Salammbô (Rachmaninoff)
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Salammbô (Rachmaninoff)
''Salammbô'' was a projected opera conceived by Russian composer Sergei Rachmaninoff around 1906. It was to be based on '' Salammbô'', a historical novel by Gustave Flaubert. The idea was long thought about, but Rachmaninoff was unable to find a suitable librettist and aborted the idea when his wife and daughter fell ill. Background After his two recent operas, ''The Miserly Knight'' (Op. 24, 1904) and ''Francesca da Rimini'' (Op. 25, 1905), achieved little success, Rachmaninoff eagerly considered another, larger project. Previously, he had made no written mention of this, but it is clear that he put great thought into the project, evidenced by a letter that he wrote to his friend Nikita Morozoff on March 19, 1906, which gives a scene-by-scene outline. The letter also requests that his friend contact Mikhail Svobodin, a journalist known for poetry, and ask him to write the libretto. Svobodin did not respond, so Morozoff attempted to write some, but Rachmaninoff rejected his wo ...
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Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the d ...
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Indiana University Press
Indiana University Press, also known as IU Press, is an academic publisher founded in 1950 at Indiana University that specializes in the humanities and social sciences. Its headquarters are located in Bloomington, Indiana. IU Press publishes 140 new books annually, in addition to 39 academic journals, and maintains a current catalog comprising some 2,000 titles. Indiana University Press primarily publishes in the following areas: African, African American, Asian, cultural, Jewish, Holocaust, Middle Eastern studies, Russian and Eastern European, and women's and gender studies; anthropology, film studies, folklore, history, bioethics, music, paleontology, philanthropy, philosophy, and religion. IU Press undertakes extensive regional publishing under its Quarry Books imprint. History IU Press began in 1950 as part of Indiana University's post-war growth under President Herman B Wells. Bernard Perry, son of Harvard philosophy professor Ralph Barton Perry, served as the first d ...
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Phoenicia In Fiction
Phoenicia () was an ancient thalassocratic civilization originating in the Levant region of the eastern Mediterranean, primarily located in modern Lebanon. The territory of the Phoenician city-states extended and shrank throughout their history, and they possessed several enclaves such as Arwad and Tell Sukas (modern Syria). The core region in which the Phoenician culture developed and thrived stretched from Tripoli and Byblos in northern Lebanon to Mount Carmel in modern Israel. At their height, the Phoenician possessions in the Eastern Mediterranean stretched from the Orontes River mouth to Ashkelon. Beyond its homeland, the Phoenician civilization extended to the Mediterranean from Cyprus to the Iberian Peninsula. The Phoenicians were a Semitic-speaking people of somewhat unknown origin who emerged in the Levant around 3000 BC. The term ''Phoenicia'' is an ancient Greek exonym that most likely described one of their most famous exports, a dye also known as Tyrian purp ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas By Sergei Rachmaninoff
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Operas Based On Works By Gustave Flaubert
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Monna Vanna
''Monna Vanna'' (russian: Монна Ванна) is an unfinished opera by Sergei Rachmaninoff after a play by Maurice Maeterlinck. Rachmaninoff had completed Act I in short vocal score, with piano accompaniment, and then he went to ask for permission to set the text in a full three-act treatment. However, another composer, Henry Février, had by then received the rights to an operatic setting of the text. Had Rachmaninoff proceeded to a complete operatic setting, such a work could not have been produced in European countries that were signatories to copyright laws that covered the work of Maeterlinck. This opera could only have been produced in countries that at the time were not signatories to European copyright law, such as Russia. Ultimately, Rachmaninoff abandoned further work on this opera and never wrote a complete setting. Years later, at the request of Sophie Satin, Rachmaninoff's sister-in-law, Igor Buketoff prepared a performing orchestrated edition of Act I, which h ...
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Indiana
Indiana () is a U.S. state in the Midwestern United States. It is the 38th-largest by area and the 17th-most populous of the 50 States. Its capital and largest city is Indianapolis. Indiana was admitted to the United States as the 19th state on December 11, 1816. It is bordered by Lake Michigan to the northwest, Michigan to the north, Ohio to the east, the Ohio River and Kentucky to the south and southeast, and the Wabash River and Illinois to the west. Various indigenous peoples inhabited what would become Indiana for thousands of years, some of whom the U.S. government expelled between 1800 and 1836. Indiana received its name because the state was largely possessed by native tribes even after it was granted statehood. Since then, settlement patterns in Indiana have reflected regional cultural segmentation present in the Eastern United States; the state's northernmost tier was settled primarily by people from New England and New York, Central Indiana by migrants fro ...
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Bloomington, Indiana
Bloomington is a city in and the county seat of Monroe County, Indiana, Monroe County in the central region of the U.S. state of Indiana. It is the List of municipalities in Indiana, seventh-largest city in Indiana and the fourth-largest outside the Indianapolis metropolitan area. According to the Monroe County History Center, Bloomington is known as the "Gateway to Scenic Southern Indiana". The city was established in 1818 by a group of settlers from Kentucky, Tennessee, the Carolinas, and Virginia who were so impressed with "a haven of blooms" that they called it Bloomington. The population was 79,168 at the 2020 United States census, 2020 census. Bloomington is the home to Indiana University Bloomington, the flagship campus of the Indiana University, IU System. Established in 1820, IU Bloomington has 45,328 students, as of September 2021, and is the original and largest campus of Indiana University. Most of the campus buildings are built of Indiana limestone. Bloomington has ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Salammbô
''Salammbô'' (1862) is a historical novel by Gustave Flaubert. It is set in Carthage immediately before and during the Mercenary Revolt (241–237 BCE). Flaubert's principal source was Book I of the '' Histories'', written by the Greek historian Polybius. The novel was enormously popular when first published and jumpstarted a renewed interest in the history of the Roman Republic's conflict with the North African Phoenician outpost of Carthage. Genesis After the legal troubles that followed the publication of ''Madame Bovary'', when he was tried and acquitted on charges of "immorality", Flaubert sought a less controversial subject for his next novel. In 1857, Flaubert decided to conduct research in Carthage, writing in March to Félicien de Saulcy, a French archeologist about his plans. In a letter to Madame de Chantepie dated 23 January 1858, he described his anticipation: "I absolutely have to go to Africa. This is why, around the end of March, I will go back to the co ...
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Francesca Da Rimini (Rachmaninoff)
''Francesca da Rimini'' (russian: Франческа да Римини, italic=yes), Op. 25, is an opera in a prologue, two tableaux and an epilogue by Sergei Rachmaninoff to a Russian libretto by Modest Ilyich Tchaikovsky. It is based on the story of Francesca da Rimini in the fifth canto of Dante's epic poem '' The Inferno'' (the first part of the ''Divine Comedy''). The fifth canto is the part about the Second Circle of Hell (Lust). Rachmaninoff had composed the love duet for Francesca and Paolo in 1900, but did not resume work on the opera until 1904. The first performance was on 24 January (O.S. 11 January) 1906 at the Bolshoi Theatre, Moscow, with the composer himself conducting, in a double-bill performance with another Rachmaninoff opera written contemporaneously, '' The Miserly Knight''.Steve Griffiths, "Review of vocal scores of Rachmaninoff's ''Francesca da Rimini'' and ''The Miserly Knight''", '' Musical Times'', 136 (1825), 148 (1995). Roles Synopsis ''The s ...
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