved pastoral, irreverent, or erotic subjects. The rhyme and stanza schemes of the poems varied but always included a final "punch line." Typically the early canzonetta was for three unaccompanied voices, moved quickly, and shunned contrapuntal complexity, though it often involved animated cross-rhythms. It was fun to sing, hugely popular, and quickly caught on throughout Italy, paralleling the madrigal, with which it later began to interact. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salamone Rossi, Hashirim Asher LeSholomon First Edition Title Page
Salamone is a surname. Notable people with the surname include: * Alexi Salamone (born 1987), ice sledge hockey player * Antonio Salamone (1918–1998), member of the Sicilian Mafia * Francisco Salamone (1897–1959), Argentine architect * Salamone Rossi Salamone Rossi or Salomone Rossi ( he, סלומונה רוסי or שלמה מן האדומים) (Salamon, Schlomo; de' Rossi) (ca. 1570 – 1630) was an Italian Jewish violinist and composer. He was a transitional figure between the late Ita ... (ca. 1570–1630), Italian Jewish violinist * Salvatore Salamone, scientist and researcher * Thomas C. Salamone (1927–2014), American politician See also * Salamon, surname {{surname Italian-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canzona
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone with the plural canzoni. The use of canzone as the plural is sometimes found in Italian, but is not common. English (and often German) uses the form canzona, with canzonas as the plural. Background The canzona is an instrumental musical form that differs from the similar forms of ricercare and fantasia in its livelier, markedly rhythmic material and separation into distinct sections. At first based on the Franco-Flemish polyphonic songs (chansons) that gave it its name, the instrumental canzona was soon independently composed, not least by Gabrieli in his brass canzonas and by Girolamo Frescobaldi in his keyboard canzonas. As a form, the canzona would influence the fugue, and the ensemble canzonas were the direct ancestors of the 17th-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio Sonata
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era. Basic structure The trio sonata typically consisted of three parts, two violins and (basso) continuo. However, the two violins could be substituted with pairs of flutes, recorders, oboes, or violin and viola da gamba. The third part, the continuo, has two components. First, it includes the bass line, which commonly was played by a bass viol, violone, violoncello, or bassoon. Second, it includes a harmony-producing instrument, such as a small organ, a harpsichord, or a theorbo. The continuo could be performed by two or more performers; a cellist to play the bass line and a harpsichordist or organist to focus on the harmonies. Because there normally are two people playing the continuo part, there are usually four players in all. This accounts for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monody
In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of the early 17th century, particularly the period from about 1600 to 1640. The term is used both for the style and for individual songs (so one can speak both of monody as a whole as well as a particular monody). The term itself is a recent invention of scholars. No composer of the 17th century ever called a piece a monody. Compositions in monodic form might be called madrigals, motets, or even concertos (in the earlier sense of "concertato", meaning "with instruments"). In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, , could simply refer to lyric poetry sung by a single performer, rather than by a chorus.) History Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chitarrone
The theorbo is a plucked string instrument of the lute family, with an extended neck and a second pegbox. Like a lute, a theorbo has a curved-back sound box (a hollow box) with a wooden top, typically with a sound hole, and a neck extending out from the soundbox. As with the lute, the player plucks or strums the strings with one hand while "fretting" (pressing down) the strings with the other hand; pressing the strings in different places on the neck produces different pitches (notes), thus enabling the performer to play chords, basslines and melodies. It is related to the ''liuto attiorbato'', the French ', the archlute, the German baroque lute, and the '' angélique'' or ''angelica''. A theorbo differs from a regular lute in that the theorbo has a much longer neck which extends beyond the regular fingerboard/neck and a second pegbox at the end of the extended neck. (The pegboxes enable the lute to be tuned by turning the pegs to make the strings sound at higher or lower pitche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tablature
Tablature (or tabulature, or tab for short) is a form of musical notation indicating instrument fingering rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the Renaissance and Baroque eras, and is commonly used today in notating many forms of music. Three types of organ tablature were used in Europe: German, Spanish and Italian. To distinguish standard musical notation from tablature, the former is usually called " staff notation" or just "notation". Etymology The word ''tablature'' originates from the Latin word ''tabulatura''. ''Tabula'' is a table or slate, in Latin. To tabulate something means to put it into a table or chart. Origin The first known occurrence in Europe is around 1300, and was first used for notating music for the organ. Concepts While standard notation represents the rhythm and duration of each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Grillo
Dom Angelo Grillo O.S.B. (1557–1629) was an Italian early baroque poet belonging to the noble Genoese family of the Spinola. He wrote mostly religious verse under his own name, but as Livio Celiano, his pseudonym, he wrote amorous madrigal texts. Biography Born in 1557 to a wealthy Genovese family, Grillo took Benedictine orders as a teenager in 1572. He rose to be abbot of several, including Saint Paul Outside the Walls in Rome, where he was one of the founding members of the Accademia degli Umoristi. Grillo's own religious poems began appearing in anthologies in 1585, and he published his first single-authored collection of ''Rime'' in 1589. A prolific writer, he published several other collections; in 1595 his ''Pietosi affetti'', his masterwork, appeared for the first time. He reworked and expanded the collection, and it was published eleven times by its arrival at a final version, a corpus of more than two thousand poems, in 1629. He died that same year. Impact and legac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Rinaldi
Cesare Rinaldi (12 December 1559 – 6 February 1636) was one of Bologna's most eminent poets. His verse was set to music as madrigals by Salamone Rossi and the circle of the Gonzaga Court at Mantua. He also wrote verse praising composers, such as Alessandro Striggio. During his entire life Rinaldi intertwined his work as a poet with the frequentation of painters and intellectuals: he was friend of the Carraccis and Guido Reni and close to Lavinia Fontana, Giovanni Valesio and other contemporary artists. Biography Ten years younger than Marino, Rinaldi was a forerunner of the new concettist and Marinist poets, and perhaps can be best described as a poet poised between a Mannerist style and a new interest in the concetto and the image. His earliest volume of poems was published in 1588. His ''Lettere'', published in two different editions in 1617 and 1620, were widely read. Although he did not become a member of the new Accademia dei Gelati, founded in Bologna in 1588 by Melchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
